The Princess and the Peacock

A documentary that proposes to create a dialogue between LGTBQ+ of different ages to show and discuss the challenges of aging as part of this community.

Canceled short film.

Over the course of their sessions, what began as an artist-model relationship developed into something more. Now officially BFs (boyfriends), Wilfrid continues to draw Theo regularly and has somewhat effortlessly amassed hundreds of drawings that were brought together for an exhibition appropriately titled ‘Drawings of my BF’. As Wilfred studies Theo, and Theo returns his gaze, the two lovers discuss the romantic ideals and human realities of the sketcher-subject dynamic and the role that creating art together has played in their lasting connection.

An investigation of Edward Brezinski, an ambitious, charismatic Lower East Side painter hell-bent on sucess, who thwarted his own career with antics that roiled NYC’s art elite. Brezinski’s quest for fame gives an intimate portrait of the art world’s attitude towards success and failure, fame and fortune, notoriety and erasure.

Documentary examines the history and evolution of the Olympic Games, taking a close look at the Olympic charter, oath and ideals. Also featured are rare home movies and interviews with Olympic athletes and the oldest known color footage of the Olympic Games from Berlin in 1936.

This compelling and thought-provoking documentary provides riveting portraits of a diverse group of six men who once were women and chose to change their gender. The award-winning film is an unforgettable story of self-discovery and challenges all of us to re-examine the foundations of our ideas and feelings about gender, sexuality, and identity.

In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.

An intimate look into the lives of one of the most iconic folk-rock bands in America - the Indigo Girls. With never-before-seen archival and intimate vérité the film dives into the songwriting and storytelling of the music that transformed a generation.

About Stefan Stricker, who calls himself Juwelia and has been running a gallery on Sanderstraße in Berlin Neukölln for many years. Every weekend he invites guests to shamelessly recount from his life and to sing poetic songs written with his friend from Hollywood Jose Promis. Juwelia has been poor and sexy all her life, has always struggled for recognition, but only partially.

A continuously running two-channel installation, presented on 9" and 13" CRT monitors atop pedestals and overlooked by a green Kit-Cat clock. The smaller CRT bears a painted green square and is framed by a pair of crossed silver opera gloves, at whose intersection rests a vintage push-puppet of two boxers sharing a single red stand. Together, the two monitors display distinct video collages interweaving footage from Emerald Square Mall and the strike during its 1989 construction with remixed interferences from Channel J's Emerald City TV (1976–1979), Huge Video's Heat in the Night (1989), Genet's Un Chant d'Amour (1950), various cigarette commercials, The Wizard of Oz (1939), and a performance of a mylar-clad entity wrapping one of the televisions in videotape. The work has most frequently circulated publicly through its primary video channel.

A body lurchs through the university.

Jon Sistiaga takes an immersive trip to Poland, a country divided into two zones: on the one hand, the urban and pro-European, and on the other, the rural and ultra-Catholic, still anchored in the traumas of the war and the post-war period. Is Poland a homophobic country or does it have a homophobic government? How does the European Union allow this situation?

In a first-person documentary, Diako Yazdani, a political refugee in France, returns to see his family in Iraqi Kurdistan and introduces them to a 23-year-old gay man from Kojin who seeks to exist in a society where he seems unable to find its place. With humor and poetry, the director delivers a moving portrait where the meetings of each other invite to a universal reflection on the difference.

One of society’s last taboos is elderly desire, which remains strong for many: half of older adults remain sexual. Advances in medicine and lifestyle mean people in their 70s, 80s, or 90s can still explore and enjoy intimacy. Yet society often ignores this—aged bodies are deemed unattractive, and sexual desire beyond tenderness is stigmatized, sometimes leading to mistreatment in care homes where couples are separated. The documentary Vieillir et jouir sans entraves confronts this taboo. Featuring celebrities and real-life couples—including Francine and Marc (60 years together) and gay couple Jean-Marc and Alain (34 years together)—it explores aging bodies, love, sexuality, and the challenges of libido and illness. The film highlights initiatives supporting sexual expression for older adults, including LGBT-friendly housing and sex-positive care, urging society to rethink its view of aging intimacy.

In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.

Former "Titanic" satire magazine editor Martin Sonneborn takes an undercover trip around Berlin and discovers the East-German mentality and what is left of the socialist German Democratic Republic.

A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the autonomous scene. The stations of his trip are the most important places of the autonomous scene: all in the struggle for survival. The last evictions have not yet been processed and the next ones are coming right up.

This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.

After the death of his parents, a gay man comes back to his village to live in his small world of happiness, dreams, sadness and loneliness.

Max is gender non-conforming and gives birth to River, who they are raising gender-neutral until River can express their own identity.