Last Autumn

The story of a DJ who volunteers to go to the front during the Second Karabakh War.

The months of struggle people of Bashlibel had to overcome to live during the first Karabakh war and their escape into safety.

The film is dedicated to the last wedding ceremony, which was interrupted by the Armenian shelling of Khojaly in 1992. The main plot of the screenplay is based on the fact that the family and the guests at that wedding, who returned to Khojaly years later, continue the unfinished ceremony.

1992. Independent Azerbaijan is fighting separatists in Karabakh. Journalist Miranda arrives from London to shoot a documentary about the Caucasian leopard. Fate brings her together with the scout Emil. Together, they go through severe trials, during which Miranda learns a lot about the Caucasian leopard and the tragic pages of Azerbaijan's recent history.

Sequel to Fəryad (1993). The film tells the story of Azerbaijani victory in the 44-day Patriotic War for the lands of Karabakh, which the Armenian invaders had occupied for nearly 30 years.

This movie is a story of two brothers who couldn't be anywhere else besides on the front lines during the 44-day Artsakh war fighting for their homeland.

The film on the Khojaly tragedy, tells the story of a young officer, unfolding against the backdrop of the terrible events of February 1992.

Taking place in 1991, Tigran, who teaches math at a village school to avoid the army, loses the girl he loves. Consumed by abject wretchedness, he decides to enlist as a volunteer in the Nagorno‑Karabakh war to give meaning to his hollow life.

The film based on Agil Abbas's novel about Nagorno-Karabakh War. The film tells about the heroism of the sons of Azerbaijan, who fought for the Motherland to the last drop of blood in spite of everything in the Karabakh war.

Shot during the Nagorno-Karabakh War, "Fəryad" is only one of its kind. Following the Khojaly Massacre, Ismayil, an officer tasked with collecting the bodies, crosses enemy lines to avenge the brutal murder of a local schoolgirl. There he gets captured by Armenians and waits for the day to be exchanged for an enemy POW.

Samad is a 14-year-old boy, living in a refugee camp in Imishli. After blacking out in the forest, he finds himself in the midst of the Nagorno-Karabakh War that happened ten years ago.

The film tells the story of the Karabakh veteran, cavalier of the Order of the "Azerbaijani Flag", National Hero of Azerbaijan, and commander of the intelligence unit, Ibad Huseynov.

In 2020, when a French robotics student investigates his mother's guarded secret about his true Armenian identity, he jeopardizes his university AI competition to travel to Artsakh and gets entangled in an unexpected full-scale war where he must rely on the evolving consciousness of his AI creation to save his life and learn the truth.

The film is about the inner suffering and conflictions of Yavar, father of a soldier, who can't give the news of his son's death in the war to his heart-sick wife.

The documentary sheds light on the lives of children who suffered physical and psychological trauma due to the terrorist attacks by Armenia on the eve of the Second Karabakh War.

Using unpublished photos taken by Italian war photographer Enrico Sarsini, and the reconstruction of key events, this film examines the battle for a strategically-located church that was defended by Azerbaijani teenager Natig Gasimov. After his surrender and interrogation by Armenian forces, he was never heard of again. This film finds out what happened to Natig and who may be responsible. Filmed over a period of three years, filmmaker Karan Singh spoke to witnesses in Armenia, Azerbaijan, Italy and Russia in his search for the truth.

He is Khagani Aliyev, a resident of Saricali village of Aghdam. On July 23, 1993, Khagani Aliyev, who heard about another Armenian attack on Aghdam, went home to take his parents who had not left the village to a temporary safe area...

For thirty years now, a dilapidated house has been providing essential asylum to war refugees from Nagorno-Karabakh. Three generations, including the children and grandchildren of people made to leave their homes, struggle to scratch an existence on the outskirts of Baku. They are faced with common problems: loss of home, outrooting, sadness and illnesses.

In October, during the tense days of the Nagorno-Karabakh war, the director takes his camera to the village of Ashagi Nuvedi in Lankaran. The film follows the daily lives of fishermen — Sakhavat, Ramesh, Rza and Tehran — living in the shadow of the war. They go out to sea every morning amid news from the front, fearing empty nets, and hoping for a miracle — a goldfish in difficult days.

The film depicts the life of a man named Chingiz, a student-artist whose only son was martyred in the Karabakh War. His wife also died, unable to bear the loss of her son.