Buster Brown's Education

Miles Machree (J. Warren Kerrigan) meets Irish-American Sheila Lynch (Fritzi Brunette) when she travels through Ireland with her father (James O. Barrows). Soon after the Lynch's return to the States, Miles follows, and through his uncle's connections, gets a job on the New York City police force.

Tomboy Jane Dwight’s father strikes oil on their farm and becomes smitten with young millionaire James Thornton when he comes to purchase the land. She heads off to a posh boarding school, returning a year later with fancy airs thinking it will impress James, but he preferred the original Jane. Will she realize in time to keep his interest?

Itinerant Scot performers: One daughter of a veteran trouper weds a ne'er do well and dies in childbirth.Her spendthrift man goes but later returns to bleed the old man out of remaining savings.Another daughter makes good as a singer.

Identical orphaned twins Rosalie (Mollie King) and Susan (Mollie King), are adopted by two aunts and live in separate households. Susan develops as a poor, wholesome farm girl, and Rosalie becomes a wealthy snob. Susan's beau, Ted Harper (Creighton Hale), confuses the girls' identities, but Susan wins his love after preventing Rosalie from eloping with scoundrel "Slick" Harry Ives (Jerome Lawler).

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Heiress Mary Anderson feigns poverty during her romance with struggling artist Bruce Haldeman, however her status-conscious mother puts an end to the affair. Mary secretly goes to Bruce's studio, misconstrues the situation with one of his models and tells Bruce she hates him. Upset Bruce wants to destroy his portrait of Mary, but the model stops him, enters the painting in an art contest, and explains the mix-up to Mary's father. Mr. Anderson then meets with Bruce and Mary's persistent suitor Smythe Addison pretending he has lost his fortune. Smythe quickly drops out of contention for Mary's hand, but Bruce remains eager. Resolving their differences Bruce finds out during the planning of the wedding that he has won the art contest, finding overnight fame as a painter.

Returning to his father's cattle ranch after the excitement of serving in combat overseas, Bud McGraw becomes restless, and his father decides to send him to an old friend who commands the Border Police in Texas. On the way he meets Peggy Hughes, accompanying her Uncle Graham, a customs inspector, and he retrieves her hat from the rails of a train. At the headquarters, numerous scrapes and fights win him the admiration of, and friendship with, the men. Lazaro, a Secret Service agent, invites Mrs. Graham and Peggy, who are staying at the border station, for an automobile ride, and they are captured by bandits and held for ransom. Bud and his pals deliver the ransom and discover that Lazaro is the bandit chief. Lazaro refuses to release Peggy, but a jealous rival, Nita de Garma, causes his downfall and shoots him as the Border Police arrive to rescue the party.

A couple of rowdy gamblers, a cowboy, and a woman undercover.

Heiress Rhoda Canby is badgered by her eccentric relatives Uncle Silas, Aunt Elizabeth, and Cousin Hepzibah. She falls in love with writer Irving Mason, who believes Rhoda to be the heiress' secretary, and courts her as chauffeur "Henry Smith." Accompanied by her African-American nurse Aunt Chloe, Rhoda runs away from home. Irving, meanwhile, is abducted. Upon reading of the supposed suicide of Irving Mason, Rhoda assumes the role of widow and visits his hometown. There she is befriended by Irving's uncles and goes to work in the family's general store. Irving escapes his captors and surreptitiously returns home, but is surprised to find himself presumed dead and Rhoda his widow. When the family store catches fire and Irving saves Rhoda, their true identities are revealed, after which they are married.

This ceremony requires greenbacks but the groom came up short.

"'Boxcar' Simmons, a tramp, represents himself as a mining millionaire in a small town. The population accepts him at his own valuation, and two of the town's 'slickers' make desperate efforts to 'take him for his roll.' One of their schemes is to sell him a worthless ranch, but he turns the tables on them by making them believe that the ranch is a veritable bed of silver ore, and then, after they buy it, he presents the major part of the proceeds to the girl who owns the place and with whom he had fallen in love." (Moving Picture World, 24 Jun 1922, p. 736.)

Short comedy

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

In the aptly named Slowtown the townspeople don’t even have sufficient energy to "up and die." Mayor Van Poke, in office for the last 15 years, is so slow he can't get out of his own way. His daughter Dolly is the prettiest girl in town though. The frustrated sexton puts an ad in the paper for a Mayor that will put the Pep in Slowtown. Peter Pep, whose middle name is Speed with a capital S, gets the job thanks to his galvanizing presence. He puts pep into everything and everyone, even into Dolly's heart and they fall in love. Dolly makes a spirited stand for her father, but Peter wins out. In celebration Peter Pep marries Dolly, and they are off on their honeymoon in a cloud of dust.

On her way to rehearsal, chorus-girl Betty stops to rescue a bird from the clutches of a boy with a bean-shooter. Jim Derwent, son of the theater owner, is passing in his car and sees the girl boxing the boy's ears while her aunt looks about for a policeman, and he stops to see what's wrong. He recognizes Betty, and after explanations, Jim drives them to her home, where the bird is cared for. On her arrival at the theater the stage manager bawls her out and fires her, but Jim gets his dad to countermand the manager's decree. The next day Jim calls, more to see Betty than the bird, and a charming romance is soon underway. After a "night out," the leading lady calls in sick and Betty has the chance to take her place. She makes good, and the former leading lady is deposed. But Betty soon has the opportunity to become Jim's own leading lady, and when he promises to love her pets as well, she becomes his bride.

Bryce Gilbert convinces his daughter, Virginia, that she should not elope with a casual boyfriend and sends her to Italy to stay with his fiancée, Duchess Bianca.

Glenn Higgins and Patsy Jones are a song-and-dance team traveling the vaudeville circuit across the United States, and land in a Kentucky tank-town filled with sharpies and wise-guys , wearing spats and carrying canes, who have reasons for wanting a horse named "Hot Heels, not to win the race he is scheduled to run in. This does not bode well for the vaudevillians as Glenn, acting on a hot tip from a hot vamp, has bet the pair's bankroll on "Hot Heels" to win.

William Lowry rescues Claudia Royce from a burning building, and upon hearing that her parents are trying to force her to accept millionaire Leland, whom she does not love, he proposes a marriage of convenience to himself. She accepts, and Bill arranges a fake ceremony; but when she falls in love with Davidge, Bill refuses her a "divorce." Later, Bill gets rich in the manufacture of a patented fireman's pole, and when he buys a house for Claudia she realizes her love for him and they are legally married.

Buster Brown and his sister Mary Jane try to play a prank on Mrs. Benton when she brings her baby to their house. But their father, wise to their antics, has a scheme of his own to thwart their plan.

Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.