
Top Cast

Jorge Tibilletti
Emil
Key Film Crew
Production Stats
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Will More arrives by boat to a "genuine Mediterranean island" and is welcome by "thousands of Chinese girls" who take him to their place and tell him a story about his "ego", which he must immediately look for. Thus he gets to a "wonderful palace", where he meets a hermaphrodite odalisque who materializes the image of his other self and offers him a new and even more fantastic story.
Mi Ego Está en Babia

It’s the year 1990. America is on the verge of another Great Depression. A Hitler-like President puts into action his mad scheme to wipe out the federal deficit by dispatching extermination squads. Can the terribly violent genocide be stopped before all non-conformists are destroyed?
Nightmare City

A man is confronted by parallel versions of himself as he contemplates his life choices.
I've Soiled Myself Again

According to Scottish mythology Selkies are mythological beings capable of changing from seal to human form by shedding their skin. This film follows the story of such a creature who chooses the sea over her land dwelling sweetheart.
Selkie

An original ghost story from the rugged coastline of Mendocino County, California. Shot and animated on Super 8 film.
The Girl in Kelp

In the underbelly of a monochromatic world lurks a mad embalmer conducting a sinister experiment. A generative machine disguised as a moving picture show turns children into mindless ghouls. One woman aims to put an end to M. Balm's cinema of horrors.
Revenge of the Celluloid

Four strangers are summoned to the basement of an abandoned house by a mysterious entity known only as The Sentinel. One after another, they are forced to witness heinous deeds they have yet to commit – and which will damn them for all eternity.
The Basement

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.
DARKMAN
The project originated during a workshop in La Rochelle, where a group of women "took possession" of the film to create a work where the camera could be used by each participant at her own discretion, guided by her own "desiring" gaze. According to Fréderique Gros, this "lived wandering" was later reshaped during editing to try and articulate the transition between the internal and external worlds.
La camera en quête

A dough-eyed newcomer to New York is sent on a mental spiral of his own self-worth when he is asked to take photos of a random couple in a park and he finds out what it truly means to be a New Yorker.
New York Movie
After of Waves 1 (1972) Amos Gitai made another short film entitled Waves 2, in 1976 and again in Super-8.
Waves 2

Shot on Super 8mm, lost Hollywood tapes found in an unmarked box uncover a man trapped in an apartment where memory fractures and reality begins to unravel.
Lost Tape

A single misstep — crushing a cicada beneath his foot — plunges a young man into unsettling paranoia.
Mania

A journey through different processes of capturing light using pinhole cameras (pinhole camera in Super 8 format), accompanied by a cassette recorder during the director residency at Nanolab (Daylesford, Australia). It represents a step between the interior and the exterior, between moving forward and going back. It is about the space the director inhabit, the one she walk through and capture over and over again.




