Mado fait son cabaret

Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.

Stage registration of the sixteenth show by the Flemish cabaret duo Kommil Foo. 'Schoft' is, once again, a show about the human condition. About mankind who tries to hold his own, but inevitably stumbles and falls. Time and again man will scramble up, only to fall again later. A laughable, but also comforting thought.

More important than the Kastaars, sharper than Viktor Verhulst's jawline and louder than Fien Germijns. The First Avenger of media criticism finally comes back out of the ice to shout from behind his tub. It has been a scary world without Xander De Rycke. Flemish films are successful again, VRT's weatherman has retired and Niels Destadsbader has been replaced by someone who calls himself Meteor. Not to mention the channel that was hijacked by Gert and James, that singing competition in carnival costumes and Tom Waes complaining about history with our tax money on a potato patch. But not to worry, your best friend is back with the only year-end conference that matters.

Áramótaskaup: 2013 is an annual Icelandic TV movie satirizing the events of the past year.

ROLAND REBER’S CABARET OF DEATH paints a multi-layered picture of existence and puts the taboo subject of death back in line into the circle of life. In various storylines a ruined relationship crosses paths with an old man begging for euthanasia, a live show featuring candidates who are mercilessly sacrificed to the audience, a dancer who cannot escape ageing despite her self-optimization and the one with the mask who craves to be famous at all costs. And between all this, a corpse driver rolls his “clients” through a long corridor and shares his very personal and unaffected thoughts about life and dea

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My name is Arnaud. I’m going to perform in the Trio show with Baptiste and Jérémy. I’ve been tasked with writing the pitch for the show. As I write these lines, I have no idea what it’s going to be. But roughly, here’s how it’ll go: we’re going to write a show, and it probably won’t go as planned because of one person. Apparently, me. Thanks to my vast experience, I’ll save the evening. Baptiste will follow me blindly because he loves me. Jérémy will yell at me. Because he’s an idiot. But one thing’s for sure: you’re going to laugh a lot. And so will we.

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Charles Price may have grown up with his father in the family shoe business in Northampton, central England, but he never thought that he would take his father's place. Charles has a chance encounter with the flamboyant drag queen cabaret singer Lola and everything changes.

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Stage registration of the eleventh show by the Flemish cabaret duo Kommil Foo. In 'Wolfijzers en Schietgeweren' Raf en Mich Walschaerts collect the best songs and stories from their old shows and turn it into a new show.

A stadium on a winter evening. The women’s team of the local rugby club are training in the cold. In the stands, Jojo, an intern at a small newspaper, prepares for his first interview.

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Olivia, a Franco-American writer, returns to her ancestral village in the south of France to write the story of her grandmother, who fled Paris during the Nazi invasion during World War II. There, she meets Madeline, a talented local artist, who quickly replaces her grandmother as the face of the novel. As a number of strange coincidences ensue, fiction and reality intermingle uncannily, and Olivia starts to ask whether she's part of history's unfolding story, or vice-versa.

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After Sean Reilly, an earnest, self-deprecating, NY to LA transplant learns his slothful, less talented best friend gets a starring role on a hit TV show, he must battle his own insecurities and jealousy as well as the egocentric, spray-tanned male star of the show that is threatening his childhood friendship.

Among Swiss specialities, raclette is envied around the world and fills our stomachs and winter evenings, as well as inspiring the greatest comedians.

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In his show La formidable ascension sociale temporaire de G. Verstraeten (The Temporary Social Rise of G. Verstraeten), Guillermo Guiz, whose real name is Guy Verstraeten, reflects on his own journey and on what he sees as problematic in today's society. The main theme of his one-man show is gentrification and how to deal with it in relation to one's desire for social justice.