Obsessed With Voodoo

The slave ships during the XVII and XVIII century transported millions of colored people from Africa to America carried within it the seed of a religious cult that would help the slaves in the Confederacy for their freedom. This is the story of the formation of African roots syncretic cults that worship spirits of two faces: black continent mystical entities hidden behind Catholic imagery.

Follow the rise, fall, and reinvention of controversial and revered '90s television psychic Miss Cleo. Featuring interviews with celebrities and those closest to the self-proclaimed voodoo priestess, this documentary explores the many layers behind a complicated and charismatic figure.

The evolution of the zombie from its roots in Haitian voodoo to its coveted role as the world's most popular monster: from being a clumsy corpse to becoming a cannibal killer and the main agent of every infectious pandemic, the zombie has come a long way in seventy years. A look at the rising tide of zombie culture examining why something so dead has so much life in viewers' nightmares and at the box office.

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.

35 Cows and a Kalashnikov is a joyously made triptych about warrior-farmers, colorful dandies and voodoo wrestlers in Ethiopia, Brazzaville and Kinshasa. It paints a loving and attentive portrait of African pride and beauty.

The Pierced Heart & The Machete is a vivid, unflinching exploration of two annual Vodou pilgrimages in Haiti. The first is for Èzili Danto, goddess of love, art and passion; worshipers from all over the world descend on the southwestern town of Ville-Bonheur to bathe in the sacred waterfall where Dantò resides. The second pilgrimage is for Dantòs' husband Ogoun, god of war, iron and healing. It takes place at the end of July in the northern town of Plaine du Nord, where practitioners bathe in a mud pool and make flamboyant sacrifices. This beautifully shot film offers disorienting yet illuminating glimpses of the contradictory and complementary aspects of these two lwa, the electrifying rites that honor them, and the intense music that accompanies these ecstatic and bloody ceremonies.

Short discussion between two friends about a strange man they used to know.

Why are there so many ghosts on the island of Jamaica? Why is the island so notoriously haunted by tales of voodoo and dark mystical lore? "Haunted Jamaica" seeks to answer these questions ...

What is the role of an ethnographic filmmaker as an outsider and student of a culture? Is it about representing, demonstrating, and reflecting or exposing, participating, and transposing? Although these are not binary terms of the historic discussions in anthropology, they share a lot to be experimented through shared cine-anthropology and sensory multimodal ethnography.

Filmmaker Herbert Alfonso and musician Glenn de Randamie travel to Ghana to do some research on polyrhythm and the West-African spirituality. However, their trip to The Motherland makes them realize that home is more than the place where they grew up. Years later, they recollect their faded memories and try to find the right words to describe their intense experience. What exactly made them feel at home and lost at the same time? What does being home actually mean for a black individual from Europe while visiting Africa? Only abstractions seem to persevere as this colourful and musically-charged collage serves to show how a life-changing experience can leave us with nothing but fragments of a truth that has yet to be discovered.

Witness devilish rituals from around the globe. Satanism! Voodoo! Majicks Black and White! Shocking Truths, etc.!

What do UFOs, witchcraft, Mormons, voodoo, Freemasons, satanism, H.P. Lovecraft, and several other curiosities have in common? You guessed it, aliens! Allow 9th degree Crackpot Bill Schnoebelen to take you on his dark journey from the giant creature-ridden wastes of the Wisconsin fields to sacrificial pain alters on the moons of Saturn and beyond. Recorded during the Ancient of Days conference in Roswell, NM in 2005.

An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.

Writer and cineast Jørgen Leth is the fascinated observer of a country where reality often seems surreal and resembles fiction. Haïti’s history is written in blood. Voodoo plays an important role in politics. Death and horror are part of Haïti’s everyday life. Over five years Leth and his small crew witnessed dramatic events, but he also captured moments of sensuality and beauty in his epic and very personal documentary.

James Bond must investigate a mysterious murder case of a British agent in New Orleans. Soon he finds himself up against a gangster boss named Mr. Big.

Just retired from the Drug Enforcement Agency, John Hatcher returns to his hometown and quickly discovers that drugs have infiltrated his old neighborhood. Determined to drive the dealers out, Hatcher crosses paths with a ferocious Jamaican drug lord who vows that Hatcher and his family are now marked for death.

On the brink of taking it to the next level with her boyfriend, Victoria comes home to find a mysterious box on her kitchen table. In it are the remains of an ancient powerful skull known only as The Eye of Menw. Menw's power is the knowledge of the future for those who are pure-hearted. But when Victoria asks about her future, she unleashes an unholy abomination from hell.

Seeking the cure for cancer, a woman goes back to the island where her parents were killed, and accidentally raises the dead by angering a voodoo priest.

A pair of adventurers try to track down an ancient Aztec/Mayan/Egyptian/Apache horde of gold.

Tired of the noise and madness of New York and the crushing conventions of late Eisenhower-era America, itinerant journalist Paul Kemp travels to the pristine island of Puerto Rico to write for a local San Juan newspaper run by the downtrodden editor Lotterman. Adopting the rum-soaked lifestyle of the late ‘50s version of Hemingway’s 'The Lost Generation', Paul soon becomes entangled with a very attractive American woman and her fiancée, a businessman involved in shady property development deals.  It is within this world that Kemp ultimately discovers his true voice as a writer and integrity as a man.