
Overview
The video documentary "A Struggle to Remember: Fighting for Our Families" puts faces and narratives to the story of the struggle for family leave in Canada. The 20-minute film shows how it became accepted that women be able to return to their jobs after maternity leave and how men and women gained real and enforceable work-life balance provisions.
Top Cast
Rosemary Warskett
Herself
Carole Gingras
Herself
Marion Pollack
Herself
Robyn Benson
Herself
Johanne Vaillancourt
Herself
Janice McClelland
Herself
Barb Byers
Herself
Deborah Bourque
Herself
Jean-Claude Parrot
Himself
Nycole Turmel
Herself
Fred Pomeroy
Himself
Trish Blackstaffe
Herself
Key Film Crew
Production Stats
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An intimate study of one of the most influential and provocative thinkers of the 20th century tracking feminist icon Susan Sontag’s seminal, life-changing moments through archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, as read by Patricia Clarkson.
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During a drawing workshop, a girl traces on the wall of her room the memory of her sexual abuse; a young woman recalls the night in which the deception of those she once called friends turned into harassment. By sharing the stories with other girls and women, they realise that these are not isolated events but fragments of a shared wound.
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The short film is based on an investigation by Dino Buzzati. It tells the story of Melinda, a mountain girl turned into a witch by her environment and circumstances. In September 1965, Buzzati travelled to Abruzzo (near Teramo, at the foot of the Gran Sasso) on behalf of the newspaper Corriere della Sera, seeking stories for his investigative series titled "I misteri d'Italia" (The Mysteries of Italy). There, he gathered the story of Melinda, a real-life woman (who died in 1962 at the age of 93) regarded by the local community as the last true Abruzzese witch. Buzzati described Melinda not as an evil being, but as a woman victimized by fate and superstition. While Buzzati was fascinated by the magical and mysterious aspects of her tale, Lù Leone reinterpreted the same story in 1976 through a political and feminist lens.
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