Memory for a Worker

“At which point do you let go?…” – This is the central question of “Vios”, a short documentary that tracks the last days of a dog suffering from terminal cancer and how its owners struggle with the critical decision: whether or not to euthanise her. Shot over a 6-month period by the owners, Wendy and Ler, this intimate documentary is an unfettered access into the lives of the flmmakers, exposing their deepest vulnerabilities in face of this crisis, which had crushed their fnances and strained their relationship. Through their personal story, Wendy and Ler hope to create more awareness for dogs with cancer in Singapore and around the world.

A burlesque tribute to Troma Entertainment featuring new performances based on previous Troma releases.

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A wordless portrait of sculptor Jessica Jackson Hutchins shows us the artist in the process of transforming clay into uncanny forms.

Rory Blank is a cartoonist based out of Austin, Texas. He also sells t-shirts.

Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

Since the 18th century, the Paris Foreign Missions Society (MEP) has been sending priests to Asia in the name of the Gospel. The MEP missionaries have contributed to an extraordinary human, cultural, and religious adventure that gave birth to the Churches of Asia. The MEP priests continue the work begun 350 years ago by the first missionaries: bearers of good news, pioneers, spiritual mentors, and social activists, they are writing the history of the universal Church in Asia.

This film offers us a juxtaposed journey of two priests: Father Van Ban, a Vietnamese priest from the parish of Thy Hu in the Hé region, who after nine years of training in Paris decides to return to Vietnam, and Bernard de Terves, a young deacon from the Foreign Missions of Paris who decides to leave for China after his ordination. Their intersecting paths allow us to address themes related to East-West intercultural dialogue, particularly that of transmitting the Gospel message.

Chancellor Adenauer is accompanied on a tour of the United States and Canada.

The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…

Documentary on how the osprey catches its prey. The film shows the search for prey, the launch maneuvers, take-off maneuvers and the fights with the fish.

"Three friends, a small sailboat, forty-five young adults with cerebral palsy (CP)." At the age of twenty-seven, Brice, Eric, and Hervé, three friends who met at business school, set off on a round-the-world sailing trip aboard Kifouine, a small eight-meter sailboat not really designed for long-distance sailing. It was an extraordinary human adventure that lasted three years, which they shared with forty-five young adults with cerebral palsy from the PASSErAILE center in the Paris region, who also dreamed of setting sail. Every day, the sailors kept them updated on their journey via their online stories. But above all, they invited them to join them in small groups to experience five major stops around the world with them. This is their travel journal...

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Diego Tejerina, a prisoner with temporary releases, uses his knowledge of sociology to reflect on freedom and confinement.

A 20-minute documentary film about the Kyrgyz people living by the Narym River.

Life in a Kyrgyz aul (village) in the mountains connected to the rest of the world by a cable bridge, and the teenage boys who are constructing the rope of the bridge. A rope bridge which the locals call “The devil’s bridge” forms part of each and every event which takes place in a small village lost in the mountains of the Kyrgyz Republic. A platform driven by a huge winch which they have to pull with their own strength to cross the torrent is their only link with the outside world. But the director of the documentary wondered something else: “Does this bridge unite or does it actually separate?” Through the mist and over the thrashing waters, the inhabitants of the area glide along their ropes. A film, in the director’s own words, about ordinary people who live in an extraordinary place.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

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Asta and Søren are not a couple. They're not friends with benefits either, and they’re definitely not pen pals with benefits. So, at the end of the day, what are they? With a single camera setup, the viewer is given access to a private space.