The Alphabeticians

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.

While emptying her grandparents' house, director Jeanne Lefevre discovers the journal kept by her grandfather during a scientific mission to Adélie Land, French Antarctic Territory, in 1960. Atomic engineer Bruno Parlier had never spoken of this trip to his family. With her archives in hand, Jeanne decides to follow in his footsteps, to Antarctica.

During his stay in Cape Town as a film student, Shatho Tibone was inspired by an initial casual trip he took to the scenic but informal settlement of Hangberg. This film focuses on the uncertainties and inhumane acts of police and state brutality faced by the predominantly Rastafarian, KhoiSan identifying community of Hangberg in Cape Town, South Africa. So, through the participatory collective effort of a few journalists, filmmaker and community leaders Shatho went on a 5 year journey to document the story of this community which has become an enigma in South African imagination,

In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured. A people who in 1994, embraced the concept of Desmond Tutu's all encompassing 'rainbow nation', but soon thereafter realized that freedom, privilege, economic growth and equality would not include them. A people who for more than 350 years has been disregarded, ignored, belittled, and stripped of anything they can call their own enduring a complex psychological oppression and identity crisis unparalleled in South African history.

For centuries, freeminers have held the right to mine coal anywhere within the Forest of Dean. To become a freeminer, one must be over 21, born within the hundred of St Briavels, and have worked underground for a year and a day. Today, Forestry England administers the mining tradition, with only a few freeminers still venturing underground in search of the elusive ‘black gold,’ helping to keep this unique heritage alive. This short documentary offers a rare glimpse into the lives of those most connected to this fascinating practice. Through their eyes, we explore the dark depths beneath the ancient forest floor and uncover an enduring way of life.

In early 2023 Historic England‬ commissioned MSDS Marine and Michael Pitts to produce a film to celebrate fifty years of Protected Wreck sites and the role volunteers have played in their management. The film draws on Michael’s extensive film archive as well as new footage to really showcase protected wreck sites through stunning imagery and explores the role volunteers have had on working on them through a series of interviews.

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The first of a documentary serie about rural France.

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A look at why Hamlet, a play that’s over 400 years old, holds a mirror up to society today. Filmed across four days of workshops with youth theatre groups across London: The Big House, Bush Theatre Young Companies, Centre 59, and Open Door.

Hanzi is a documentary exploring international design, visual culture, and identity through the lens of modern Chinese typography. The film covers a variety of topics such as how languages shape identity, and what role handwriting plays in the digital age.

Biography of a man who over came a physical handicap and went on to invent and create a successful company that made unique Christmas ornaments. A life hindered by a pandemic, depression, two world wars, fire and the annexation of his homeland by the Russians. A story of family, perseverance, grit, luck and love.

Expertly merging old VHS home movies with new family interviews, filmmaker Eddie Sánchez traces his parents' journey from Mexico to the U.S. in this poignant and affecting documentary debut.

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Deep in the heart of the Waveney valley, Master Thatcher Nick and his apprentice Olly work on the ancient roofs of east anglia. Keeping the craft alive, they challenge modern practices, following long standing traditional methods using local materials. This film accompanies them over a short day in their working lives, following their methods & musings and uncovering the ‘truth on the roof’.

This film was shot between 2014 and 2019 in the town of Zhili, a district of Huzhou City in Zhejiang province, China. Zhili is home to over 18,000 privately-run workshops producing children's clothes, mostly for the domestic market, but some also for export. The workshops employ around 300,000 migrant workers, chiefly from the rural provinces of Yunnan, Guizhou, Anhui, Jiangxi, Henan and Jiangsu.

Interweaving stonework and filmmaking, Beavers evokes memory through hammer strokes and chisel sounds that shape both image and rhythm. In this dialogue of repetition and variation, the film carves out a space where emptiness itself gains form, allowing vision beyond sight.

A house. A shelter. A man the last one left in the homeland. A woman returns to her community every year. The daughters and husband who have lost all traditions. A rapper who raps in the old language. In 1990 Susanna marries Udo. Their wedding is the last one celebrated between two Saxons in their village. After that the couple emigrated like half a million of Transylvanian Saxons. After 30 years in Germany the relationship between Susi and Udo has gone stale and they haven't taught their native language to their daughters that feel just German. Georg on the other hand is proud of his identity. He hopes with his rap to spread the young generations about the heritage to make them proud of being a Saxon. This is the choral story of a family who is learning to change in order not to disappear.

Why has letterpress printing survived? Irreplaceable knowledge of the historic craft is in danger of being lost as its caretakers age. Fascinating personalities intermix with wood, metal, and type as young printers save a traditional process in Pressing On, a 4K feature-length documentary exploring the remarkable community keeping letterpress alive.

Facing deteriorating machines and the advance of new technologies, Argentine printing presses are closing up their shops. A group of young designers has rediscovered this great technical innovation in the history of the written word – the typesetting printing press – but the technique is difficult to learn, passed down from master to apprentice. The last press mechanic in the country will be in charge of teaching them so that this historic technique endures.