Ruotuin Serehvia

Veneh is a poetic depiction of transition and the end of childhood. It tells of a young Karelian bride, who is about to leave her home. She is prepared for her wedding, which in Karelia was a long process. The movie follows traditional rituals, colliding the genres of ethnographic and drama film with music and dance video styles.

Anni, a daughter of a wealthy family and used to secure life, falls in love with Veikko, a war invalid of the Continuation War. Anni leaves her past behind her and starts leading the life of a pioneer, in the wild forests of northern Karelia, in a settlement farm. After a rosy start, the fate crushes Anni’s dreams and her love for Veikko is put to a test.

Late 40’s after the war. Strange languaged and religioned immigrants fleeing from Karelia region are hated by Finns in the countryside. 19-year old Anni is living her life wanting to forget the war and hostility surrounding her. Falling in love with a man who hasn’t left fighting, threatens Anni’s whole family’s future and hope for mutual forgiveness..

In the far North, a fisherwoman lives in silence with her man. Around them lies a night landscape of snow and wrecked ships. Suddenly, her son returns out of nowhere.

A film trilogy consisting of Veneh (2016), Lindu (2021), and Ilmu (2023). The first ever films made in the Karelian language.

Returning to the house where his family was brutally murdered during the war, "the man who refuses to die" dismantles it, loads it on a truck, and is determined to rebuild it somewhere safe in their honor. When the commander who killed his family comes back hellbent on finishing the job, a relentless, eye-popping cross-country chase ensues.

Livvi-Karelian-speaking oral poet and rock musician Santtu Karhu and his band Santtu Karhu ja Talvisovat on tour in Olonets Karelia. They travel from Petrozavodsk to small Karelian villages, where the Livvi-Karelian language is still alive.

The preservation of the Karelian culture. About how the evacuated Finnish Karels have acclimatized themselves to the indigenous people and how the Karelian culture has been preserved during the ages of change. Reportage and interviews with ordinary people and experts made during the summer of 1968. Faces of the Finnish Karelian people. Images of faces that reproduce the culture and the history of the territory.

Finland’s first nature documentary. The filmmakers’ expedition leads them all the way to the Åland Islands and the Karelian Isthmus.

A documentary film about the Karelo-Finnish SSR.

Ilmu is the third and final part in this Karelian art film trilogy. This non profit series of films are the first ever films to be made in the Karelian language. These films depict the transition of different life stages in the light of ancient Karelian ritualism and the central role of women in Karelian transition rituals. Ilmu reveals the mythology and traditions associated with birth.

LINDU is the second in a Karelian film trilogy. The film series are the first ever to be made in the Karelian language. ’Veneh’, the opening film premiered in 2016. They are a non-profit, educational series of ethnographic art films. The films depict the theme of transition in different stages of life, shrouded in ancient Karelian ritualism. ’Lindu’ describes mythology and traditions associated with death.

A couple and their friend get high on a weekend getaway trip, where tensions rise as one engages in unfaithful behavior, which only seems to escalate as the night goes on.

Over the course of one day in August 1912, the family of retired actor James Tyrone grapples with the morphine addiction of his wife Mary, the illness of their youngest son Edmund and the alcoholism and debauchery of their older son Jamie. As day turns into night, guilt, anger, despair, and regret threaten to destroy the family.

A young woman archaeologist searches for the wreck of a sunken boat during the 2nd World War to save the honor of her grandfather, a former sailor, accused of having hijacked the cargo of art objects he was loaded convoy to Algeria and embarked on a treasure hunt.

A woman, frustrated by the unwillingness of her out of work husband to switch jobs, in her anxiety, falls prey to a system that commodifies women. Against the backdrop of a persuasive consumerist culture, while the man experiences conflicting emotions, she goes numb in her quest for a better foothold in life. Torn between survival and living in grace/disgrace, the emboldened woman realizes the shifting power balances in their relationship.

In the hope of coping with a broken relationship, a girl named Maria continuously goes on dates at the tea house, where she met her past lover while overwhelmed with grief and loneliness.

High school hockey bruiser Will Mankus is more lost than ever following the unexpected loss of his best friend and star player, Danny, to suicide. As his alcohol consumption intensifies and his mental health declines, Mankus must lift himself up from rock bottom with the help of his small-town New England community to find hope and pursue his dreams of playing college hockey.

When her husband, who is much older than her, dies, Hyo-jeong, a young mother who ends up living with her one-year-older stepdaughter, Joo-ah, decides to find a male helper. Each one of them brought a male helper, but the mother and daughter were fighting over which of the two they should hire. Eventually, they decided to pick both of them. Hyo-jeong and Joo-ah enjoy a pleasant sex life with their male helpers who match each other's styles. However, mother and daughter get tired of it quickly.

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