Anastasha

Love Thing captures the emerging multicultural spirit and personal freedom of the late 1970s with an outrageous attitude and experimental style. A work in progress now finally completed it's the last American musical comedy from that era which can be viewed today as a prophetic satire. Through its provocative, entertaining storyline highlighted by song and dance, the movie answers the burning question of our time, "What happens after the marriage?

Legendary drag performer Ocaña in performance with a cardboard Marilyn on the west side of the Berlin Wall.

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Alina is ready to put on the perfect holiday morning show when, all of the sudden, the show goes up in flames. The VTP is burning up, no one is there for talk show, and the anchors are too set in their ways to adapt. With no hope left for the broadcast, the limited crew must do their best to turn disaster into a show for the books.

Bellend Productions'(TM) 1X Nominated Documentary "The Man The Myth The Bellend" Directed by Rhys Walkington is the first ever Bellend Productions(TM) Film and is a documentary about the Life of "The Man The Myth The Bellend."

A mockumentary-style short film that humorously follows political science students debating whether math has any real place in their discipline. Through chaptered banter, fourth-wall breaks, and satire, the film exposes the uneasy but unavoidable relationship between numbers, power, and political truth.

“It ain’t easy…being green” is the favorite expression of Stormé DeLarverie, a woman whose life flouted prescriptions of gender and race. During the 1950s and '60s she toured the black theater circuit as a mistress of ceremonies and the sole male impersonator of the legendary Jewel Box Revue, America’s first integrated female impersonation show and forerunner of La Cage aux Folles.

The life and death of the fictional star Wilma Montesi is reported in the form of a staged newsreel. Excerpts from films of various genres and eras are juxtaposed with "documentary material" about the star's public and private life. By stringing together clichés and cinematic quotations, a certain reporting and narrative style about the glamor and misery of show business is presented in a critical and ironic, but at the same time entertaining way.

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TIMETRAVEL_0 is an extraordinary docudrama that follows Cris McCarthy as she explores the urban web legend of John Titor, the man that came from the future. Cris searches for evidence of Timetravel and John Titor's predictions of a massive civil war. In the process of her filming, her work was investigated by authorities and eventually confiscated by the government. Its recent release has allowed it to be edited and produced.

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Chronicles the events that lead to Charlie Charlison's untimely death employing a cinéma vérité approach.

In a world where lake monsters exist, we follow the daily life of Giacomo Rosetti, the one who takes care of Isy, the monster of Lake Iseo.

From transvestites to transformers, we will follow the trail that will lead us in different and famous Parisian music-halls, such as the mythical Alcazar of Paris, La Grande Eugène. Whether they are below or beyond their character, often these men who are looking for themselves look at life with the humor of despair. Why this need to "transform" themselves? Why is it always the men who cross-dress and not the women? Why did the public flock to these shows in the 1970s and 1980s? Interpretations of famous characters such as Diana Ross, Josephine Baker, Billie Holiday, the Peter Sisters, the Andrew Sisters, Zizi Jeanmaire, Judy Garland, Sarah Bernhardt, among others, contribute to making this musical document an essential testimony of this era.

State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading up to the annual Blue Ribbon Bacon Festival. Bacon-enthusiasts, Governor Branstad, a bacon queen, Hacksaw Jim Duggan, members of PETA, and an envoy of Icelanders are not excluded from this bacon party and during the course of the film become intertwined with the organizers of the festival to show that bacon diplomacy is not dead.

Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.

Seattle filmmaker Oliver Tuthill Jr. directs this deadpan mockumentary that imparts the legend of Willatuk, a fictitious sea serpent that American Indians first spotted swimming in the waters off Puget Sound in 1736. Narrator Graham Greene explores the history of the mysterious creature that's considered sacred by a Pacific Northwest Indian tribe, which vows to protect it from the competing interests of local hunters.

Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.

In 1990, child star Spencer McPerving released his musical "Swamp Surfer" which became known as the most offensive, terrible work of fiction ever created. Spencer has been missing ever since and all recordings of the musical were destroyed. Now we follow documentarian Zoe Whiteman as she tries to learn more about Spencer McPerving and what led him to make such a disastrous musical.

In this rags to riches origin story, Lady Camden struggles to manage the demands of her freshly minted international fame, while Rex is forced to come to terms with the troubling childhood he left behind in Camden which drove him to so desperately seek joy, fantasy and escape through the performing arts.