Eidolon

A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity.

Coming to Nothing follows a disgruntled young man trapped between guilt and survival, shaped by an alcoholic father and the unforgivable weight of abandoning his younger brother. Every attempt to cope—through love, indulgence, or isolation—only deepens the damage, turning connection into betrayal and self-protection into ruin. Whether he chooses responsibility or escape, the outcome is the same: loss. The film confronts the brutal truth that sometimes living through the wreckage hurts more than almost not living at all.

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After a brief but intense relationship with a rootless young man, a quiet woman must confront the unsettling realization that she has lost her sense of self.

Daughter explores the way women are viewed in society by following three female characters on a Friday night out in St Kilda, who's lives become entwined and affected by an act of violence this fateful night. The award winning short film and an awareness project was inspired by the tragic murder cases of Jill Meagher in Brunswick and St Kilda's own Tracy Connelly, whose occupation as a sex worker was highlighted in the media, leading to her murder and personal story being sadly overshadowed. The main themes explored in the film are violence against women and victim blaming, shown through the eyes of three female leads, lead by Katherine Langford (13 Reasons Why) as Scarlett, Aisha Tara (Heartbreak High) as Jemma and Carolyn Rey as Alethea.

A boy lost in grief finds himself trapped in the quiet chaos of his own mind, seeking refuge and release through art and music.

We get to follow a young man in his thoughts, where he shares his thoughts about anxiety and depression.

While her relationship with her mother worsens, a grieving young adult wants to see her father, one last time...

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X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Director and actor D.C. Stoy explores the nuanced nature of a character's non-linear timeline, which pits the mundaneness of stability against his internal desire for more out of his life, where risk is the reward.

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An aging artist confronts his traumatic past as he paints a portrait of the beachside home he grew up in.

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A reclusive man is forced to reckon with the Ghosts of his past

A short artist film that explores femininity and sexuality. SHE journeys through her life and mind in order to be reborn, and reclaim all that men have taken from her.

A young man places his last hope in a strange surgeon. Plunged into the depths of his soul, he meets his inner doctor.

The Metaphor That Became a Room is a psychological drama exploring identity, communication, and the struggle for self-understanding. Divided into two parts, the film first delves into the protagonist’s frustration with the urge to persuade others, realizing that over-explaining only distorts meaning. A note from the past echoes a hard truth: “Someone’s unwillingness to understand will always outweigh your effort.” In A Symphony of Unfinished Selves, the narrative shifts inward, revealing the protagonist’s fractured identity. Trapped in a metaphorical room built from illusions and contradictions, he reflects on his dual persona—the social facade and the hidden, lost self. The film questions how we see ourselves versus how others see us and whether true self-recognition is possible. Through minimalist dialogue and layered symbolism, the film captures the silent tension between who we are, who we appear to be, and who we long to become.

In a bar, Pauline writes to a man she does not know. Between desire, art, and projection, reality eventually begins to crack the story she has invented for herself.