

Chambre 12, Hôtel de Suède
Overview
Claude Ventura's documentary Chambre 12, Hotel de Suede, was made for the French television channel Arte in 1993. Ventura checks into room twelve in the hotel's final week of operation: it is demolished the day after he checks out. Room twelve was one of the principal locations for Jean-Luc Godard's New Wave masterpiece Breathless, and Ventura's documentary investigates the production of Godard's film.
Top Cast

Richard Balducci
Self

Jean-Paul Belmondo
Self

José Bénazéraf
Self

Claude Chabrol
Self

Raoul Coutard
Self
Cécile Decugis
Self

Liliane Dreyfus
Self

Jean-Luc Godard
Self (voice) (archive footage)

Roger Hanin
Self

Henri-Jacques Huet
Self

François Moreuil
Self
Pierre Rissient
Self
Key Film Crew
Production Stats
You May Also Like

In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.
Correspondence

A film in three parts after Oskar Schlemmer's Triadische Ballett (Triadic Ballet).
The Triadic Ballet

Millennials in the US discover their lack of legal nationality, sparking a search for recognition and belonging that unites them and offers hope for the future.
Citizens of Nowhere
JEWS excavates a lost world of manners and ritual in home movies shot by several Chicago families from the 1920s through the 1940s. Much as in similar found footage soliloquies by Péter Forgács, Jay Rosenblatt and Ken Jacobs, director Roger Deutsch wrings unexpected pathos from mundane traces of the past. Children mug for the camera with dances of the day, upright mothers march their strollers up the avenue, men smoke, the family gathers around the table to light the candles. The bare title cannot help but raise the specter of contemporaneous events in Europe, lending an extra degree of urgency to the film's meditation on disappearance. - Max Goldberg
Jews

Dance Theater of Harlem's Lindsey Donnell reflects on the obstacles she and other ballet dancers face in ballet and society.
The Color of My Shoes
Documentary about the Szymon Wiesenthal Center and the obstacles, often set by governments not interested in providing any help for the Center's project, it encounters.
Ostatnia szansa
A B'nai B'rith delegation visits the town of Oberammergau to meet with its mayor and the monk who is responsible for the passion play which is presented every ten years. The group discusses their efforts to eliminate the antisemitic tone of the play.
Oberammergau

An intimate look into Demers family's experience raising children while dealing with the societal stigmas around disabilities and the consequences of Alberta's forgotten experiment in eugenics.
Tangled Roots

A short silent documentary on the making of the 1931 Abel Gance directed film, "La Fin du Monde".

Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.




