The Great North

Ladies of good families and social standing come to have their afternoon tea with their daughters who will someday follow in the same tradition. A charming portrait of a time that is slowly disappearing.

A turn of the 20th Century office block at Portage and Main. What was once Winnipeg's most prestigious commercial address has become a catch-all for the marginalized and history's leftovers. A snapshot of a fading era, now gone for good.

In the vastness of the Iranian desert, young artists strive for freedom, community, and the preservation of their cultural heritage in the ancient caravanserai of Deyr-e Gachin, while facing the harsh conditions of their surroundings.

Many people may see shipping containers as simple components in a vast global economic and supply chain system, but LOT-EK, a renowned architectural studio, has reimagined these industrial bins to have many purposes. Over the past three decades, LOT-EK has envisioned alternative uses for containers and other discarded materials from our industrialized economy, transforming them into unique architectural and artistic spaces.

A history of Bucharest, as seen in the light of the totalitarian architecture, having as leading idea the reality that the Power always exposes its purposes through architecture. After five decades of communism, the reality on thee Dark Ages is still waiting to be revealed, and architecture is one of the most obvious embodiments of the ideology to whom it was builtÉ It is not a movie about faults or about guilty peoples, but about official edifices of thee communist Romania and their story.

Nazi Third Reich propaganda film that used architecture as a statement about "racial accomplishment," and so called "racial superiority." Hitler claimed that between 1934 and 1940, the Nazi rule of Germany had produced architectural uniqueness, and this film was produced to shown to attempt to validate that. The opening montage gives a survey of earlier Gothic and Baroque structures in the country as an example of "architectural superiority" that the German race was said to be the sole inventor of; then moves on to deride the recent construction of the Bauhaus school (with a racially motivated score of Jazz music) and an example of German "architectural decay." Then proceeds to show off buildings constructed by the Nazi and an architectural revival, to "last 1000 years," Film also spends a great of time dwelling on massive and "busy" monuments that had been erected all over the county.

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

In 1919 an art school opened in Germany that would change the world forever. It was called the Bauhaus. A century later, its radical thinking still shapes our lives today. Bauhaus 100 is the story of Walter Gropius, architect and founder of the Bauhaus, and the teachers and students he gathered to form this influential school. Traumatised by his experiences during the Great War, and determined that technology should never again be used for destruction, Gropius decided to reinvent the way art and design were taught. At the Bauhaus, all the disciplines would come together to create the buildings of the future, and define a new way of living in the modern world.

A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

The Finnish architect Alvar Aalto (1898–1976) is one of the great figures of modern architecture, ranked alongside Gropius, Le Corbusier and Mies van der Rohe. This film analyses Aalto’s uniquely successful resolution of the demands and possibilities created by new technology and construction materials with the need to make his buildings sympathetic both to their users and to their natural surroundings. His inventive use of timber in particular represents both a reference to the forest landscape of Finland and a building material that is ‘warm’ and extremely adaptable. Filmed in Finland, Italy, Germany and the USA, this documentary shows how the Finnish natural environment and art traditions were essential elements in Aalto’s pioneering harmonization of technology and nature.

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La Sagrada Familia – although still under construction in Barcelona – is a cathedral without any flaws. Almost 100 years after his death, experts are convinced that Gaudi was a mathematical genius and that each embellishing ornament of the Sagrada Familia actually serves an architectural purpose.

Best known for designing National Historic Landmarks such as St. Louis’ iconic Gateway Arch and the General Motors Technical Center, Saarinen also designed New York’s TWA Flight Center at John F. Kennedy International Airport, Yale University’s Ingalls Rink and Morse and Ezra Stiles Colleges, Virginia’s Dulles Airport, and modernist pedestal furniture like the Tulip chair.

A commissioned film for Schweizerischer Werkbund (SWB), Die neue Wohnung was produced for the Basel architectural and interior design exhibition, WOBA, to demonstrate innovative aspects of modern architecture and highlight their differences from the event’s highly conservative approach. Despite its ad campaign roots, Richter's touch is not absent; The surviving version, aimed at a "bourgeois" Swiss public, presents decluttered, functional architecture and decor as superior to the traditional and luxurious "ancient" ways of living.

The life of a couple is observed through the home they have left behind.

A celebration of American craftsmanship, occupational traditions, the beauty of our built environment, and the importance of Good Work. Those profiled include Scots-American decorative painters restoring the ceiling of Trinity Church in Boston and Mexican-American terra cotta workers restoring a Chicago skyscraper, a stone mason and stained glass craftsman maintaining Washington National Cathedral, a Creole plasterer in New Orleans and a Hispanic adobe builder in New Mexico, an ornamental iron blacksmith from Virginia, and the New England stone carver who created the lettering on the World War II Memorial in Washington.

Diller Scofidio + Renfro has long been at the forefront of design with provocative exhibitions that blurred the boundaries between art and architecture. This film captures their extraordinary evolution and unique process in reimagining the public identities of Lincoln Center and the once derelict High Line railroad tracks.

Nominated for an Academy Award, this live-action short film playfully chronicles the construction of the Tishman Building at 666 Fifth Avenue in New York City.

A look at some of the last stone carvers working in the United States, those completing the sculptures adorning the Washington National Cathedral. They discuss their craft and the cultural forces which helped define it, as well as the fading use of stone ornamentation in architecture and the history of stone carving, and they tour the cathedral to point out the history behind some of the work.