Afrocantos

Documentary about atheist Madalyn Murray O'Hair who, for 30 notorious years, successfully challenged God in America, and was brutally murdered in the summer of 1995. O'Hair had come to occupy a special place in the American psyche since her 1963 campaign which ended compulsory prayer in US schools after a Supreme Court action on behalf of her son William. She journeyed from Cold War paranoia, through to the rise of the neocons and born again Christianity in Reagan's America and beyond. (Storyville)

“Balance of Life” is a film about life’s and human kinds’ fight to find the balance between our own evolving life style and the nature of the planet we inhabit. The human race is drifting further and further away from its real roots and from what being a human is really about. The speed of development has increased to a state where humans have a hard time keeping up. We find ourselves in a situation where both our own and the planets’ wellbeing is severely threatened. As a last resort human is relying on faith to find the balance. Is faith the last defense of man or is this world guided by forces greater than us? Is this force God, evolution or just the mere sum of coincidences that formed the universe, the natural order and laws of physics?’ Watch it here (https://vimeo.com/51203265)

The director goes back to her roots in Pangnirtung, amongst her family and community. It leads her to another journey: to Qipisa, the outpost camp from where they were uprooted.

Rap de Saia is a documentary that reports, through the voices and rhymes of the protagonists themselves, part of the historical trajectory of Female Rap in the State of Rio de Janeiro. In addition to its historical trajectory, Rap de Saia brings a collection of themes that leads us to reflect on women in today's society.

The Soul of Bossales is an immersion in the heart of popular Haitian culture whose spirituality and creativity have been forged by a surge of freedom and identity affirmation. Foukifoura, Édris, Charlotte or Ramoncite, “Bossales” characters with committed artistic and political acts, give us the gripping story of a very harsh reality: material and health precariousness, political violence, neo-colonialism.

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System (2025) is a short documentary film exploring intergenerational connections to land and country. Interviews with Aunty Denise Morgan Bulled, a Yorta Yorta Elder; John Toll and his family, fourth-generation farmers in Gunbower wetlands; and two Local 10 year olds, Harry and his friend Mac. The film reflects on how the river system shapes their daily lives, impacts their quality of life, and influences their passion for country.

Bacata is the first name of Bogotá: the lady of the Andes, the mountain that lights up. It's also the name of a tower, the tallest in Colombia, never completed. From the 28th floor, Laura observes the city, its secrets and its struggles. From the 28th floor of Colombia’s tallest building—a long-awaited, still-unfinished tower block in the centre of Bogota—Laura observes the city below, its secrets and its struggles, as a colourful cast of gardeners, activists, and human statues go about their daily lives in the shadow of the country’s history.

The 1905 law proclaiming the separation of church and state is 120 years old. This law affirms freedom of conscience and religious freedom. It is considered the founding text of secularism. Secularism is the subject of endless controversy and debate.

A decade after his death, genre-defying filmmaker William Greaves has one last trick up his sleeve with what he considered the most important event he captured on film: a 1972 party he engineered with the living luminaries of the Harlem Renaissance.

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In the Carpathian mountains, a community of highlanders keep their ancient culture alive, from their style of dress to their craftsmanship.

An analysis of the controversy over the participation of women in the Irun and Hondarribia festivity known as Alarde. It is divided into three parts: in the first part, the history, structure, and characteristics of the Alarde are explained; in the second part, the beginning of the conflict and its development in the 1990s; and in the third part, the present situation, reflecting on the present and future of the festival.

The Myth of the Black Woman is a feature-length documentary that examines the imagery of black women in the media, from the 18th century black slave to Michelle Obama. It is an investigation into how stereotypes originate from slavery and still affect the lives of black women in Quebec. These stereotypes include Jezebel (the seductress, the femme fatale); Mammie (the obese woman, the asexual mother figure) and Sapphire (the angry, ambitious and arrogant black woman). This story will be told by black women on whom stereotypes have a high impact, through interviews with fascinating experts, and through archival footage from centuries past to the present.

A TV-hour length documentary film depicting the relationship between language, culture, place, music, tradition, and magic on an active volcano, in the Pacific nation of Vanuatu, on the island of Ambrym.

Mother India is home to many castes, tribes and religions and one common factor that brings this diverse country all together is Jewelry. Come explore the deep history and culture of the jewelry of India dating back more than 5000 years. As we explore the history we also take you into Bangalore, India and talk to local Jewelry Stores and Jewelry Artisans as they share their stories and their family history of their involvement in jewelry going far back into their family ancestry.

When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner in Oslo, the police are able to find the thief after a few days, but the paintings are nowhere to be found. Barbora goes to the trial in hopes of finding clues, but instead she ends up asking the thief if she can paint a portrait of him. This will be the start of a very unusual friendship. Over three years, the cinematic documentary follows the incredible story of the artist looking for her stolen paintings, while at the same time turning the thief into art.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

France is at the heart of Madonna's life. She is inspired by French culture and its values and has surrounded herself with French artists for many years. To celebrate the 40th anniversary of the Queen of Pop's career, this film revisits the close and unique bond between Madonna and France and features testimonials from close collaborators and French friends who have helped create her unique artistic universe: Maripol, Jean Paul Gaultier, Julien d'Ys, Nicolas Huchard, and Marion Motin. Today's artists such as Florence Foresti, Leïla Slimani, Victor Weinsanto and HollySiz talk about the influence of this emancipating figure, which extends far beyond music.