Löwinger-Bühne: Die Zeitungsbraut

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Theatrical adaptation of the film of the same name. In a fair and funny one-woman show, dancer Andréa Bescond recounts her tainted childhood and the consequences for her adult life. A moment of pure emotion, an unforgettable journey that touches our hearts. Odette is eight years old when Gilbert, a family “friend”, drags her into secret tickling sessions. The rest is collateral damage. The child becomes a dancer, which will save her. Misunderstanding from family and friends, difficulty building a life...

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A collaboration in which Robert Wilson and Heiner Müller let Molière die, imagine his death in tableaux with text passages recited by Müller himself. "Cinema watches Death at work." Wilson's actors watch Molière die: their vigil is hard work. Müller's comment: "The poem watches a dying man at work, his name is Molière. The poem is not a film. The film watches an actor playing a dying man called Molière."

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Hitler's seizure of power in 1933 and his rule in the years that followed are transferred to the North American criminal world of the 1930s in a parable. Gangster boss Ui needs the protection of the ruling class to achieve his goals and offers his help to their representatives. They initially hesitate, but join forces after Ui violently gains their respect. His victory is perfect and the people fall silent before the revolvers of their "protectors". Ui takes the raised hands as a sign of approval... Bertolt Brecht wrote the play in 1941 in a Finnish asylum - the premiere only took place in Stuttgart after his death in November 1958. It has been staged at the Berliner Ensemble since 1959 - Ekkehard Schall has played Ui over 500 times since then. On January 13, 1974, the play was shown for the last time, recorded in color by GDR television.

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A young woman is trapped in the clutches of a musical-obssesed serial killer, having to perform for her life to free herself from the perfection she is expected to achieve.

Beatriz gets a second chance after failing in almost every aspect of her life while working as a substitute psychologist in her eccentric aunt's school. Funny enough, this school used to be her family's estate.

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Subversive hero or vile predator? Don Juan has appeared throughout history in many guises. Macha Makeïeff highlights the psychological and societal aspects of the character: desire, domination, and human darkness, which she contrasts with liberating and destructive laughter.

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