A Trip Towards the Temenos

A lo-fi documentary about the life of urban college youths

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On September 19, 2022, several young artists went to the streets of the city of Belgrade in order to find out what their fellow citizens had to say about an abstract painting. During the process, the idea of recording the survey itself was born.

Samba, Popping, and Jazz. Through these dance styles and documentary interviews, Bodies That Tell Stories seeks to discuss the standardization and whitening of dances that had their roots in Black people.

Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.

200 years after the Revolution of 1821, descendants of freedom fighters from Spetses meet with historians and recount the events, as they have survived in oral tradition and archives.

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The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.

A Day in TOKYO in 1968, Nostalgic bygone era. Planned by Japan National Tourism Organization. Produced by Koga Production. This film was produced to explain Tokyo for foreign tourists.

A summary of the Dominican Republic's undefeated championship run in the 2013 World Baseball Classic.

A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.

Graduation is approaching, marking the close of a chapter. I took my camera to Green Island, recording video letters day by day. But the camera became unruly, backup batteries went missing, and the trip began to go downhill. Typhoons arrived, and the video letters ceased... Finally, facing the sea beneath the sun, my camera non-responsive, I took a Dramamine, then boated back home.

The Simpsons: America's First Family is a 50 minute program which features the production of The Simpsons, celebrating the 10th anniversary of the series.

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An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.

Vito is a sweet little boy with Down syndrome, and this short documentary puts his energetic, jolly personality on full display as he interacts with his loving family. By showing Vito’s dignity and inherent value, Vito-Man tackles the difficult conversation that is the eradication of people with Down syndrome, proving that an extra chromosome should not be a death sentence.

As France's first ZAC (Zone d'Aménagement Concerté, or concerted development zone), Grigny is the ideal place to describe how France transformed its dream of a happy suburb into an impoverished urban nightmare. The film aims to leave the camera rolling throughout the story, to discover the inhabitants and the labyrinths of yesterday and today, and to answer the essential questions. From the residents to the architects, including the city of Grigny, the mayor, the prefect, the landlords, and the ANRU (National Agency for Urban Renewal), the film examines and deciphers the consequences of what happened in Grigny and the state's housing policy. Through the analysis of Grigny's history, we see how the state has participated and continues to participate in the creation of social exclusion.

This is not just a “folkumentary”, but an invitation to reflect on the future of humanity on a planet where tradition and technology coexist, and where the unknown reminds us that there are still unanswered questions.

In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.

Mariem Hassan, Sahrawi refugee, composer and Western Sahara's most emblematic singer, died of cancer in 2015. Soon before her passing, Mariem returned to the liberated territories of her homeland, where she had spent her childhood. There, she told us her story and sang for the last time. This film pays tribute to her last testimony and her art.