Charging The Rhino

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A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.

Forty years after the release of Claude Lanzmann’s monumental film Shoah, Guillaume Ribot reveals the director’s relentless pursuit to tell the untold, using only Lanzmann’s words and unseen footage from the masterpiece.

The incredible life of Jorge Semprún (1923-2011): son of a republican intellectual; exiled in the early days of the Spanish Civil War; survivor of the Buchenwald concentration camp during World War II; clandestine communist in Spain during Franco's dictatorship; controversial socialist politician; acclaimed writer, screenwriter and filmmaker.

This documentary tells three stories about Jewish properties stored during the Second World War, their Jewish owners and their non-Jewish custodians.

A moving meditation on guilt and reconciliation, Bloodlines explores the unwritten cost of war and genocide on future generations - of both victims and perpetrators. As Bettina Goering, grandniece of Nazi war criminal Herman Goering, searches for a way to come to terms with her heritage, she meets Ruth Rich, a painter and daughter of Holocaust survivors. At a time when seemingly irreconcilable divisions between groups are tearing the world apart, this deeply hopeful film is a beautiful testament to the power of dialogue and post-conflict reconciliation.

At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară

The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.

Filmmaker Peter Hegedus embarks on the challenging journey to make Sorella's Story, an immersive 360° film set on the beaches of Latvia in December 1941, when thousands of Jewish Women and children perished at the hands of Nazi collaborators. Along the way Peter teams up with Jewish-Australian 90-year-old Ethel Davies whose family was also killed in the same massacre.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

A documentary film about the Nazi criminal Stefan Rojek. Rojko was an SS-Oberscharführer in the Small Fortress Terezín during World War II, the "right hand" of the fortress commander Heinrich Jöckel. After the war he fled to Graz, later sentenced to life imprisonment, and was paroled on 24 June 1975. The film was made in cooperation with the SPB and the Memorial of National Suffering in Terezín.

As the campaign to force Jews out of Germany ramps up, the American government blocks efforts to help rescue many of these displaced persons, and Americans' antisemitism only seems to get worse.

This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.

In 1944 Rudolf Breslauer documented the everyday life in the Westerbork transit camp on film, commissioned by the German camp commander Albert Gemmeker. The Westerbork Film was never completed, but much of the raw footage is preserved.

French documentary that explores how the third generation deals with the memory of the Holocaust. It follows grandchildren of survivors—Camille, Frankie, Théo, and Mathis—as they inherit family secrets and the responsibility of bearing witness to this trauma

Serge Toubiana, director of the Cinémathèque française, sat down with director Claude Lanzmann in his office in Paris in January 2013 to discuss the making of his epic work. Their conversation, presented here, was recorded exclusively for the Criterion Collection.

The first woman rabbi in the world, Regina Jonas, comes to light, courtesy of Rachel Weisz – who plays her – and her father George Weisz, who was the executive producer for this poetic and beautiful documentary. The daughter of an Orthodox Jewish peddler, Jonas was ordained in Berlin in 1935. During the Nazi era and the war, her sermons and her unparalleled devotion brought encouragement to the persecuted German Jews. Regina Jonas was murdered in Auschwitz in 1944. The only surviving photo of Jonas serves as a leitmotif for the film, showing a determined young woman gazing at the camera with self-confidence.