The Winter's Tale

A theater group begins their rehearsal on a play about a witness' account of a massacre eventually leading to a confrontation and inner conflicts of the actors portraying their roles.

Alex and André decide to give themselves one last chance to succeed in performing their theater pieces.

When the Tugendhat family had their villa built in the late 1920s, they had no idea how many stories it would inspire. A few years ago, British writer Simon Mawer wrote a novel called "The Glass Room." The novel tells the story of Liesel and Viktor Landauer, set in Brno between the two world wars. He was a promising industrialist, she was a rich beauty from a good family. As a wedding gift, they received a plot of land and had an Austrian architect build them a monumental house made of glass and concrete. Inside the house, their family life unfolds, but so do passionate stories of infidelity and even lesbian love. Through the glass of their villa, however, they can also observe the brown threat approaching from Hitler's Germany and the transformations of the young Czechoslovak Republic. When the threat becomes real, the Landauers understand that their time in the fictional City and in the house with the glass room has come to an end.

A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.

The son of the wealthy Signor Della Corba loves one of his maids. Her brothers and father rebel at the idea of this union. But the girl is pregnant, and after the birth of the child, Della Corba's son decides to kidnap his mistress on Carnival Day. The brothers, having caught wind of the plan, kill him, then, in disguise, take him masked to his father's house, passing him off as a drunken friend. At dawn, Della Corba discovers her lifeless son under the mask. The maid having died in the meantime, he takes the child in and adopts him.

Three people get together to read the play that one of them wrote; a play that recounts the love that these three experienced in the past. But perhaps not everything is as it is written there, perhaps not everything - or almost nothing - was like that.

Inés and Tavi, two old friends, reconnect after years apart. Despite their opposite personalities and lifestyles, their bond remains unbroken. Inés, a theater enthusiast, strives to return to her studies and break free from a relationship that stifles her and pulls her away from herself. Tavi, on the other hand, ventures down a dangerous path, surrounded by bad influences and driven by drug dealing, slowly pushing everyone around him away.

Before it was a movie, it was a theatrical phenomenon! When Helen learns that her husband is leaving her for her best friend, the women in her family are ready with advice. Her devout mother preaches strength and forgiveness, while her parolee grandmother shows up with a gun! Acclaimed African-American playwright Tyler Perry dares to mix sacred and secular humor with riotous results. Experience his most famous morality tale, now a major motion picture, in its original stage format...complete with live musical numbers!

This is a fairy tale about a girl who just lived and was, and about a boy who just lived and was. You may recognize yourself in these stories, but all coincidences with real people are accidental.

A group of theatre performers travel to London and put on a production they hope will repair cultural divides between India and Pakistan.

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Helene Alving leads an outwardly contented life. On the eve of the 10th anniversary of her husband's death, she is about to open an orphanage as a memorial to him. To mark this occasion, her bohemian painter son Oswald has returned from Paris. Helene plans to take the opportunity to tell Oswald the truth about his father. But ghosts of the past erupt during an eventful evening, bringing the facade of civilised family life crashing down.

Two sisters reunite on the anniversary of the death of their father. Their uncle has remodelled their family home, in an attempt at a fresh start. But one sister's sudden reappearance threatens to shatter this fragile idyll as she demands justice for the pain she carries. Amid the debris and the new extension, guilt, grief and greed battle it out in the family's competing dreams of their future. When we are faced with the suffering of others, even those closest to us, can we look away?

Squeezing out every drop of opportunity she has left, a young actress in the final rounds of her dream drama school audition is willing to risk and sacrifice everything (and everyone) to get what she desires.

In 1959 Hawkins, Indiana, Henry Creel hopes for a fresh start. His romance with outsider Patty Newby brings newfound hope, until local crimes force him to question if he's connected to the town's unfolding horrors. Filmed live from the Marquis Theatre in New York City between February 10–14, 2026.

A tragedy by Gotthold Ephraim Lessing.

Theatrical recording of the play from "Black Blood": 1917 was the year during the Great War that nearly led to a revolution in France. At that time, Merlin was a modest but passionate professor. Nicknamed Cripure by his students, he spent most of his time reflecting on the human condition, in the light of God, which was supposed to exist. Filmed in Théâtre du Cothurne in Lyon.

Having defied the ban on Creon and offered a burial to Polynice, her treacherous homeland brother, Antigone is condemned to a slow death in a stone tomb, despite the interposition of Hémon, her fiance, the son of Creon . Nevertheless, Creon ends up following the advice of his diviner Tiresias and, fearing the wrath of the gods, buries Polynices with dignity. When he is about to free Antigone, the young woman had already hanged herself. Mad with pain, Hémon commits suicide by his side.

On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires.

In May 2014, just months after Dan died, the DSM Foundation commissioned award-winning playwright Mark Wheeller to write a verbatim play that told his story, so other young people could learn the lessons he sadly no longer could, and make choices that would keep them safe. The title takes Dan’s joking last words to his mum, Fiona, before he left home for what turned out to be the last time: ‘I Love You, Mum – I Promise I Won’t Die’. Mark worked on the very first production with his talented youth theatre company in Southampton, Oasis Youth Theatre, and the play had its first public performances in March 2016, with previews in Southampton and its premiere at the BRIT school, just a mile from Dan’s home in Croydon, South London.