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An undocumented immigrant explores his and his family's immigration trauma while grasping hope through a voicemail.

ATENTAMENTE is a film that, through the sensation of the time passing by and the presence of the death that wanders into a nursing home, allows us to feel the life through the illusion that love brings along. Libardo and Alba, a couple of elders who met each other at the nursing home where they live, they fall for, they become boyfriends and start to struggle in order to find fifty thousand pesos to rent a room for one night at a hotel so they can have a privacy moment, since at the nursing home where they live is not possible to have that. While struggling they must face each other, face their fears, their limitations, their pains, their time as well as their fragility so they can construct that moment in which they meet love. A struggle that seems to be easy, but for them is an odyssey against time, against their limitations and their own ghosts.

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In a nursing home, a young man visits his grandmother. As she constantly repeats that she wants to go home, his grandson visits her now empty apartment, seeking to capture memories of a fading past.

A group of elders spends their weekdays in a retirement home in Sandim, in the north of Portugal, where they talk, do arts and crafts, practice yoga and pray. We follow them between October 2012 and March 2013, when an economic crisis overshadowed Portuguese society and unemployment rates reached record levels. Meanwhile, arrangements are made for the Carnival ball. Will they bring the first place home this time?

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Grandma has become a little doddery. And since the death of her husband, called E.O., ever bigger gaps have opened in her memory, and her disorientation has increased. Director Astrid Menzel makes a decision: to take a ten-day canoe trip on northern German waters with her brother and the 86-year-old lady. An adventure whose outcome is uncertain and which the three travellers have to face anew at every stage.

A documentary portrait of elderly women living in a Kraków nursing home, observing daily rituals, illness, and waiting, shaped by recurring symbolic images of time and decline.

Kelly Finger-McNeela was diagnosed with Multiple Sclerosis her freshman year of high school. The only thing on her mind was living a "normal" life. Her disease threatened to make that impossible.

A choir of tired nurses sing to Anna-Mari Kähärä’s hypnotic tunes about the truths of everyday nursing work in a musical documentary directed by Susanna Helke and co-scripted by Helke and Markku Heikkinen. DocPoint’s opening film is new in its format, and jolting in its message. It is a cinematic-musical work of activism, calling for more humane work, life and old age.

Rosario is a mother and sitter. She makes lunch for her working son and takes care of young Nima and Nancy, picking them up from school and spending time with them in the park. This sincere slice of life documentary short reveals the power of love and considers the importance of society’s caregivers.

In order to meet future care demands for elderly who are lonely and suffering from dementia, carebot Alice has been developed. Can a robot build a human relationship with someone and thus replace a person of flesh and blood? The three women, all getting on in years, who are visited by her in Alice Cares actually become pretty fond of the robot girl. Carebot Alice leaves the laboratory to visit Mrs. Remkes, Mrs. Schellekens-Blanke and Mrs. van Wittmarschen, each in their own house. The three women are getting on in age and are therefore exceptionally suited for the services of Alice, who has been developed by SELEMCA. This is a research group which tries to discover, with the help of community nurses and family, how 'sociobot' Alice should talk and react to stem the effects of loneliness on older women. The outcome of the experiment is surprising for all involved.

Inside Belgrade's home for elderly people, couple of grandmas made a band. As the days go by, practices are getting harder and it makes them evaluate their lives. They have a tour for elderly people's homes across Serbia and one bigger concert with guest star drummer.

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Journalist Catriona MacPhee goes undercover as a cleaner at Castlehill Care Home in the Scottish Highlands, spending around seven weeks in the role. The documentary reveals deeply troubling conditions: neglect of basic care tasks, inattention to residents, inadequately followed care plans, staff shortages, unsanitary conditions, emotional distress among residents, and instances of intimidation or mistreatment. The film aims not only to expose failings at Castlehill but to raise broader questions about care home regulation, staffing, dignity, and accountability in the care sector.

A compelling call for justice, Stolen Time follows charismatic elder rights lawyer Melissa Miller as she takes on the corporate for-profit nursing-home industry—an industry notorious for its lack of transparency and accountability. As the legal battle unfolds, families, frontline caregivers and change-makers chronicle an urgent crisis with ramifications—and inspiration—for us all.

An undercover documentary examining standards of care in several residential facilities owned by Ireland's leading provider of private nursing homes.

Uruguay’s first sustained and systematic intergenerational initiative: a documentary following the daily encounters between older adults living in a nursing home and young children from a kindergarten.

Three Georgians with cerebral palsy fight to live life on their own terms. But as their families bind together, state policy tries to tear them apart.

In this awards-winning documentary, that aired nationwide on PBS stations in the United States, 71-year-old caregiver Marge fights for the relationship of her life, seeking to sustain her physically declining husband Walter with energy, hope, and love. (The web-exclusive series Caring for Walter is a re-edited version of this documentary and includes bonus interviews on the challenges of family caregiving.)