Alciede Capitane

In this color short, Albert Conti brings Mary Carlisle inside a studio to see some new outfits available at J.J. Haggarty’s, Los Angeles.

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Short film about an express steamer

Jirón is the story of “Jirón de niebla” (Shred of Fog), the last film made by Mexico’s duque of horror, Carlos Enrique Taboada, which, for several reasons, was never shown or premiered. The mistery behind the disappearance of this film will be revealed in a series of interviews with the people who worked on it.

During the COVID-19 pandemic, two college students set out to make a revolutionary television show. The pilot episode was uncovered and presented alongside exclusive interviews with the cast and crew.

Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.

Documentary about the lost 1914 film "Sperduti nel buio". Film historian Denis Lotto journeys across Europe following the trail of the lost movie.

Captain Kleinschmidt leads an expedition sponsored by the Carnegie Museum to the arctic regions of Alaska and Siberia to study the natives and the animal life.

A Football Match at Newcastle-on-Tyne refers to a one-minute film recorded in October 1896 by English film pioneer Robert William Paul. According to several film and sports historians, it was the first known recording of a football match.

"Scenes from their (Guilherme and Lia Torá's) tests in Brazil, others taken at Paulo Benedetti's studio and garden, some excerpts from footage in which they are not present, excerpts from the 'formidable' reception in New York and natural scenes: of trains and Fifth Avenue." (Cinearte, 07.03.1929)

In 1985, Star Trek's George Takei joined a group of dedicated fans to make a student film deep in the California forest—only for the footage to mysteriously vanish. Nearly 40 years later, Beam Me Up, Sulu unearths this lost film, revealing not just a piece of fan history but a broader story of representation, resilience, and the ongoing fight for inclusion in media and society. The film was released as Yorktown: A Time to Heal (2022)

Vitagraph’s Battle of Santiago Bay (1898) blended real Spanish–American War footage with tabletop trickery. Albert E. Smith’s authentic San Juan material looked underwhelming, so he and partner J. Stuart Blackton staged the naval clash on a miniature set: cardboard ships afloat in shallow water, firecracker “explosions,” and clouds of smoke from cigars and cigarettes. Spliced together, the hybrid film was embraced as genuine by audiences and became one of the most popular war films of its day.

LeGrande, an old trapper, refuses to vacate his favorite hunting grounds when ordered to do so by Sampson and other settlers, and his life is only saved through the intervention of his daughter, Joan. The rascals soon learn to fear the girl's keen wit and daring, and Sampson, already pledged to marry Sanchezza, a Mexican girl, falls in love with Joan.

Sex star gives an explosive behind the scenes view of the people who make sexual fantasies come true on the silver screen. Sex Stars is the first feature documentary made by Lech Kowalski.

A staged actuality attributed to the Biograph Company, produced during the Spanish–American War. The film depicts a Jack Tar climbing a mast in Puerto Rico, tearing down the Spanish flag, and replacing it with the American Stars and Stripes. Contemporary accounts note that such scenes brought U.S. audiences to their feet in patriotic fervor, serving as powerful wartime propaganda. The film is generally considered lost, with its existence recorded in writings by Erik Barnouw and other historians of early cinema.

In 1975 French Oscar-winning documentary filmmaker Pierre Dominique Gaisseau traveled to Panama to make a film on the indigenous island-dwelling Kuna people. Accompanied by his wife and their daughter, Gaisseau lived with the Kuna for a year, gaining their trust and filming their most intimate ceremonies. He promised to share the resulting film with the community, but that never happened. Fifty years later, the Kunas are still waiting to discover “their” film, now a legend passed down from the elders to the new generation. One day, a hidden copy is found in Paris…While uncovering this fascinating story with humility and warmth, Swiss-Panamanian filmmaker Andrés Peyrot succeeds in capturing a true sense of culture and place. The result is simultaneously a cautionary tale raising questions around how and why documentaries are made and for whom, and a testament to the power of what it means to see yourself on the big screen.

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Lost film from 1888, directed by William Friese-Greene.

A line is shot to the man clinging to the overturned boat. He fastens it to his body using all his fast failing strength. The crew pull him through the surf to the shore, where he is rolled and patted and worked over until resuscitated.