notice sur la métamorphose

Filmed from the last night of Tihar, festival of light, in Kathmandu 2025, exploring colour, light and stillness.

A race is on to save Gabon’s Moukalaba-Doudou National Park and the silverback gorillas that call it home. Once, this area was protected by a thriving oil industry, but now, big companies are moving out and the logging industry is poised to move in. Ecotourism could be the only way to prevent the trees of this rainforest from coming down, but a team of conservationists needs to make the gorillas of Gabon tolerant of humans first. Follow them as they get up-close with the gorillas, study their moves, and journey to war-torn Central African Republic to learn the secrets of successful gorilla habituation.

This is not just a “folkumentary”, but an invitation to reflect on the future of humanity on a planet where tradition and technology coexist, and where the unknown reminds us that there are still unanswered questions.

An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.

Short documentary consisting of archival footage and movies that depict the birth of the United States of America, from the Boston tea party to the Spanish American war

As the most dammed, dibbed, and diverted river in the world struggles to support thirty million people and the peace-keeping agreement known as the Colorado River Pact reaches its limits, WATERSHED introduces hope. Can we meet the needs of a growing population in the face of rising temperatures and lower rainfall in an already arid land? Can we find harmony amongst the competing interests of cities, agriculture, industry, recreation, wildlife, and indigenous communities with rights to the water? Sweeping through seven U.S. and two Mexican states, the Colorado River is a lifeline to expanding populations and booming urban centers that demand water for drinking, sanitation and energy generation. And with 70% of the rivers’ water supporting agriculture, the river already runs dry before it reaches its natural end at the Gulf of California. Unless action is taken, the river will continue its retreat – a potentially catastrophic scenario for the millions who depend on it.

Graduation is approaching, marking the close of a chapter. I took my camera to Green Island, recording video letters day by day. But the camera became unruly, backup batteries went missing, and the trip began to go downhill. Typhoons arrived, and the video letters ceased... Finally, facing the sea beneath the sun, my camera non-responsive, I took a Dramamine, then boated back home.

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The short film follows Endika, a director who, in the midst of a clash with his reality, transforms a documentary about paternal absence into a personal quest for reconciliation with his own father.

The American Southwest is a feature length blue chip natural history film narrated by indigenous environmentalist Quannah Chasinghorse. The movie journeys down the mighty Colorado River, examining the astonishing beauty and biodiversity of the region, while confronting the environmental destruction from dams and the perilous fate of the river. The story is told through never-before-seen wildlife sequences such as beavers building wetlands, condors recovering from the brink, and the potential return of Jaguars to American soil. The film beautifully advocates for better management of the river and increased wildlife conservation efforts in the iconic landscapes of The American Southwest.

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Through the eyes and voice of biologist Janine Benyus, the non-fiction feature “Biocentrics” takes the viewer through different corners of the planet to reveal the birth and the principles that guide biomimicry, a methodology of innovation inspired by nature. As a hub connecting ancestral knowledge, diverse cultures, natural technologies and initiatives that choose the continuity of life as their premise, the charismatic activist proposes a common agenda, a new posture and a tool, which is the vanguard of contemporary science, to face the global challenges that lie ahead and putting life back at the center of decision-making.

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Danusia and her daughter Basia live far away from the modern world, in tune with the rhythm and laws of nature, among animals and the spirits of the dead. The peace and sense of security offered by their enclave come at a price - the women increasingly long for contact with other people. Bucolic is an affectionate observation of people who live in a different way. It evokes a curiosity about their world and a desire to take a closer look.

A story of The Map and The Territory. Shot in BC, California, and Nevada. Original music by Tashi Townley, Jack Brintnell, Luc Wiebe, and George Lee.

An astonishing journey revealing the awesome power of the natural world. Over the course of one single day, we track the sun from the highest mountains to the remotest islands to exotic jungles.

One day, as you leave work and head home, something unexpected happens. Everywhere you go, paths begin to open and multiply. You can go anywhere you want, and with each place you choose, a new version of yourself emerges. You begin to disappear and in that disappearance you feel free: no longer being one, but becoming another, becoming many others. Individual experience gives way to the collective. A constant search for a place in the world. Walking toward the other, toward the unknown—yesterday, today, and tomorrow.

A continuously running two-channel installation, presented on 9" and 13" CRT monitors atop pedestals and overlooked by a green Kit-Cat clock. The smaller CRT bears a painted green square and is framed by a pair of crossed silver opera gloves, at whose intersection rests a vintage push-puppet of two boxers sharing a single red stand. Together, the two monitors display distinct video collages interweaving footage from Emerald Square Mall and the strike during its 1989 construction with remixed interferences from Channel J's Emerald City TV (1976–1979), Huge Video's Heat in the Night (1989), Genet's Un Chant d'Amour (1950), various cigarette commercials, The Wizard of Oz (1939), and a performance of a mylar-clad entity wrapping one of the televisions in videotape. The work has most frequently circulated publicly through its primary video channel.

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