Obvious, hackers de l'art

In 1985, the artist Ana Mendieta fell naked, thirty-four floors, from the window of her apartment in New York City. The only person with her at the time was her husband of only eight months, the renowned sculptor and art world celebrity, Carl Andre. Was her fall an accident, suicide or murder? "BloodWork' is the first film to address this controversial subject.

The artistic treasures of the National Gallery of Art are beautifully explored.This video is ideal for anyone who desires a lasting portrayal of this glorious art museum.

Introduces the world of painter René Magritte through an assemblage of the painter's images. Includes statements by Magritte about his intentions and anecdotes from his friends Mesens and Scutenaire.

A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

The Junk King (Vince Hannemann) gives valuable insight regarding his art and the Cathedral of Junk in Austin, TX.

This film traces the elusive trajectory of Mark Rothko (1903-1970), the American master of abstract expressionism who called his work "a pharmacy for the soul." Moving from Latvia to the US as a child, he left Yale to paint, later inspired by Italy to create his iconic color fields. Full of vibrant colors, drama, and emotion, this subtle portrait makes his legendary art shine forth.

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

London, England, 2008. Some of the most distinguished experts on the work of Italian artist Leonardo da Vinci (1452-1519) gather at the National Gallery to examine a painting known as Salvator Mundi; an event that turns out to be the first act of one of the most fascinating stories in the history of art.

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Pop Goes the Easel was Ken Russell’s first full-length documentary for the BBC’s arts series Monitor. It focused on 4 British Pop Artists - Peter Blake, Peter Philips, Pauline Boty and Derek Boshier.

In 1995, the Saint Paul de Mausole nursing home in Saint Rémy de Provence opened an art therapy workshop as part of the Valetudo association. A Dutch painter and the nursing staff of Saint Paul accompany women who discover and reveal themselves in the shadow of a certain Vincent van Gogh.

Curator Robert Storr takes us through the 2002 MoMA Gerhard Richter retrospective.

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Click for full movie details & trailers.

A Brazilian performance artist Vanesa Cardoso living in Newfoundland, Canada explores the figures of her Pochinko clown, discovering a desire to expose the comedy of our deepest vulnerabilities - the very ones that make us human. A creative journey through Richard Pochinko's seven masks and six directions, Vanessa reveals her clown while musing on the personal drive and struggles that inspire her art.

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A powerful portrait of Africa's most widely acclaimed contemporary artist El Anatsui. It gives an insider's view of the artist's practice, the ingenious steps and thousands of hours of labor that convert used bottle tops into huge, opulent wall hangings.

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors

The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.