Speciale Lucca Comics

Legendary underground cartoonist Spain Rodriguez and his friends -- cartoonists Robert Crumb and Jay Kinney and cultural critic Susie Bright -- discuss Spain's art and his life as an outlaw biker, '60s figure and social satirist.

UW faculty member Lynda Barry takes center stage in this charming documentary about the “Comics Room”, where Dr. Barry and her students–including a student turned faculty, comics veteran Jeff Butler–explore their creativity through the medium of comic books, creating a lively community of artists in the process.

This is a story about the Ukrainian comic book industry. The authors introduce the audience to a still little-known and under-appreciated art form in Ukraine - drawn stories. Where did this art come from? When did it appear in our country? What forms did it take in the Soviet era and how did it change in the first years of independence?

This movie chronicles the life and times of R. Crumb. Robert Crumb is the cartoonist/artist who drew Keep On Truckin', Fritz the Cat, and played a major pioneering role in the genesis of underground comix. Through interviews with his mother, two brothers, wife, ex-wife and ex-girlfriends, as well as selections from his vast quantity of graphic art, we are treated to a darkly comic ride through one man's subconscious mind.

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Click for full movie details & trailers.

The film takes place over the course of a single night: the longest night of the year, between December 21 and 22 (the winter solstice), when the sun sets around 4:30 p.m. and rises the next day at 7:30 a.m. A long night in which the stories, destinies, anxieties, and dramas of a provincial town in the south (Potenza) intertwine, even if only briefly. Fifteen hours of uninterrupted darkness in which human destiny becomes exceptional, as the night causes the anchors of the day to be lost and four personal stories suddenly accelerate.

1828. After witnessing the brutal repression of revolutions in monarchist South, three young friends join Giuseppe Mazzini's patriotic cause, seeking to finally unify Italy under a republican government. Their idealism will clash with the inevitable disillusionment as they grow apart over the following decades.

In 1810, Mustafà, Bey of Algiers and thoroughly fed up with his wife, the docile Elvira, orders the captain of the corsairs to find him one of those feisty Italian women. It turns out to be Isabella, an Italian woman of unparalleled beauty searching for her fiancé Lindoro, whom Mustafà happens to be holding captive in his seraglio. The Bey intends to give Lindoro to his wife Elvira, hoping to get rid of him once and for all. Isabella, accompanied by her annoying suitor Taddeo—whom she passes off as her uncle to save him from the gallows—relies on her powers of seduction. “L’italiana in Algeri” (The Italian Girl in Algiers) is a two-act dramma giocoso (opera buffa) by Gioachino Rossini, with a libretto by Angelo Anelli. It premiered at the Teatro San Benedetto in Venice on May 22, 1813. Recorded in the studios of Radiotelevisione Italiana (RAI) in Milan on July 10, 1957.

The 2018 comedy skit "The Geeky Interview" by Anivesh Soni is a humorous take on comic-book films in an office setting, with unexpected twists and turns keeping the audience guessing.

Dhanush, a top Indian businessman, a multi-billionaire goes to USA on a business trip along with his girl friend Deepika hoping for her acceptance for his love. Unexpected events are unfolding there that could take a toll on their life.

The raft man Manuel Jacaré was swallowed by the sea when Orson Welles was filming It's All True in 1942. The fact evokes memories of the dictatorship of the Estado Novo, of World War II, of Ceará fishermen's struggle for labor rights and housing in their traditional space - target of real estate speculation.

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Meet three men, who grew up in Vidsel, a small village in the north of Sweden. The men feel its hard to find a life partner, they have all found their love in Thailand.

Behind the scenes look at the cult comedy series about Kiwi folk musicians Bret and Jemaine trying to make it big in their adopted home of New York. It follows the duo in the United States before and after the release of the first series, as they speak candidly about the road to fame, and we meet the other personalities, cast and crew that helped make their show a smash hit in America, NZ and the rest of the world. As Bret McKenzie's long-term partner, director Hannah Clarke was in a unique position to gain access to the Conchords at their most relaxed, as well as their most frantic and exhausted, and was able to get an up-close-and-personal glimpse into this experience. Through her insider's eye we are granted an intimate look into the lives of this great comedy act and discover how they won the hearts of America.

A slice of life documentary featuring Marina Cole, a chainsaw carver who turns driftwood and other recycled materials into beautiful works of art.

FRONTLINE and NPR investigate the growing inequities in American healthcare exposed by COVID-19. The Healthcare Divide examines how pressure to increase profits and uneven government support are widening the divide between rich and poor hospitals, endangering care for low-income populations.

A father teaches his daughter the ancient art of hand pulled noodles

A documentary on the events of the Gama strike. A contractor operating in Ireland was paying its Turkish employees exploitative wages far below trade union rates. This is the story of how these workers fought back.

The film tells how in 1970 a group of Argentine filmmakers - including Alberto Fischerman, Rafael Filippelli, Julio Ludueña, Miguel Bejo, Jorge Cedrón, Dody Scheuer and Luis Zanger - decided to make a short film each in one night. The occasion is perfect to describe the atmosphere of the '70s, the fever in which militants and publicists lived, the clash between art and politics. Includes fragments of the films The Players vs. Ángeles Caídos (Fischerman, 1969), Shadows (John Cassavetes, 1959), Made in U.S.A. (Jean-Luc Godard, 1966), L'eclisse (Michelangelo Antonioni, 1962), The Hour of the Furnaces (Pino Solanas & Octavio Getino, 1968), Tire dié (Fernando Birri, 1960), Alianza para el progreso (Ludueña, 1971), La civilización está haciendo masa y no deja oír (Ludueña, 1974) and La pieza de Franz (Fischerman, 1974).