Miniaturen Teil 1

The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity

The experimental film follows a young woman as she struggles to keep up with the fast pace of life. The film delves into her inner turmoil as she tries to escape the relentless pressure of time and find a sense of peace and belonging in a world that never slows down.

A visceral journey through dysphoria in the internet age.

An abstract exploration of teenage hood and future discontents. It is the search for an alternative.

The turkish ambassador is said to visit a village in Hungary.

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.

A short fil that follows a body subjected to institutional and diffuse forms of power: medicalization, psychiatric labeling, regimes of sexuality, and everyday violence. Moving between a white clinical space, a cemetery in Toulouse, and ordinary interiors, the film unfolds through gestures, textures, and encounters with other bodies. Inspired by Michel Foucault, Deleuze and Guattari, Artaud, Rancière, and critical thought from Latin America, this short film traces a sensitive cartography of emancipation and asks a simple yet difficult question: what can a body do when it attempts to reclaim its own history?

A pseudo-documentary follows an unnamed raver obsessed with the extreme sub-genre "gabber," as he drifts through his lonely day by day, far from home and far from his culture.

A student moves into their accomodation, only to find their room already decorated, a strange, inhuman flatmate, and a kettle that won't stop boiling.

Questions how we as individuals are psychologically relying on our inhabit spaces and how we as society are influencing and being influenced by our surroundings.

An abstract exploration of memory and loss.

To cope with a grieving process, Eli creates his own pink musical paradise, full of neon lights and a lot of gayness.

"After the experience of making the film for my thesis defense, and, of course, translating and working on the essay Amateur vs. Professional [Amateur Cinema], particularly Maya Deren’s definition of amateur cinema, it became a concern of mine. After a difficult year, I decided, based on a personal manifesto shaped by my surroundings [Paramedia], to make a film that I myself would like to see more of. A film created through image, montage, and the possibilities specific to the cinematic apparatus, with an emphasis on organicity. At the same time, it was a response to the question of mainstream cinema versus art cinema, and ultimately an attempt to arrive at a third option, one that is completely separate from those two modes of cinema: experimental cinema, structural, abstract, expansive, and so on. The final product was Me, I'm Not."

A loop of a guy in Maine hanging out in his room.

After an intruder infiltrates her apartment, Allie must deal with the remnants of painful memories that she refuses to accept.

Kaito lost his sister who was his lover in his childhood. He severed all contact with the outer world for twenty years and devoted his time to writing down memories of his sister. One day, a week before the manuscript is to be completed, a woman visits his room. She burns all his papers and takes him to the city to cut him off from his memories. Nevertheless, Kaito cannot stop writing about his sister. The woman decides to lead him on a journey to ultimate hell.

A person spends most of their life mourning the things they have lost, unable to move on. They frequent a silent but helpful medium and embark on a spiritual journey where they linger among their past lives.

Returning to his hometown one last time, a wayward love rat reignites friendships and reopens old wounds in one self-destructive weekend.

Two young film enthusiasts from downtown São Paulo are doing a film rehearsal and, for the final scene, inspired by "The Man Who Left His Will on Film," they want to film a projection onto a woman's body.

Central explores the limitations of sanity as different facets of her persona usher her through psychosis.