The Bronze Men of Cameroon

Mother India is home to many castes, tribes and religions and one common factor that brings this diverse country all together is Jewelry. Come explore the deep history and culture of the jewelry of India dating back more than 5000 years. As we explore the history we also take you into Bangalore, India and talk to local Jewelry Stores and Jewelry Artisans as they share their stories and their family history of their involvement in jewelry going far back into their family ancestry.

Unraveling the mystery of perfume creation, the House of Dior is opening its doors. Over the course of a year, we followed new perfumer Francis Kurkdjian in one of his greatest challenges: reinventing the iconic "J'adore". A unique sensory journey, from conception to launch, into a secret world of passionate artisans.

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A portrait exploring the enduring craft of wood canvas canoe building, and the quiet philosophy it inspires. "The Shape of Cedar" is both a celebration of craftsmanship, and and a guide to a more intentional way of moving through the world.

Green Lions tells the story of a team of amateurs who became heroes. Young men, and one veteran, who dared to dream, achieved the impossible and inspired a generation around the globe.

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This short documentary pays tribute to the craftsmen everywhere whose work adds color and richness to life. Filmed in the Canadian Arctic, Finland, India, Nigeria, Japan, Mexico, and Poland, it shows the special skills of artisans working at their crafts - stone sculpture, pottery, ceramics, weaving, dyeing, puppet making, embroidery. Each indigenous skill is a reflection of the culture of the country.

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After a 20-year long fruitless search in the Cameroonian forest, Frenchman Michel Ballot is on the verge of giving up his lifelong quest to find the mysterious creature known as the Mokélé-Mbembé. Turning to local initiates for help, and torn between ancestral wisdom and scientific evidence, he embarks on a final journey into powers, knowledge and the unseen.

There is a village just outside Calcutta, India, where every family has a hand loom. As you pass the houses, the air is pierced by the “clack–clack–clack” of flying shuttles. In the family courtyards, threads are starched, warps are prepared, and bolts of finished cloth are evaluated with discerning eyes. In an age when cloth manufacture is dominated by computer-driven industrial mills, what are the virtues of hand weaving? What is the magic of the hand-loomed cloth? Another feature-length documentary film on craft. Here you will find works of great beauty and skill, ingenious variations, and delicate figures. Shot in rural locations in Africa, Laos, Indonesia, India, and Pakistan, this documentary will explore the world of looms, weaves, and artisans.

Felix Moumié was a rebel leader in Cameroon. He was poisoned by thallium in October, 1960 in Geneva. After nearly fifty years, no one has been charged with his death, though many suspect the French and Swiss governments played a part in his death.

Man's need to create beauty, to interpret the world around him in image and color, has found expression in many forms, from the days of primitive culture to the present. This film surveys the work of Canadian craftsmen in many fields, showing how the changing Canadian scene has been their constant inspiration and how business enterprise today is increasingly using the skills of the artisan to enhance the decor of building interiors.

Valérie and Jérôme, a baker-pastry chef couple seeking freedom and a balance between tradition and modernity; Joachim, a watchmaker torn by a distant love and the desire to reinvent his life; Adam, a boilermaker overwhelmed by family and professional life, dreaming of a past freedom. Between introspection and everyday gestures, the film explores their hesitations, desires, and existential dilemmas. By capturing their desires and frustrations with emotion, it weaves a universal tale about the human aspiration for change, revealing how each person tries, at their own pace, to shape their future.

Set in Kumba in South West Cameroon Sisters in Law follows Adultery, Rape and Abuse cases led by a Female Judge.

Film about people in Cameroon that have no access to finance. The basic aim is to support the socio-economic development of groups. This is put into practice both in the form of financial assistance and in the form of technical assistance, to stimulate financial self-reliance and to create a sustainable civil society. The film shows this unique approach in various parts of Cameroon including a fascinating sequence with the Pygmy in the Eastern part of Cameroon.

The film-essay Nur Al Yanub/Mediodia introduces the letter sent by a fictional character who explores cultural connections between South Spain and Morocco through patterns of different kinds. It departs from the notion of "mediodía", coined by Rodolfo Gil-Benumeya. In his book "Nor Orient, neither Occident. The Universe seen from Albaycín" he proposes a epistemology of the midday, which comes from the South and the Levant, connecting the different shores of the Mediterranean Sea, and beyond, towards the South. The film questions some of the ideas of Benumeya, proposing a friction with other thinkers, while presenting the continuity of different material productions and their relation with the rhythm of the landscape the character travels though.

Kalfou is a village in Far North Cameroon. It lies on the front-line of global climate change as the Sahara desert creeps ever southward into once fertile human habitats. Halilou Siddiki, a Fulani elder of Kalfou, introduces us to the problem of chronic water shortage and shows us its effects on everyday life.The whole region is becoming ever more marginal in feeding its people and the animals, central to the economy – and to culture. The permanent drought situation is pushing some people to burn the bush in search of small animals and to make wood gathering and selling easier. Also climate change is forcing elephant herds to invade and destroy croplands. These secondary effects make the water problem worse. But the wet season finally arrives in Kalfou and along with the rain we see the blooming of the joy of life and abundant harvests. But Halilou worries that the rain period gets shorter each year; that it will no longer sustain his people in their homeland.

The film tells the story of three women from the sultan's harem in an African kingdom, from three different generations, and documents 100 years of change: interventions of Islam and Europeans, tensions and contradictions between traditional identity and the lifestyle of today's black bourgeoisie.

The film documents the ascent of Monga ma loba, the mountain of the gods in the Cameroon Mountains, and a visit to the town of Buea. The material was shot on an expedition to Cameroon in 1934.