dadme la muerte que me falta

Harems is a love story between a screen-writer and a gogo-boy, the latter being typically representative of the image of seduction in the 80's. The screenwriter leaves on a journey and asks the gogo-boy to accompany him. A scandal breaks out and the gogo-boy's antics lead to both men's meeting with the narrator. She introduces the spectator to the psychological state of the screen-writer - who is in the process of inventing a mythic character based on his lover - and befriends and helps the gogo-boy in his quest for happiness. The narrator relates the story taking place between the two men and questions the relationship between fantasy and the reality of love.

Identifying himself intimately with serial killer John Wayne Gacy, the director uses the camera to take hold of the actors, constructing fantasies that lead them to believe they are the victims in a film yet to be made. The young men, aged 19 to 26, speak from the heart about love and prostitution. Their search leads us into another world. Is this the world of John Wayne Gacy?

Five extremely disturbed, sociopathic children escape from their psychiatric transport and are taken in unwittingly by a group of adult villagers on winter vacation.

Captain Alan Gaskell sails the perilous waters between Hong Kong and Singapore with a secret cargo: a fortune in British gold. That's not the only risky cargo he carries; both his fiery mistress and his refined fiancee are aboard!

A boy leaves home holding a toy airplane. As he travels across Bari by bus, he reaches Parco Perotti, where the memorial for Tuninter Flight 1153 stands — the 2005 air disaster off the Sicilian coast near Capo Gallo that claimed 16 lives and forever marked the 23 survivors.

A dying cockroach in the alleyways of Paris reminisces of the time he fell in love with a ladybug and what that relationship meant to him during his final moments.

In a not-too-distant future, where everything has completely unraveled into chaos, the Ministry of Intergalactic Crises urges citizens to abandon Earth before the inevitable unfolds, offering interplanetary flights to the J-18 orbital settlements. Meanwhile, in a desolate bar, perhaps the last bar standing, 23 minutes before the final flights depart, a couple wrestles with a decision: is it time to end their tumultuous relationship once and for all?

FEVER explores the feeling of spring pushed to its limits. Messy and brimming with life, bodies collide as desire takes over. Using movement as its primary source of storytelling, FEVER presents something viscerally human. Blurring the line between control and release, what begins as a glimmer of renewal, quickly becomes something more urgent and consuming.

A Jewish ghetto in the east of Europe, 1944. By coincidence, Jakob Heym eavesdrops on a German radio broadcast announcing the Soviet Army is making slow by steady progress towards central Europe. In order to keep his companion in misfortune, Mischa, from risking his life for a few potatoes, he tells him what he heard and announces that he is in possession of a radio - in the ghetto a crime punishable by death. It doesn't take long for word of Jakob's secret to spread - suddenly, there is new hope and something to live for - and so Jakob finds himself in the uncomforting position of having to come up with more and more stories.

Paul and Paula have had bad experiences with love: Paul is financially well off but has lost all affection for his wife, and Paula leads a troublesome life raising two children on her own. They meet and discover a strong passion for each other. Life seems like a dream when they're together - but their short flights from the burdens of reality are once and again interrupted by Paul's ties to family and career.

Girl meets boy in deserted planetarium.

A rock singer, escaping from her abusive boyfriend, forms an unlikely friendship with a struggling photographer with scars of his own.

Authentic and subtly-written coming-of-age story set against the end of the dark 1970s. A dominant mother, a taciturn father, an elder brother who won’t shape up and the little brother who won’t take sides. Then a beautiful girl comes to live across the road from distant Beijing. (IFFR.com)

Fifteen-year-old Suzanne seeks refuge from a disintegrating family in a series of impulsive, promiscuous affairs. Her fulsome sexuality further ratchets up the suppressed passions of her narcissistic brother, insecure mother and brooding, authoritarian father.

The story takes place in 1917. Véronique is a young woman of 35 years, nurse at the military hospital of Besançon. She suddenly learns of the murder of her husband, the mysterious Count Vorski, whom she has not seen for fourteen years. Her research will also lead her to the track of her father and son whom she believed to have died in a shipwreck, already a long time ago. From clue to clue, here we are in Brittany, on this island with a name so ill-fitting... Brutal deaths, enigmatic words written... by whom? A frightening prophecy, the superstitious terror of the island's inhabitants, and suddenly, Veronica d'Hergemont can no longer leave this island. She's stuck alone. Almost alone...

Cécile teaches English at the Collegium in Bruges. She has a boyfriend, Thomas, a student at the Beaux-Arts. Cécile lives with Mrs. Hanka, who reads horoscopes and surrounds herself with natal charts. She says she's known a lot about people for 30 years.

Fourteen years after the events of the original film, a series of encounters between people in Britain reminds us that in these different times Love, actually exists.

In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.

A recent amputee's desperation for autonomy over her own body takes a dark turn during an LSD trip with her boyfriend, resulting in a shocking act of violence that exposes the raw intersection of physical and emotional trauma.

A film with very little dialogue. Set in the Catskills of 1896 – 1916, a farmer buries his deceased wife atop a nearby mountain, then makes the difficult decision to give up his newborn son, Jonathan. Later in 1916, Jonathan returns to confront his past. The only real dialogue is a voice over of the father reading a letter he wrote to his son explaining himself.