Never Again Is Now Global

Faced with the global crisis due to the COVID-19 pandemic, the head of a family trusts in the curative and preventive properties of the Palo Amargo tea, but his believes end up reverberating within the family dynamic.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

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Propagandistic documentary aiming to demonstrate how vigorous and prosperous the provinces of Tacna and Arica were at that time, despite being in dispute, but under predominantly Chilean influence, investment, and administration.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

In the wake of the COVID-19 pandemic, the 2020 WNBA season pivoted into a bubble site in Bradenton, Florida – where 144 players across 12 teams convened to face the rigors of an unrelenting schedule and finish their battle for a championship; all while just as dedicated to amplify social activism in response to the injustices that gripped that same summer. A documentary from ESPN Films.

Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.

Tommy Robinson goes on the offensive by documenting how his own “hit piece” on his character was being constructed by the taxpayer-funded BBC for their popular investigative news special “Panorama.” In the film he manages to capture footage of the blackmailing of his former employees to invent stories, along with an organization—known as “Hope not Hate”—on set with the BBC, intimidating ex-employees of Robinson during interviews. The host of “Panorama” at the time of filming is caught on camera casually using racist and homophobic slurs during a £220 champagne lunch with the same ex-employee they had planned to coach for a fake interview in which the BBC would possibly edit in which to make it appear as, “a gender, a sexual thing against Tommy Robinson,” according to the host. Within 24 hours of releasing the film, social media giant Facebook made a public statement of their own and removed Tommy Robinson’s accounts permanently.

Forty years after the release of Claude Lanzmann’s monumental film Shoah, Guillaume Ribot reveals the director’s relentless pursuit to tell the untold, using only Lanzmann’s words and unseen footage from the masterpiece.

A landmark four disc Box Set - Unearthed from Moscow's legendary Soyuzmultfilm Studios, the 41 films in ANIMATED SOVIET PROPAGANDA span sixty years of Soviet history (1924 - 1984), and have never been available before in the U.S.

The incredible life of Jorge Semprún (1923-2011): son of a republican intellectual; exiled in the early days of the Spanish Civil War; survivor of the Buchenwald concentration camp during World War II; clandestine communist in Spain during Franco's dictatorship; controversial socialist politician; acclaimed writer, screenwriter and filmmaker.

This documentary tells three stories about Jewish properties stored during the Second World War, their Jewish owners and their non-Jewish custodians.

A moving meditation on guilt and reconciliation, Bloodlines explores the unwritten cost of war and genocide on future generations - of both victims and perpetrators. As Bettina Goering, grandniece of Nazi war criminal Herman Goering, searches for a way to come to terms with her heritage, she meets Ruth Rich, a painter and daughter of Holocaust survivors. At a time when seemingly irreconcilable divisions between groups are tearing the world apart, this deeply hopeful film is a beautiful testament to the power of dialogue and post-conflict reconciliation.

A batch of mushy sourdough. Two radioactive lizards. Three cans of Campbell’s tomato soup. When COVID-19 lockdowns began in 2020, people around the world began reporting more vivid dreams.

At the beginning of the 70s, Sahia Studio produced a number of social investigations commissioned by the Central Committee of the Romanian Communist Party, intended to expose the so-called "social parasitism". The decision was taken after the theses of July 1971, which provide that "one of the main objectives of political work, especially among the youth, is the firm fight against the tendencies of parasitism, of an easy life, without work, the cultivation of responsibility and the duty to work , in the service of the country, the people, the socialist society". The most famous films, made with the competition of the Ministry of the Interior and the Ministry of Justice, are Să treacă vara and Iarna unor pierde vară

Filmmaker Peter Hegedus embarks on the challenging journey to make Sorella's Story, an immersive 360° film set on the beaches of Latvia in December 1941, when thousands of Jewish Women and children perished at the hands of Nazi collaborators. Along the way Peter teams up with Jewish-Australian 90-year-old Ethel Davies whose family was also killed in the same massacre.

The pandemic has many faces. It has affected everyone across the world, but each of us in a different way. A collection of individual fates observed in fine detail. And a filmic world tour that looks down on places of residence from above and yet gets very close to the people.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.