I'M NOT A PERSON

An electric transition. The void left by a vice disguised as false promise to escape, is reclaimed by a new frequency, louder, colder, more transcending: C.R.Y.S.T.A.L. (Cognitive Rupture Yielding Synthetic Trance and Luminality). Through a synesthesia of stroboscopic light and sound pulses that pierce the viewer's consciousness, this short film is a sensorial trance that documents the disintegration of an individual. There's no narrative, only the vibration of a substance that reprograms the body until light is the only thing left within them. A feedback loop where the flash is, at the same time, consumption and the end of being.

After fifteen years of unconventionally kinetic stage antics (sometimes involving fire breathing, on-stage raffles, and a guy named "Dirty" who was essentially the band's resident cheerleader), the band gave their bittersweet farewell performance for an army of costume-clad fans - some of which even flew in from other countries - on their favorite day of the year to perform, Halloween. And here you have it, the band's final live performance from San Diego's Westin Hotel Ballroom, marking the end of an era and the affirmation of their cemented presence in the slightly emptier world of rock n' roll. Filmed Oct. 31st 2005 in San Diego, CA.

Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.

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'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'

160 meters is the distance between the two banks of the estuary of Bilbao. An economic, social and cultural approach at two ways of looking at life.

Jim and Loz Beck are brothers from Chipping Norton. They play rock'n'roll together since they're 8 years old. At 18, they leave the boring british countryside to live and work on their music in London. Jim starts working in a Cultural association while Loz discovers the pleasures of the student life. The film is driven by the raw punk music and the deeply political and emotional lyrics from their two piece band Cassels. In this intimate portrait, Jim and Loz will confront their strong artistic point of view and their DIY approach to the reality of the music industry and the social and economical London's life.

A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.

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Amateur documentary chronicling the first six years of Showbread's touring career. Previously available as the main feature of the independently released How Showbread Ruined My Life DVD.

After an intruder infiltrates her apartment, Allie must deal with the remnants of painful memories that she refuses to accept.

A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.

Featuring portions of over a dozen songs, humorous British 'punk' ads, opinions, Ronnie Biggs, Malcolm McLaren (of course!), and a fantastic not-so-candid Lydon interview.

Singer Tina Turner rises to stardom while mustering the courage to break free from her abusive husband Ike.

Director Drew Stone’s The New York Hardcore Chronicles Film is an incredible journey through the community and culture of the iconic New York hardcore scene. Not the typical history of a local music scene but so much more. Shot in an episodic format, the film contains over 60 interviews, never before seen footage, photos and a blazing soundtrack. With appearances by Roger Miret & Vinnie Stigma (Agnostic Front), Lou Koller, Craig Setari (Sick Of It All), Ray Cappo (Youth Of Today), Billy Graziadei (Biohazard), Billy Milano (S.O.D. / M.O.D.) and Mike Judge (Judge). The film addresses the community, culture, straight edge and DIY ethic of the hardcore scene in the greatest city in the world that is still vibrant, relevant and going strong to this day.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

1. In the Flesh - 2. X Offender - 3. Denis – 4. Detroit 442 – 5. (I'm Always Touched by Your) Presence, Dear - 6 . Picture This - 7 . Hanging on the Telephone - 8. Heart of Glass - 9. Dreaming - 10. The Hardest Part - 11. Union City Blue - 12. Atomic - 13. The Tide Is High - 14. Rapture - 15. Island of Lost Souls - 16. Maria - 17. Good Boys

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.

Washington, D.C.'s Government Issue perform live in this two-concert DVD. Filmed during a 1985 tour of California, both shows highlight songs from the albums "Joy Ride" and "The Fun Just Never Ends." Lead singer John Stabb belts out tunes including "Puppet on a String," "4-Wall Hermit," "World Caved In," "Hear the Scream," "Blending In" and "Mad at Myself," igniting audiences at both venues into full-blown Punk Rock frenzy.