Projekt Manhattan

The raft man Manuel Jacaré was swallowed by the sea when Orson Welles was filming It's All True in 1942. The fact evokes memories of the dictatorship of the Estado Novo, of World War II, of Ceará fishermen's struggle for labor rights and housing in their traditional space - target of real estate speculation.

This is Black is a conversation with and for the black community. We aim to dismantle the stereotypes and get rid of the stigmas by telling a few people's stories! Embark on a journey of spoken word and true stories!

After waiting all day long, an aspiring actor tries to grab the attention of the exhausted and hungry judges during the short audition.

An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.

A group of filmmakers shadow some glamour photographers in order to discover the skill involved in getting 'magic' to appear on the photos.

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In interviews, various actors and directors discuss their careers and their involvement in the making of what has come to be known as "cult" films. Included are such well-known genre figures as Russ Meyer, Curtis Harrington, Cameron Mitchell and James Karen.

Between 1968 and 1970, J M Goodger, a lecturer at the University of Salford, made a film record of the living conditions in the slums of Ordsall, Salford, which were then in the process of being demolished. Under the title 'The Changing face of Salford', the film was in two parts: 'Life in the slums' and 'Bloody slums'.

Poles forcibly displaced from the eastern lands after 1945 tell about their experiences, recall that difficult period when they had to leave their homes, leave all their possessions, neighbors. Paweł łoziński's Film is a story about people who had to start life from scratch in a new place. They can hardly hide their emotion, hold back tears. They're trying to make a whole out of memory chips.

A surreal exploration of the war in Bosnia told through the unbreakable spirit of seven of her people whose strength to leave was as powerful as the fight to stay. Through the lens of diaspora, the film captures not just the weight of displacement, but the defiant act of survival and the unwavering pursuit of home, no matter where the journey leads.

Directors Errol Morris and Werner Herzog describe and discuss the film The Act of Killing (2012).

Renata is a survivor from ED (Eating disorder). In this documentary, she tell us the story of how she dealed with that problem, which had putted her relationships and life at risk.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

Bryan Konietzko and Michael Dante DiMartino, co-creators of the hit television series, Avatar: The Last Airbender, reflect on the creation of the masterful series.

A bare-knuckled critique of corporate America told through the powerful true story of a toxic CEO who evolves from a profits-over-people, philandering executive to an unorthodox leader, populist messenger, and mentor to American influencers. It’s a story of growth, redemption and the impact of self-awareness on leadership and life.

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A full-scale invasion found the Kyiv director in a small Bedouin village in the Middle East. It was warm, safe, and unbearably far from home. Once the director had a prophetic dream. She decided to return to Kyiv, still the hostilities were unfolding. Despite the condemnation of relatives and the long journey, she finally managed to cross the threshold of her home. But the house itself has now become forever different.

A feature length cinema documentary on how THE FARMER (1977) became the most-requested cult film of the new millennium, and it's a crazy tale that involves an actor incarcerated for manslaughter, serious on-set injuries, banana-man costumes- as well as surprising links to Clint Eastwood and Martin Scorsese. The film also broadens its scope to explore the overlooked, eclectic and often ultra-violent sub-genre THE FARMER belongs to - The Returning Veteran film. A film type that hit its stride in the 1970's with hard hitting character studies such as WELCOME HOME, SOLDIERS BOYS (1971), THE NO MERCY MAN (1973) and ROLLING THUNDER (1977).

An exploration of masculinity through a close-knit Brazilian Jiu Jitsu community built on brotherhood and faith.

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