One Flew Over Dadaab

HOMELESS is a documentary that humanizes unhoused people and explores their backgrounds, dreams and struggles to find the way home. The film aims to raise awareness and funds to end homelessness, which is an ever more urgent global challenge: The United Nations Human Settlements Program estimates that 1.6 billion people live in inadequate housing, and the best available data suggests that more than 100 million people have no housing at all.

In this epistolary film, the traveler gives us his impressions of Africa parallel to the expression of his amorous distress. The images of the present intertwine with the incessant echoes of lost love, combining intimate pain with the misery of a country torn apart by internal struggles and poverty.

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A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. A reflection on the importance of human rights.

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Poetry is everywhere, even in the refugee camps where absolute misery reigns. In front of old plastic advertising posters on which are drawn in giant format the big icons of luxury and consumerism that make up their shelters, refugee children stand like kings. Symbols of life at the heart of war, fragility, and death, these children are shown by Jocelyne Saab as precious notes of hope in the heart of a dehumanized world. One Dollar a Day was filmed in the Syrian refugee camps of the Bekaa plain, Lebanon in 2015, with text by Etel Adnan.

The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.

An estimated 12 million people live in refugee camps worldwide and only 0.1% are resettled, repatriated, or integrated into normal society each year. The feature-length documentary.

What happens to the crew aboard a pirated ship, the MV iceberg 1, hijacked for over 11 months.

"We, the Yazidis, became doves. Doves without wings", says Hedil. Stranded with her family in a Yazidi refugee camp in Eastern Turkey, she reminisces about her former life in Northern Iraq and recounts the horrors of her escape. The film follows two families' attempts at normality in an otherwise miserable place. (ML)

Two Dutch lawyers, Michiel Pestman and Victor Koppe, travel to Cambodia in 2011 to defend Nuon Chea in an international tribunal. Nuon Chea, also known as Brother No. 2, was the second man after Pol Pot in the Khmer Rouge regime. He is being charged with mass murder and crimes against humanity. For four years, the documentary follows the lawyers in their attempt to give this man a fair trial, but the UN tribunal is beset by local interests and a government which consists partly of other former members of the Khmer Rouge who would really like all of the blame to rest solely on the defendant. What should've been the crowning achievement in the careers of the lawyers turns out very different.

The story of Canadian Lt. Gen. Roméo Dallaire and his controversial command of the United Nations mission to Rwanda during the 1994 genocide. The documentary was inspired by the book Shake Hands with the Devil: The Failure of Humanity in Rwanda which was published in 2003.

Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.

Explores the history of the Afrikaners and Afrikaner nationalism, and the development of apartheid and its relevance to South Africa's political situation today.

As the Syrian war continues to leave entire generations without education, health care, or a state, Lost in Lebanon closely follows four Syrians during their relocation process. The resilience of this Syrian community, which currently makes up one fifth of the population in Lebanon, is astoundingly clear as its members work hard to collaborate, share resources, and advocate for themselves in a new land. With the Syrian conflict continuing to push across borders, lives are becoming increasingly desperate due to the devastating consequences of new visa laws that the Lebanese government has implemented, leaving families at risk of arrest, detention, and deportation. Despite these obstacles, the film encourages us to look beyond the staggering statistics of displaced refugees and focus on the individuals themselves.

This 90-minute special presents the complex and riveting history of Rwanda, providing an in-depth look at the propaganda campaign that's crucial to understanding how genocide leaders got ordinary citizens to participate. In 1994, the small African country was awash in blood. An estimated 75 percent of the Tutsi minority was slaughtered, and in just 100 days, more than 800,000 were killed. And, at least 50,000 politically moderate Hutus also perished. We explore the 1994 genocide and post-genocide period, and grapple with the question: How does a country recover from its haunted past? Unfolding through firsthand experiences of Rwandans who lived through the genocide, we document stories of survivors, perpetrators, and government officials and sort through the difficulties of balancing justice with reconciliation.

On Sept. 11, 2001, deep inside a White House bunker, Vice President Dick Cheney was ordering U.S. fighter planes to shoot down any commercial airliner still in the air above America. At that moment, CIA Director George Tenet was meeting with his counter-terrorism team in Langley, Virginia. Both leaders acted fast, to prepare their country for a new kind of war. But soon a debate would grow over the goals of the war on terror, and the decision to go to war in Iraq. Cheney, Defense Secretary Donald Rumsfeld, and others saw Iraq as an important part of a broader plan to remake the Middle East and project American power worldwide. Meanwhile Tenet, facing division in his own organization, saw non-state actors such as Al Qaeda as the highest priority. FRONTLINE’s investigation of the ensuing conflict includes more than 40 interviews, thousands of pages of documentary evidence, and a substantial photographic archive.

In a town near Calais that looks like the Wild West, big-hearted 50-year-old Lydie shelters Zimako, an unruly, paperless migrant from Togo.

The make or break story of a Somali-Australian refugee who went back to where he came from to do battle with ruthless pirates and Islamic militants - and transform his broken homeland into a modern African State.

12-year-old Dyab is a Kurdish Yazidi boy living at Arbat refugee camp, after the horrendous attacks by the Islamic States on their villages at Shingal Mountains (Sinjar). However, Dyab’s dream is, to become a filmmaker and actor and tell the stories and sufferings of his people to the outside world.