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In a north Indian village, a family reunites at their ancestral home to celebrate a new birth in the family. It’s a joyous, carefree occasion. Over the next two decades, through festivals and feasts, births and deaths, the film observes one house as it ages and falls to neglect.

The story is set at the beginning of the 20th century in Sicily. Salvatore, a very poor farmer, and a widower, decides to emigrate to the US with all his family, including his old mother. Before they embark, they meet Lucy. She is supposed to be a British lady and wants to come back to the States. Lucy, or Luce as Salvatore calls her, for unknown reasons wants to marry someone before to arrive to Ellis Island in New York. Salvatore accepts the proposal. Once they arrive in Ellis Island they spend the quarantine period trying to pass the examinations to be admitted to the States. Tests are not so simple for poor farmers coming from Sicily. Their destiny is in the hands of the custom officers.

Taro, who recently graduated from high school, doesn't know what he wants to do. He rents a house and plot of land in the country-side determined to make a living in agriculture. His expectation is great as the girl he likes, Yoko, will also go with him, but his father, recently laid off by his company's down-sizing, is also tagging along and so begins the the trio's strange life in the country. Set at a solitary house in the middle of the desolate, country-side, the relaxed tempo and off-hand humor are impressive despite the themes of parent-progeny conflict and reconciliation that unfold in the film.

Christine’s father died when she was still a small child, and she remained in the care of her sadistic mother, who beat her and abused her psychologically. Christine is still convinced that her mother hid a farewell letter from her beloved father. Jean’s father committed suicide several years ago, and left behind a lengthy letter, but Jean never found the courage to read it. Together, Christine and Jean embark on a unique road trip across the French countryside to visit Christine’s mother, and try to confront the past.

A gigantic investment project brings assistant Frank Schröder back to his home, the border triangle. Torn between appropriation, small-mindedness and rivalries, his plan for a major collaboration threatens to fail. But Schröder does not give up and manages to turn things around. But then his boss wants to go wolf hunting.

A middle-aged woman in Busan searches for the son she lost in Gilsodom during the Korean War.

In a remote woodland cabin, a small town doctor discovers Nell — a beautiful young hermit woman with many secrets.

Athena, a girl caught in the routine, leads a life of denial of her father’s illness and fights herself for his love.

Sophie, a quiet and shy maid working for an upper-class French family, finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers.

A grown son and daughter. Mom and Dad quarrel whenever they get a chance. Family camping for the first time is less romantic than I thought.

A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.

A small-town couple with big dreams of making their family complete must persevere through infertility and tragedy.

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Salaam Kashmir revolves around two men - Tomy Eeppan Devassy and Sreekumar. Jayaram plays Sreekumar, a character who does all the domestic work expected from a wife in normal course. Into this peaceful world enters Tomy (Suresh Gopi) disrupting the domestic bliss and bringing out an unexpected twist.

A storm is coming; the winds are getting strong. The real source of the ominous winds lies with Jina, who finds the strange word 'LingLing' written in her father’s notebook. She suspects he is cheating on her mother, who appears to be bored with life and fills the house with potted plants as if to show for her apathy. The film too is riddled with images of humid air and foul-smelling water, impure and overflowing. The sway of her father’s fishing pole and the flutters in Jina’s skirt seem perilous and unstable. When her anxiety and doubts finally come to a head, the family squarely face the rough downpour brought on by the storm. The director’s talent in boldly translating the characters desires and sensibilities into a narrative with powerful imagery is quite impressive.

Three generations of Youngseok’s family live together in a house. Even though his mentally ill grandmother’s time on this Earth is gradually running out, Youngseok is embarrassed by the way she behaves like a child in front of his friends despite her efforts to take care of him. The film displays the challenges of a family who live with a dementia patient, told from young Youngseok’s perspective. Dreamlike summer nights in the film evoke the innocence of childhood, and the gathering of dear friends and family.

After a teen boy's failed suicide attempt, his family decides to keep a secret that may push him over the edge. Over the course of an afternoon, the secret begins to unravel as siblings and ideologies clash.

During a summer vacation, Ok-ju and Dong-ju move into their grandpa's house. While Dong-ju adapts to his new home, Ok-ju feels awkward about this new environment. Once their soon-to-be-divorced aunt also moves in, and as Ok-ju spends time with her family, the house and her grandpa start to grow on her.

A strong-willed peasant girl is sent by her father to the estate of some local aristocrats to capitalize on a rumour that their families are from the same line. This fateful visit commences an epic narrative of sex, class, betrayal, and revenge.