Operation Guardabarranca

Through testimonies and images, the crude reality of human rights in Argentina in democracy is portrayed and the role of the hegemonic means of communication to make causes and protests invisible ...

Kat, a wheelchair user, navigates a city where access is improvised and progress remains uneven. Para-Paraan (Finding a Way Through) turns silence into protest, revealing how every workaround conceals a larger truth. Kat’s silence is not defeat but defiance, a quiet hope that someday, resilience will no longer be the only way forward.

Ompung Putra Boru, a sixties indigenous Batak woman from Humbang Hasundutan, North Sumatra, retraces her life stories through photographs that interweave her past and present as a wife, mother, healer and indigenous land defender in two neighboring villages. Her multi-layered stories are juxtaposed with visual records of everyday life in the two villages, where people’s living space is still increasingly threatened by a giant pulp expansion.

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I have been pretty satisfied with my life before I got on the bus. When I do in June 2011, my whole life turns upside down. I am just a regular passenger at first. Like other people I was sorry, and felt obliged to help and care for other passengers. Then I begin to film these common heroes with my camera. Those who speak about hope, who provide it and get on the bus, Ms. Kim Jin-suk, and other crane laborers who risk their safety while demonstrating for their rights on high. She, while stationed insecurely on high, begins interacting with the world through Twitter and makes friends. Then I realize I really love her. Will we have her back safely?

An exodus of migrants settled in Tijuana and they hope to cross each day regardless of the consequences, the children tell us what they see, want and what they are willing to pay.

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Sami reindeer herders win a Supreme Court victory against Europe’s largest wind farm - but when the state refuses to act, their fight reveals a deeper crisis of justice and trust.

One of the rooms inside the legendary Barba Azul Cabaret has become a shelter for the girls working there: the women's bathroom. Every night La Mami, who's in charge of the bathrooms, offers them the warmth and the advice they need to take on the challenge they face in the dance hall.

When the revolution in Nicaragua won its victory nearly 40 years ago, the world began to dream. A young generation was taking the reins in a country of grand utopias. From West Germany alone, 15,000 “brigadists” travelled to help rebuild the war-torn country: liberals, greens, unionists, social democrats, leftists and church representatives harvested coffee and cotton, built schools, kindergartens and hospital wards. No movement has mobilised so many people. What became of the hopes and dreams of the revolutionaries and their supporters?

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What is possible when we have guaranteed money to meet our basic needs? No requirements. No stipulations. No paybacks. We look to the village of Busibi to discover what’s possible when we give money directly to people. No strings attached. The answer lies in the residents’ personal stories. Their successes and tribulations illustrate the impact of one of the most daring projects in contemporary development cooperation. Their life stories unexpectedly prove to be all too familiar. They make us laugh. They move us. Blending in together, they create a colorful and poetic reality portrait, illustrating the big consequences of a small sum of money …

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The challenges of the present, expectations for the future, and the dreams of those who experience the reality of public high school in Brazil. Through the voices of students, principals, teachers and experts, "Not Even In a Wildest Dream" offers a reflection on the value of education.

An urgent and powerful documentary, shot in a detention centre where asylum seekers trying to reach Australian shores are indefinitely detained. Secretly shot on a mobile phone by Iranian journalist Behrouz Boochani while detained on Manus, in Papua New Guinea, the film is a collaboration with Dutch-Iranian filmmaker Arash Kamali Sarvestani. Boochani recounts, via the testimonies of fellow inmates, the abuse and violence inflicted and the precarious state of limbo they find themselves in. Chauka, the name of the dreaded solitary confinement unit within the detention centre, was originally the name of a beautiful bird and symbol of the Manus Island. By interweaving dialogue with two Manusian men and shots of daily life on the island, the film gives a much-needed voice to Manus inhabitants, understandably distressed by the current situation. With marked restraint, the film exposes lives broken by shocking immigration policies.

At a public hospital in Nicaragua, Ob/Gyn Dr. Carla Cerrato must choose between following a law that bans all abortions and endangers her patients or taking a risk and providing the care that she knows can save a woman's life. In 2007, Dr. Cerrato’s daily routine took a detour. The newly elected government of Daniel Ortega, a former Marxist revolutionary who converted to Catholicism to win votes, overturned a 130-year-old law protecting therapeutic abortion. The new law entirely prohibits abortion, even in cases of rape, incest, or when a woman’s life is at stake. As Carla and her colleagues navigate this dangerous dilemma, the impact of this law emerges—illuminating the tangible reality of prohibition against the backdrop of a political, religious, and historically complex national identity. The emotional core of the story—the experiences and situations of the young women and girls who are seeking care—illustrate the ethical implications of one doctor's response.

"letters to eleanore" is a poignant feature-length documentary that explores the intertwined journeys of two remarkable girls, Keith from Canto Grande in Lima, Peru, who bravely navigates life with cerebral palsy alongside her devoted mother, and Olivia from Litchfield, Minnesota, whose experiences highlight the stark contrasts in societal attitudes towards disability in their respective countries. As their narratives unfold, they are beautifully interwoven with the legacy of Eleanore and her family, whose life, untimely death, and the impact of her wheelchair ignited a powerful movement of hope for countless children and their families facing similar challenges. This film is not just a story of perseverance and love; it is a testament to the strength of community, brought to life through the collaborative efforts of volunteers, students, and communities across Peru and the United States, embodying a true grassroots style of storytelling that resonates with authenticity and compassion.

"Gaza Is Our Home" is a profoundly personal documentary that peels back the layers of devastation within the Gaza Strip, as witnessed through the lens of filmmaker Monear Shaer. His debut documentary was created out of agony as a timely, impactful, and tragic response to the collective anguish of all who call Gaza home... What began as an auto-generated slideshow on Monear’s iPhone of his own trip to see his family in 2021, has since transformed into a feature-length documentary. Through a tapestry of intimate interviews, unfiltered personal footage, and raw storytelling, "Gaza Is Our Home" transcends the political rhetoric and confronts audiences with the agonizing reality and ongoing cruelty thrust upon the film-makers own family. It is more than just a documentary... Rather, "Gaza Is Our Home" stands as a testament to the humanity behind the over 33,362 innocent lives massacred since Oct 2023...

The documentary begins when the fictionalized drama ends. Sara spent three years volunteering to save refugees on the same journey that made her so famous, and was suddenly arrested in Aug. 2018, accused by Greek authorities of running a criminal enterprise with charges including “international espionage and people smuggling.” If convicted, she faces up to 25 years in prison and the end of her humanitarian career. Shot over three years, the film follows Sara’s fight for justice and journey of self-discovery.

Anaben Pawar is an elderly tribal woman accused of witchcraft in rural India. Through Ana's story, we delve into a deep-rooted culture of patriarchy and examine one of the most monstrous attacks on women's bodies in modern India: the witch-hunt.