Beyond All Limits

A sexy mondo movie narrated by Nico Rienzi. Starring transsexual superstar Bambi.

A dialogue-free documentary on former magazine model Pandora Peaks, with narration by Peaks and Meyer.

Pseudo-documentary which "examines the British public's most intimate sexual relations and the modern-day permissive society".

A mockumentary sex education film featuring four different couples, straight, gay, lesbian, threesome, engaged in lovemaking.

An experimental short film made as part of a multi-media triptych, originally screened alongside a fashion collection and an art-installation. Drawing from Papa Yorick’s (Director and fashion designer) thesis “Men Are My Cumrag”, the film reenacts eight mainstay gay porn scripts, incorporating and parodying tropes and clichés, that explore masculine identities within the gay porn industry, through a satirical and critical lens.

Hollywood is a town of tinsel and glamour; but there is another Hollywood, a place where maverick independent exploitation filmmakers went toe to toe with the big guys and came out on top.

Stalags were pocket books whose plots revealed lusty female SS officers sexually abusing camp prisoners. During the 1960s, parallel to the trial held against Nazi war criminal Adolf Eichmann, sales of this pornographic literature broke all records in Israel and hundreds of thousands of copies were sold at kiosks. The popularity of the Stalags only declined after a much-reported trial, in which their authors were accused of distributing anti-Semitic pornography. This film examines the notorious phenomenon, exposing the creators of this genre for the first time. It posits that the combination of pornography and the Holocaust also appears in canonic Holocaust literature and continues to be a widespread part of the representation of the Holocaust in Israel today.

Witness devilish rituals from around the globe. Satanism! Voodoo! Majicks Black and White! Shocking Truths, etc.!

St. Pauli, prostitution by advertisement, lesbianism, whipping, satanic rituals – all that makes a young farmgirl movieng to the big city where sexual adventures await her.

This little-seen compilation 'educational' documentary from producer Samuel Cummins was an independently-produced jungle exploitation film typical of the 30s. It was inspired after the success of the pre-Code exploitation film Ingagi (1931) about gorilla-worshipping Congolese native women, and after the success of RKO's King Kong (1933). The film speculated that there was social/sexual intercourse or matings between African women and gorillas, after a Ubangi maiden was abducted by a gorilla and carried off into the jungle. It was considered scandalous and "off-color" by the Board of Review because of the theme of "the mating of women with wild animals and because of nude figures in the picture." The film included sensational content (ineptly interspersed with horrible stock footage) including a few shots of topless native women (censored versions superimposed fake ferns over bare breasts) and lusty gorillas (men in monkey suits). (filmsite.org)

Twenty-third volume of Something Weird Videos on going series in their collection of American and European sexploitation trailers from the 1950s to the 1970s.

A nudist film.

Sun-kissed Floridians enjoy volleyball, jumping rope, trampolines, and relaxing in the sun.

An old geezer recalls some of the antics of the citizens of his Western town, more wild and woolly than Tombstone or Dodge City. In this town, they shoot like Stormtroopers, the women seek new meat, and practical jokers abound.

In this Depression-era tale, Calef McKinney, traveling from Michigan to California, stops in Spooner, Missouri, where Lute hires him for odd jobs. Calef gets involved with Lute's niece, Hannah. But she's married to Sidney, a wife-beating drunk who hopes to inherit his uncle-in-law's money. Sidney and an eccentric preacher plot against Calef, who finds it difficult to conceal his mysterious past and his growing affection for Sidney's wife.

In a Canadian mountain resort, Vixen Palmer resides with her naive pilot husband Tom. While he's away flying in tourists, she sleeps with practically everybody including a husband and his wife, and even her biker brother. However, the only one she won't bed is her brother's friend... who is Black.

An all-girl rock band moves to Hollywood in the hope of achieving success, only to fall into a whirlpool of wickedness and decadence.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.

One of three films made as part of the multi-media project ‘Doem, Dood & Verderf’ (2017) by Mees Joachim, chronicling the most traumatic moments from three of their prior long-term relationships. This multi-media project took the form of twelve 100x65cm illustrations, 4 per relationship, an EP released as Pink Boah (Zalmroze in collaboration with Jerboah) and three experimental films backed by the three title tracks from the Pink Boah EP. Each of the three films is a self-projected character study, with the three relationships being depicted and acted out, by the artist and a placeholder model, through physical performance and touch. Visually it is most in line with the artist’s photographic series "The Gaze Upon The Male Gaze”, made for Sauce Magazine, with both the films and that photo series being highly sexploitative in nature.