Beautiful People

A famous actor realizes his day keeps on restarting for a strange reason to which he can not figure out.

A vintage nature film exploring the migratory pattern of a herd of wild creatures.

On the back staircases of a residential building, girls smoke hidden from their parents. They take off their clothes to prevent being denounced by the smell of smoke. Cora is 30 years old. She lives in the same building as the girls, and is stuck in an unhappy marriage. The woman catches the girls smoking. From then on, she begins her path towards freedom.

Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.

Set in Remies, France in 1941 during World War II, a Jewish man tries to escape Nazi persecution and a chance encounter with a woman sitting next to him on the train. Based on a true story.

Jo; or The Act of Riding a Bike is Zefier's third film.

An animation work that expresses people who support their lives as Kuroko, otherwise known as stagehands.

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After so many generational repetitions and beneath so many layers is a territory to be negotiated beyond each person’s skin, inside: the cavity that echoes the intimate and singular identity of everyone. The voice that populate this film bring us to various spaces in Matera, from tourist agglomerations to the town’s internal spaces (grottes, caves, cisterns, lanes, rooms) and the body’s own unassailable space: pleasure and desire for other bodies that no one can cancel.

Crossfire is the investigative documentary by an international team of journalists about two reporters, Andrea Rocchelli and Andrej Mironov, killed in eastern Ukraine, and the Ukrainian soldier Vitaly Markiv accused of their murder

Newlyweds Warren and Helen have an unplanned honeymoon in Death Valley.

An unassuming woman meets a teenage boy's grief-stricken music teacher while sitting in a hospital waiting room.

A bill collector working in a tough neighborhood manages to rescue a young socialite from kidnappers.

A film about a girl drawn to a golf course.

One night, Reine, a young loner, sees among the urban chaos a moving oneness that seems alive, like some sort of guide.

They set off, looking for work in far-off places, but disappeared along the way. Inspired by Shiv Kumar Batalvi’s “birha” poetry, the film traces the longing on both sides: on the part of those who are missing, and those that wait for them to return.

Every weekday, inmates are released from Huntsville State Penitentiary, taking in their first moments of freedom with phone calls, cigarettes, and quiet reflection at the Greyhound station up the block.

A family living in a country at war spends the night together. Their conversations revolve around the everyday and survival.

After a bad day at work, a fairground performer sets out to disprove the theory of heredity so that he can marry his sister.

Cody is a recovering opiate addict in rural Ohio, 45 days clean and enlisted in a strictly enforced drug court programme by the county government. Local sober-living facilities are full, so Cody is living in his car on the outskirts of town and working at the nearby lumber mill to save money and keep busy. But his past doesn't want to forget him.