Homeless Angels

As Niagara Falls transformed from honeymoon capital of the world to Las Vegas North, corporate hotel chains and casinos cast a long shadow over the independent motels that once populated the town. The Continental survived the transition by converting its rooms into affordable housing units, becoming a home for those with few places to go. The night manager, Brian, once a freelance photographer who survived the horrors of war in Vietnam, shares his duties with his colleague Linda. Together they manage both the Continental and the individual struggles of its tenants, providing more than a roof over the heads of those who live under their supervision. Bringing a fresh focus to one of the most photographed places on Earth, director and cinematographer Jesse McCracken develops an intimate and caring portrait of the residents of this modest micro-community set against the backdrop of neon-lit tourist attractions.

Tell Them We Were Here is an inspirational feature-length documentary about eight artists who show us why art is vital to a healthy society and reminds us that we are stronger together.

Examines the intergenerational impact of addiction by chronicling the love, labor, loss, and uncertainty of one woman’s struggle to live a life of sobriety. Weaving together moments of glee, fulfillment, acceptance, sorrow, and disappointment, this documentary takes an intimate look at the bonds that hold one family together and a disease that threatens to tear them apart.

HOMELESS is a documentary that humanizes unhoused people and explores their backgrounds, dreams and struggles to find the way home. The film aims to raise awareness and funds to end homelessness, which is an ever more urgent global challenge: The United Nations Human Settlements Program estimates that 1.6 billion people live in inadequate housing, and the best available data suggests that more than 100 million people have no housing at all.

A homeless man living in a encampment in Minneapolis tells his perspective on the ongoing crisis of homelessness.

Homelessness in the United States takes many forms. For Elizabeth Herrera, David Lima and their four children, housing instability has meant moving between unsafe apartments, motels, relatives’ couches, shelters, the streets and their car. After 15 years of this uncertainty, the family moved into their first stable housing — an apartment in the San Francisco Bay Area — in the midst of the coronavirus pandemic.

49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.

Homeless man Robert (Bobby) Webb discovers the art of filmmaking, turning pages of his life into a heartfelt reel. Through his journey he finds hope and new meanings in unexpected aspects of his life as he relives them.

Where we come from shapes who we are, and how others see us. Home gives us a sense of belonging and stability. It’s so much more than just a physical structure. It’s our safety, our refuge, our launch pad. Yet, so many people in the U.S. face housing instability and homelessness. A shocking 76% of Americans live paycheck-to-paycheck. They are just one accident or injury away from losing everything. Losing a place to call their own. Our Journey Home explores how home shapes us and challenges our perceptions about people in need of public housing. The film examines the role we all play in supporting those who struggle in having a stable place from where they can grow and dream.

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Intimate true stories from St Kilda's Gatwick Private Hotel. Meet the incredible characters including sisters Rose and Yvette who dedicated their lives to caring for the forgotten.

It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?

Americans of various walks of live share their experience of schizophrenia.

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“Set against the rattle of shopping carts and the white noise of L.A. traffic... “Disco’d” is an unvarnished, moving look at the lives affected by the rising crisis of homelessness.” —Los Angeles Times

For five years, Stephen McCoy documented street life in Boston. This is what he captured.

Waifs, homeless, derelicts, almsmen, others, forgettens, outcasts, unwanteds. The Hotel of Waifs; a temporary resting place far from home, an amusement in a pale fun fair, an enthusiastic trip on roundabout ways of soul.

Now a successful filmmaker, Lorna Tucker was once a teenage runaway sleeping rough on the streets of London. For this frank, forceful and inspiring documentary, she returns to her former haunts and speaks to current and former homeless people about why, twenty-five years later, record numbers of people are still reduced to living on Britain's streets.

This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.

In January 2011 Paul Crane discovered a tent city in downtown St. Louis, along the Mississippi River. He was curious as to who these people were, how they ended up there, and what life was like for them each day. He initially thought he would simply go down during the day and capture footage when possible, but he quickly realized that if he wanted to truly capture how these people lived and the full reality of their collective and individual existence, he would have to be there full time and become a part of the place, so he moved in with them.