

Voices of Muslim Women from the US South
Overview
When one thinks of the American Deep South, the image of veiled Muslim students strolling the University of Alabama campus is the last thing that comes to mind. VOICES OF MUSLIM WOMEN FROM THE US SOUTH is a documentary that explores the Muslim culture through the lens of five University of Alabama Muslim students. The film tackles how Muslim women carve a space for self-expression in the Deep South and how they negotiate their identities in a predominantly Christian society that often has unflattering views about Islam and Muslims. Through interviews with students and faculty at Alabama, this film examines representations and issues of agency by asking: How do Muslim female students carve a space in a culture that thinks of Muslims as terrorists and Muslim women as backward?
Top Cast
Lubna Alansari
Herself
Sehar Ezez
Herself
Jessica King
Herself
Alexandria Riggs
Herself
Hailah Saeed
Herself
Ranita Sharif
Herself
Rashmee Sharif
Herself
Key Film Crew
Production Stats
You May Also Like

A follow-up to "The Leader, His Driver, and the Driver's Wife", about the history of the far-right group AWB and its leader Eugene Terre'Blanche.
His Big White Self

Five transgender women share their prison experiences. Interviews with attorneys, doctors, and other experts are also included.
Cruel and Unusual

Under the shade of a Magnolia tree, a group of pregnant women gathers weekly. Among them is Teresa, an experienced midwife who listens to them attentively. Sitting in a circle, the women reflect on the impending birth of their children and their own emerging roles as mothers.
Waiting Time

From Belgium, Jialai Wang maintains contact via smartphone and camera with her mother and grandmother in China. When her grandmother’s health deteriorates, Jialai returns to Shanghai, but when she arrives, her grandmother has already died, and she is left alone with her mother. A devout Buddhist, her mother seems to pay more attention to her daily prayers, Maoist past and dog Dongdong than she does to her daughter. She herself had been abandoned as a child by her own mother, when she divorced Jialai’s grandfather and moved to the city.
Pāragate

Every day, at sunrise, the Sítio Porto Alegre School students arrive by boat for another school day. As Professor Rui seeks to catch the attention of the 3rd grade children, new principal Leidi and school boatman Raimundo try to solve the lack of fuel problem caused by the little money sent by the government. These are rainy days in Curralinho township, on Marajó Island, where a school community resists.
The School and the Boat
Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.
Crimes of Honour
“Let them eat cake!” laughs a Marie-Antoinette from the dunes... Gaëlle loves to dress up. Under her wigs, Gaëlle plays with codes and the surprise her appearances provoke. Each of her wigs explores a part of her femininity, her self-confidence and her relationship with the gaze of others... Above all, all her wigs hide a secret.
Gaëlle n'aime pas l'été

Inès, of North African origin, has frizzy, unruly curls. But why should she bother straightening it? Where does this obsession with straight, neatly styled hair come from?
Hrash

An intimate look into Demers family's experience raising children while dealing with the societal stigmas around disabilities and the consequences of Alberta's forgotten experiment in eugenics.
Tangled Roots

In the late 1960s, with the triumph of bilingualism and biculturalism, New Brunswick's Université de Moncton became the setting for the awakening of Acadian nationalism after centuries of defeatism and resignation. Although 40% of the province's population spoke French, they had been unable to make their voices heard. The movement started with students-sit-ins, demonstrations against Parliament, run-ins with the police - and soon spread to a majority of Acadians. The film captures the behind-the-scenes action and the students' determination to bring about change. An invaluable document of the rebirth of a people.
Acadia Acadia?!?

Exploring how punk influenced politics in late-1970s Britain, when a group of artists united to take on the National Front, armed only with a fanzine and a love of music.
White Riot
Three boys and three girls. All born in the Middle East now living in Sweden. All with different views of Islam, integration, the World and Sweden. Some follow Sharia. Others fight Islamic roles. One is a hip hopper. The other thinks music is a sin. One thinks that the woman must obey her husband. One fights for women’s liberation. One girl is a boxer. The other is an ordinary worker. Some are closely followed by the Security Police. Children of Islam is a documentary about religion, culture, conflicts and looking for an identity in a changing Sweden.
Children of Islam

Dania is 21 years old and grew up in a Christian community in the Faroe Islands’ Bible belt. She has just moved to Tórshavn and is seeing Trygvi, a hip-hop artist and poet locally known as Silvurdrongur (Silver Kid). He comes from a secular family and writes poems and texts about the shadow sides of humanity. Dania herself sings in a Christian band but is fascinated by Trygvi’s courage to write brutally honest lyrics. As she tries to find her place in the world and understand herself, she starts to write more personal texts. Her writings develop into a collection of critical poems called ‘Skál’ (‘Cheers’), about the double life that she and other youths must live in the conservative Christian world.




