DIY Not Dead

Walt Disney said “We have created characters and animated them in the dimension of depth, revealing through them to our perturbed world that the things we have in common far outnumber and outweigh those that divide us.” Outside of Walt himself there are few people who have brought together and united more animators in the history of the genre than Craig "Spike" Decker and Mike Gribble, known to all as Spike & Mike. They created an animation festival that helped launch the careers of John Lasseter, Peter Lord, Will Vinton, Bill Plympton and Mike Judge to name just a few. Their Spike & Mike festival had an enormous impact on animation that was felt the world over. The festival was known as much for the breakthrough animation it presented as the outrageous antics of the founders.

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Documentary about "Crucificados Pelo Sistema" LP legacy with interviews and live videos from the band.

Career-spanning retrospective of Siouxsie & The Banshees' video output

A documentary about an Iowa artist who made his career from two antique photo albums that he found in the trash. It has been four years since he originally found the two photo albums and since then he has had featured exhibits around the country. This is the first film in the MADE IN IOWA documentary series.

Directed by journalist Ricardo Alexandre, the documentary tells the story of the Napalm nightclub, responsible for the new wave and post-punk generation in Sao Paulo. Mixing live shows, cutting-edge DJing and videos in its "modern" internal television system, the venue quickly became a meeting point for young people who shaped the grayer side of Brazilian rock in the 80s.

Indifferent landscapes, refracting light, some lonely bird and the window to the sebum-laden living room made of patterned wallpaper and trivialities. Cut. Tenacious sequences inflate moments to cliff-hangers and shatter their tremulous spectatorship. Thundering leitmotifs – in constant intoxication by German disinterest – with no backrest or lederhosen. Black-red-gold at full mast, the cinema is dead.

A multi-awarded 23 minute short film about pansexual punk rockers in a toxic relationship in London’s underground music scene

Largely ignored and left to their own devices, a group of unassuming teenagers in late 80s and early 90s Sioux Falls, South Dakota created their own culture, community, and economy. And when they moved out into the world at large, they brought what they learned along with them. I Really Get Into It: The Underage Architects of Sioux Falls Punk is a story about the tenacity and ingenuity of youth, finding and following your convictions, and how the kids you least expect often make the most noise. Shot on location in eight cities and assembled from dozens of hours of archival video and hundreds of photos, the documentary features interviews with Larry Livermore (Lookout. Records), Ian MacKaye (Fugazi), Mike Park (Skankin' Pickle), Rebecca Hanten (Cadillac Blindside), Terry Taylor (Hammerlord), and dozens of current and former members of the Sioux Falls all ages music scene.

Part of the Show Must Go Off series, Live at the House of Blues finds the ska-punk band at their best.

Live perfomances and interviews from the post-punk era.

1. In the Flesh - 2. X Offender - 3. Denis – 4. Detroit 442 – 5. (I'm Always Touched by Your) Presence, Dear - 6 . Picture This - 7 . Hanging on the Telephone - 8. Heart of Glass - 9. Dreaming - 10. The Hardest Part - 11. Union City Blue - 12. Atomic - 13. The Tide Is High - 14. Rapture - 15. Island of Lost Souls - 16. Maria - 17. Good Boys

The true-life story of Darby Crash, who became an L.A. punk icon with his band The Germs. Along with Lorna Doom, Pat Smear, and Don Bolles, Darby Crash completely transformed the L.A. punk scene, while sacrificing everyone he loved, his career, and ultimately his life.

The Underground subcultures in Budapest are an integral part of the diverse and colorful Hungarian culture. The creators of the film - Esther Turan and Anna Koltay - wanted to explore what were the major youth music subcultures in the '90s and 2000s in Budapest. This film is a tribute to the underground subcultures of the city. In these series of films, these grass-roots groups deal with the social impact of their community building power and the role played by Budapest itself in the formation of these groups. The film explores the kind of atmosphere and unwritten rules, what were the dominant places, external signs, and symbols, or who were the central figures and what were the memorable stories. The film guides the viewer from the best bands to the message, from the typical attire to the cult bars. The new generation is a starting point, a complex retrospective of where it originated and why the colorful underground cultural life still characterizes Budapest today.

The film dives into 1970's Britain; the birth of punk and the formation of Crass, with an in-depth look at their art, music and ethos.

The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.

A documentary showcasing a series of tributes to deceased D-beat legend, Kawakami.

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Live in concert at the Mabuhay Gardens in San Francisco + bonus material.

Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.