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When mob money is ditched during a police chase, three teens become embroiled with the BIG BOSS MAN. A wannabe roadman, nerd and flamboyant gay get tangled up in events with an old school gangster. A hybrid mixed genre of traditional gangster and modern comedy. Scarface, Pulp Fiction and Reservoir Dogs meets Sex Education, The Gentleman and Hot Fuzz. Cinematic, rooted in character, a nod to the past with a twist. BIG BOSS MAN is a modern take on the best of old gangster cinema.
BIG BOSS MAN
A crow that is bored of living among other crows decides to leave them, when sees an eagle flies high in the sky. It starts following the eagle to learn how to fly higher...
The Crow

Cecile wants answers, but, actually, she doesn't. After her ex-boyfriend's return to New York triggers overwhelming feelings of doubt and confusion, she embarks on a series of telephone conversations, all of which ultimately only distract her from the one conversation she really needs to have.
Cecile on the Phone

An outdoor painting instructor takes an objectionable interest in an attractive young couple's summer romance.
En Plein Air

There is an ancient ritual to change the fate of an unrequited love. The secret in a cup of coffee.
Parru pi tía

Trevor, an obsessive, alcoholic, drug-addicted writer, is disturbed from his rigorous routine when he loses the ending to his latest novel. Desperately, he tries to recover it...
No End in Sight

Oswald would like to see Mlle. Zulu the Shimmy Queen but he's short on cash. Seeing the more stately gentlemen being admitted without tickets, he tries to fool the bouncer into thinking he's important by puffing up his chest and striding in. It doesn't work, and he's forced to try a second plan, sneaking in under another patron's shadow. He gets caught and spends his time being chased by the bouncer throughout the theater.
Bright Lights

Oswald is riding along on his horse having a merry old time when the two of them fall down a hill, right up to a castle. Oswald whistles for the princess, who blows him a kiss as she appears on a balcony. He reaches her by lassoing the balcony and tying the other end of the rope to his horse's tail, using it as a tightrope. A rival knight suddenly appears and Oswald falls off the balcony, startled. He manages to climb back up and the two fight for the princess.
Oh, What a Knight

Oswald is off to see his sweetheart when he is passed by a rival in a faster car. He takes the lead, though, when both drivers encounter a mud puddle; Oswald isn't afraid to get a little dirty, while his competitor is. Oswald arrives and serenades his love, hampered by the animals in the yard. The rival shows up and they fight over the girl, during which time she slips away with a third suitor.
Rival Romeos

Oswald the Rabbit enters an airplane race with a makeshift aircraft and ends up riding a dachshund lifted into the air by balloons. Meanwhile, his peg-legged rival tries to cheat his way to victory.
The Ocean Hop

Oswald's country is at war, like many other volunters he joins the army and finds himself soon in the trenches. A short battle leaves him wounded, but at least in the field hospital where his girlfriend is working.
Great Guns

Tom Cat is a concert pianist who plays beautifully until he is interrupted by Jerry Mouse.
The Cat Concerto
A pilot for a sketch comedy show. A single stationary camera was mounted inside the center of a large rotating platform. As the platform rotated around the camera, a scene would come into view of the camera. The wheel would stop and a sketch would play out in the scene, which was often framed by some piece of appropriate artwork or prop (for the purposes of forced perspective). At the end of the scene, the wheel would rotate, carrying one scene out of the camera's view and bringing another in, and a new sketch would begin in the new scene. Some scenes were self-contained on the platform, while others were open to the studio beyond the platform (and additional action would take place in the background).




