Genderless

“At which point do you let go?…” – This is the central question of “Vios”, a short documentary that tracks the last days of a dog suffering from terminal cancer and how its owners struggle with the critical decision: whether or not to euthanise her. Shot over a 6-month period by the owners, Wendy and Ler, this intimate documentary is an unfettered access into the lives of the flmmakers, exposing their deepest vulnerabilities in face of this crisis, which had crushed their fnances and strained their relationship. Through their personal story, Wendy and Ler hope to create more awareness for dogs with cancer in Singapore and around the world.

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A wordless portrait of sculptor Jessica Jackson Hutchins shows us the artist in the process of transforming clay into uncanny forms.

Welcome to the curious, surprising and always outspoken world of straight men who go Gay4Pay. Curiously, there is a disproportionate percentage of men working in gay porn who identify as straight. Why would a straight man do gay porn? What motivates him to try this or make a career of it? Why is there such keen interest and debate into the sexuality and personal lives of these men? And what does it say about us, the viewer that so much of gay porn is dominated by images of straight men?

Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

Chancellor Adenauer is accompanied on a tour of the United States and Canada.

The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…

Documentary originally from The Russell Harty Show chronicling Elton John’s iconic two-day concert at Dodger Stadium in 1975.

Documentary on how the osprey catches its prey. The film shows the search for prey, the launch maneuvers, take-off maneuvers and the fights with the fish.

A 20-minute documentary film about the Kyrgyz people living by the Narym River.

Life in a Kyrgyz aul (village) in the mountains connected to the rest of the world by a cable bridge, and the teenage boys who are constructing the rope of the bridge. A rope bridge which the locals call “The devil’s bridge” forms part of each and every event which takes place in a small village lost in the mountains of the Kyrgyz Republic. A platform driven by a huge winch which they have to pull with their own strength to cross the torrent is their only link with the outside world. But the director of the documentary wondered something else: “Does this bridge unite or does it actually separate?” Through the mist and over the thrashing waters, the inhabitants of the area glide along their ropes. A film, in the director’s own words, about ordinary people who live in an extraordinary place.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Demonstration of the rapid poisoning of a cat hung up in a cloth, strychnine as a trigger of the tonic form of convulsions.

The movie shows the consequences of total and partial removal of the epithelial bodies in a cat

Two cats housed in a glass box, one of which had received a small amount of atropine in the preliminary experiment, are exposed to ether vapors with the result that only the animal which had not been pretreated began to salivate (profusely).

Parasympathetic irritation is generated in the test animal by subcutaneous injection of muscarine. Salivary secretion, miosis, convulsive evacuation of thin feces and severe shortness of breath as signs of intoxication with a parasympathomimetic. The symptoms of intoxication are reversed by subcutaneous injection of atropine.

Compulsory locomotion and continuous circular movement to the operated side without orientation in case of a onesided removal of the cerebrum and corpus striatum. In case of a doublesided removal there are no spontaneous movements with a normal posture and movement coordination. The dogs' reaction towards external stimuli only.

The End of Stories is an animated documentary dome film about our inability to understand the present or imagine the future. The 4th installment in the “Corona Voicemails” series, the film showcases a collage of 37 perspectives from around the world of people coping with the turbulence of pandemic life.

Calopteryx cornelia only occurs in one color morph and shows the typical dragonfly behavior. Species of the genus Mnais form different color morphs. Males with intensely colored wings are dominant over males with hyaline wings.