The New Marshal at Gila Creek

Set on the Mexican border in 1850, Bad Men of the Border was the first of seven Universal Westerns starring handsome Kirby Grant, a former singer from Montana who had earlier acted under the name Robert Stanton. The series, Universal's last attempt at competing with Republic Pictures' many streamlined B-Westerns, also featured the bucolic Fuzzy Knight as Grant's sidekick. Grant and Knight are undercover U.S. marshals tracking down a gang of counterfeiters. To their surprise, they are soon assisted by a beautiful Mexican dancehall performer, Dolores Mendoza (Armida), who proves to be an undercover agent as well, in her case for the Mexican rurales headed by Captain Garcia (Francis McDonald).

Wrongfully convicted of murdering his wife and sentenced to death, Richard Kimble escapes from the law in an attempt to find the real killer and clear his name.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

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After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.

During a trip to Brazil in 2022, Augusto (15), an introspective and dreamy young man, becomes enchanted by Antônio (16), a magnetic and unpredictable boy from Belém. Amid the heat of the World Cup and the waters reflecting a fleeting encounter, a fragile connection is born, stretching across distance when Augusto returns to Italy, turning desire into obsession. While Augusto loses himself in idealizations and the emptiness of delayed responses, Antônio continues his life between parties, friends, and fleeting loves. What begins as a promising romance crumbles under the weight of time, silence, and the things that were never said. As the years pass, Augusto is forced to face an inevitable truth: some loves do not belong to the future, they exist only in memory. An intimate and visceral portrait of love, loss, and growth, Anchorless delves into the fragility of first feelings and the pain of learning that not every story is destined to last.

Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a 'sanitary engineer' named Marshal P. Knutt is mistaken for a law marshal. Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids—revenge-seeking Annie Oakley and his sanitary expertise.

Ben Wade and his partner Frosty return to Bellounds' ranch where twenty years earlier Wade was wanted for murder. Unrecognized, he gets a job on the ranch and soon becomes involved in Folsom's cattle rustling and a chance to settle an old score.

Johnny Mack Brown is back as Nevada Jack McKenzie in Frontier Feud. Once again, Nevada and his grizzled sidekick Sandy (Raymond Hatton) are US marshals posing as drifters. Rancher Joe (Dennis Moore) is accused of a series of murders, but Nevada and Sandy manage to prove that another man is the guilty party.

Meg Chaney, despairing of being passed by the good-natured lumberman Pete Horner, decides to convince the 'half-witted' ‘Humpy’ Duncan to kill her romantic rival, Molly Berger.

Finding a man alone in the desert, Marshal Tom is relieved - of his horse, clothes and water. When he catches up to Raven, he finds him dying from drinking bad water. When he gets to Gunsight, everyone thinks that he is the outlaw Raven and he plays it out so that he can end lawlessness.

Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.

With the railroad coming, Nixon is after the ranchers land. Using a stooge land agent, his method is to claim the person they bought their ranches from never had title to the land and their deeds are worthless. Fereral Agent Johnny Mack arrives posing as a gunman. He is quickly onto the henchman and Land Agent and eventually suspects Nixon is the big boss. But he needs the help of ventriloquist Alibi to bring them in.

Summoned by his dying father, Miyagi returns to his homeland of Okinawa, with Daniel, after a 40-year exile. There he must confront Yukie, the love of his youth, and Sato, his former best friend turned vengeful rival. Sato is bent on a fight to the death, even if it means the destruction of their village. Daniel finds his own love in Yukia's niece, Kumiko, and his own enemy in Sato's nephew, the vicious Chozen. Now, far away from the tournaments, cheering crowds and safety of home, Daniel will face his greatest challenge ever when the cost of honor is life itself.

Riders of the Dusk is another of Monogram's formula Whip Wilson westerns. Since the studio couldn't build an entire film around Wilson's bullwhip prowess, a plot was called for. This time around, it's the one about a U.S. marshal who searches high and low for a mysterious masked desperado. The mystery angle is minimal, since seasoned movie fans will be able to determine the mystery person's identity within 15 minutes. As always, Andy Clyde is a tower of comic strength as Whip Wilson's grizzled old sidekick.

U.S Marshal Mike Donovan has dark memories of the death of his first love. He keeps peace between the Americans and the natives who had temporarily adopted and taken care of him. The evil actions of a white sorcerer lead him to confront the villain in the Sacred Mountains, and, through shamanic rituals conquer his fears and uncover a suppressed memory he would much rather deny.

Set one hundred years ago, outlaw Johnny Madrid, after narrowly escaping death, goes on the run with the hangman's sensuous daughter Esmeralda by his side.

After a band of drunken thugs overruns a small Indian Nation town, killing Reverend Goodnight and raping the women folk, Eula Goodnight enlists the aid of US Marshal Cogburn to hunt them down and bring her father's killers to justice.

Johnny Holliday, a charming American biker space outlaw, leads a motley wild bunch of rebel bandits in a collision course with legendary villain Kathulo to determine the fate of the galaxy. Along the way, Johnny also has to face off with Ramona Sanchez, a hot-headed childhood rival who now protects their town of Rio Bravo as a hard-ass hardcore cop, enforcing the law with an iron fist.

A nameless gunfighter arrives in a town ripped apart by rival gangs and, though courted by both to join, chooses his own path.