Sight of the Fact

Miha invites his fiancée Minka to the dance, but he's tempted by another big desire of his - climbing. Frustrated Minka insists on the festivity, where she finds herself in a company of older hiker. However, all ends happily, as Minka and Miha, after many smaller adventures, meet at the top of Mount Triglav, where they sign the marriage contract, but also confirming their love for the mountains. In addition to its charming story, the movie features footage of picturesque Slovenian mountains.

A girl sitting on an autumn leaf-filled sidewalk communicates with a mysterious figure across the street.

In the early 70s, aspiring actor Om Prakash Makhija, and a famous starlet Shantipriya, are murdered. Thirty years later, his reincarnation Om Kapoor sets out to discover the mystery of their demise.

One man. One church. What could possibly go wrong?

A feud in the Adirondack Mountains develops when Randolph Shaw will not give up a shack and its acreage adjoining the estate of Lord Cecil Bazelhurst, whose wife, the former Evelyn Banks of Jersey City, married him for his title and now wants to get rid of Randolph's ugly shack. When Randolph meets Cecil's sister Penelope, a romance begins which is furthered after one of the Bazelhurst servants shoots Randolph in the arm for trespassing and Penelope, who earlier had looked upon the feud as a joke, runs away to Randolph's house and accepts his engagement proposal. Cecil and his men pursue Penelope, but are frightened away by Randolph's men and are forced to spend a miserable stormy night in the woods. The next day everyone becomes reconciled when Lady Evelyn realizes that the desired property will now be in the family, and Randolph offers Cecil and his men dry, if ill-fitting, garments to wear.

Drusilla Ives, a young Quaker girl living on an isolated island, leaves to become the servant of the spendthrift Duke of Guisenberry in London, who is the Lord of her village. She finds that she is attracted to the bustling city's night life, and when the duke discovers that she is a fine dancer, he helps her turn professional. In short order she becomes known as Diana Valrose, the city's favorite dancer. Unfortunately, her strict father and her Quaker fiancee, John Christison, back on the island find out about her newfound fame and career and strongly disapprove--her father places a curse on her and her boyfriend marries her sister Faith. Complications ensue.

When her traveling theatrical group goes broke, Poppy, an actress in the troupe, finds herself stranded in Singapore. She's reduced to working in a bar in the seedy part of town as a "hostess", where she meets a down-on-his-luck Englishman. While drunk he gets into a fight, and is forced to kill his opponent in self-defense. The girl helps him escape and goes to Sam, a shady plantation owner, to try to get them out of Singapore. However, Sam has his own plans for Poppy, and they don't include potential rivals for her affections.

Molly Bawn. British silent drama movie. Directed by Cecil M Hepworth. Starring Alma Taylor, Stewart Rome an Violet Hopson. adaptation of the1878 Irish novel of the same name by Margaret Wolfe Hungerford. Molly Bawn the novel by M. W. Hungerford contains her most famous idiom: "Beauty is in the eye of the beholder." It is also referenced in chapter 8 of James Joyce's Ulysses.

A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.

Madame Vervier, a sophisticated woman, sends her daughter Alix to live with Owen Bradley's parents in London.

On a dark Christmas Eve in a small town, the lone Sheriffs on the night shift encounter a mysterious man who goes by the name of Mr. Nobody. As the night progresses, the Sheriffs discover that this isn't just a nobody, but a vengeful killer whose past threatens to haunt them all.

School for Wives is a 1925 American silent drama film directed by Victor Halperin and starring Conway Tearle, Sigrid Holmquist, and Peggy Kelly. It provided an early role for the future star Brian Donlevy. Based on Leonard Merrick's 1907 melodramatic novel The House of Lynch, it was not well-received by critics.

Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.

A college student calls his groupmate to talk about their group project. A storm is raging outside — and inside.

Steven Kenet, suffering from a recurring brain injury, appears to have strangled his wife. Having confessed, he's committed to an understaffed county asylum full of pathetic inmates. There, Dr. Ann Lorrison is initially skeptical about Kenet's story and reluctance to undergo treatment. But against her better judgement, she begins to doubt his guilt.

From the 17th floor of an office building, Pierre is staring out a colleague that is here for hours.

An aging artist confronts his traumatic past as he paints a portrait of the beachside home he grew up in.

On a desolate farm, a couple's prayers are answered after a visitor offers them a sinister deal. Blinded by their joy, they struggle to realize that what they once desired may lead to their own unraveling.

Every day, a father works to accumulate the money needed to buy go-kart tires for his daughter and himself. At the racetrack or at home, nothing matters but each other's presence. But during their last autumn in the heart of nature and engines, his weakening health prompts him to reflect on the legacy he will leave to her.

Dr. Johannes Krafft climbs a 12,000-foot mountain over and over again to search for his wife, who was lost on their honeymoon. Another couple makes the dangerous climb with him.