Thank You Dublin

From transvestites to transformers, we will follow the trail that will lead us in different and famous Parisian music-halls, such as the mythical Alcazar of Paris, La Grande Eugène. Whether they are below or beyond their character, often these men who are looking for themselves look at life with the humor of despair. Why this need to "transform" themselves? Why is it always the men who cross-dress and not the women? Why did the public flock to these shows in the 1970s and 1980s? Interpretations of famous characters such as Diana Ross, Josephine Baker, Billie Holiday, the Peter Sisters, the Andrew Sisters, Zizi Jeanmaire, Judy Garland, Sarah Bernhardt, among others, contribute to making this musical document an essential testimony of this era.

A close look at what really means to be part of Haus of Fraimpark, an alternative drag family in Panama City. Daughters and Nieces of Miss Veneno Fraimpark share their experience in belonging to one of Panama's most acclaimed drag houses.

Baltimore-based drag queen Shaunda Leer (Scott Murdock) discusses why she's chosen to perform in drag for over ten years. She also recounts several stories about her family relationships and concerns about her physical safety as a member of the GLBTIQ community.

Bruno, a 26 year old man starts to enter the Drag culture in Oporto in 2015. Initially he's rejected multiple times in various show rooms for being "way too gay". After two years the name Camel Toe is now famous because of his excentric personality wich gives him a voice when it comes to the defence of all kinds of artistic expression and in the fight against prejudice. Camel Toe comes to chock, through his irreverence, the city of Oporto and to tell us the story of his life as a metaphore for the revenge of an whole comunity in the contemporary days.

In Córdoba, far from the Argentine capital, the end of a military regime promises a spring that is all too brief. “La Delpi” is the only survivor of a group of friends who are transgender women and drag-queens, who began to die of aids in the late 80s. In a Catholic and conservative city, the Grupo Kalas made their weapons and trenches out of improvised dresses and lip-syncing. Today the images of unique and unknown footage are not only a farewell letter, but a manifesto to friendship.

Avant-Drag! paints portraits of ten drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism.

The film tells the story of the LGBTQIAP+ scene in Teresina and works as a rescue of street culture. In all, ten characters tell their stories through the screen , building the web that leads to a marginal and parallel reality. A rescue that comes from the 80s, through names like Samantha Menina, Monique Santos and many other important figures in this process.

Discover Les Ballets Trockadero de Monte Carlo (The Trocks), an all-male company that for 45 years has offered audiences their passion for ballet classics mixed with exuberant comedy. With every step they poke fun at their strictly gendered art form.

Legendary drag performer Ocaña in performance with a cardboard Marilyn on the west side of the Berlin Wall.

In Song of Myself (Section 51) we meet Thomas Michael Smith- a retired social worker, sign language interpreter, openly gay deacon in the Catholic church, and part time drag queen. Over a tour of his space, he shares what life containing multitudes looks like for him.

Victorian Queens takes a deep dive into the weird, wonderful and utterly unique landscape of Melbourne's drag community.

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An inside look into the effort to preserve Philadelphia's ballroom scene, a black LGBTQ safe-space that has endured for 30 years.

Portrait documentary of the Swedish drag show pioneer Christer Lindarw and his life both on and off the stage.

Follow Ruby Chopstix, Canada’s first drag artist-in-residence, as they navigate the complexity of being an underrepresented drag performer while creating a special showcase to create space for other queer BIPOC performers.

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.

“It ain’t easy…being green” is the favorite expression of Stormé DeLarverie, a woman whose life flouted prescriptions of gender and race. During the 1950s and '60s she toured the black theater circuit as a mistress of ceremonies and the sole male impersonator of the legendary Jewel Box Revue, America’s first integrated female impersonation show and forerunner of La Cage aux Folles.

A documentary that follows the Bixa Pare Collective during an edition of the Sarau Bixaria Literária, exploring art, freedom of expression, and issues surrounding the world of drag queens.

This short documentary film is a poetic and intimate portrait of two drag queens in Mexico City, Bárbara Durango & Tiresias , who narrate their story of coming into themselves and how their families and friends reacted.

A young drag queen from Andalusia exposes the difficulties of adding aspects of her homeland culture to her artistic expression.