Masový Kašpárek

After the president of the CSUN Puppet Club breaks her elbow, Cristo receives a message from God to put on a puppet show. With God's guidance, Cristo decides to take on the challenge, and lead his club in their biggest puppet show yet.

Tulio is forced by Sr. Manguera to put on a Christmas show, so he and the rest of the team put one together in record time. While Tulio discovers the true wrerwriwro of Christmas, Bodoque is in charge of going to look for the gifts, avoiding being tempted by Tío Pelado to bet on horse races.

A boy is thrown into the middle of an increasingly bizarre local disturbance.

The original adult-oriented version of what would eventually become an award-winning children's classic. This version of the show features Pee-wee's playhouse and many of the characters of the later series, but with irreverent overtones and jokes including 'mirror shoes' and others.

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Sherlock and Doctor Watson are back and investigate the curious disappearance of an exceptional diamond in a hotel room. A theater adaptation of one of the 56 short stories featuring the detective Sherlock Holmes.

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Click for full movie details & trailers.

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The somewhat brash compère Eduard Aplombov announces the concert numbers, punctuating them with witty remarks. This parodic and satirical show features singers, dancers, musicians, circus trainers, and magicians who will captivate you with their charm and charisma.

In love, there are miracles that cannot be explained. Even after thirty years of marriage, Suzanne and Julien are still madly in love with each other. A happy, close-knit couple. Suzanne is an actress adored by the public. An adoration that sometimes goes as far as fetishizing her young tenant Simon. For her return to the stage, she hesitates to act in Max's new play, specially written for her. What Suzanne wants is to be alone, for just a moment longer, with Julien. Julien whom she loves and who loves her, Julien who grumbles and laughs, Julien who lives but whom no one sees or hears. Except Suzanne...

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New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.

This is a 15-minute long puppet show that Sunrise (the company that has created Love Live! Sunshine!! and it's predecessor) made as an April Fool's joke. It looks like they put a lot of work into it, though!

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.

Onuki asks people in a hospital to perform a play for Paco, who suffers from memory disorder. His only hope is to help Paco survive from her illness.

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Click for full movie details & trailers.

Come and join Eleutheria the Puppet and her fluffy friends at The Transgender Puppet Variety Show.

The curtains of a theatre open onto a smaller puppet theatre presided over by Marianne. The ringmaster waves her baton at three shadowy acrobats that climb one by one out of her hat. Each performs his number, although not without some difficulty. The clumsiness of the first, the mischievousness of the second, and the fieriness of the third trigger a few clashes that ultimately lead to chaos. How can Marianne create harmony without losing control? Will her show flop? Who's really calling the shots, the little puppet or her acrobats?