Processions

Destroying your own artwork. For many artists it is unmentionable, but Loes Heebink from Kolderveen irreparably destroyed her artwork "Fluisteraars" herself and came up with the idea for a documentary of the same name, directed by Saskia Jeulink.

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With an empathetic and intimate lens, veteran filmmaker Denys Desjardins captures his elderly mother's experience of neglect in Quebec's healthcare system and his sister's fight to secure her an acceptable long-term care solution.

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Just after midnight on 10 March 1945, the US launched an air-based attack on eastern Tokyo; continuing until morning, the raid left more than 100,000 people dead and a quarter of the city eradicated. Unlike their loved ones, Hiroshi Hoshino, Michiko Kiyooka and Minoru Tsukiyama managed to emerge from the bombings. Now in their twilight years, they wish for nothing more than recognition and reparations for those who, like them, had been indelibly harmed by the war – but the Japanese government and even their fellow citizens seem disinclined to acknowledge the past.

"It takes courage to accept growing old. It's the response to the cruelty of passing time that I wanted to film." (Xavier Liébard) A group of elderly people decided to live their journey through middle age to the fullest. United in the same small group for over fifteen years, they chose to share their vitality through song with others, those whom old age has excluded from the social, familial, and human experience. Against all odds, "The Joyful Companions" are active and committed to maintaining the social connections that bind them to life. But what strategies, tricks, and struggles they must invent to live old age with hope... Xavier Liébard Director, Writer

A Short film by Christophe Bisson

They come from all walks of life and have lived for almost a century. They have lived through the upheavals of history. They are funny, moving and rebellious. They surprise and amaze us. Yet we rarely hear their voices. This film is an invitation to travel across France and meet them: the Old People.

A love letter to cinema and a personal reflection on loneliness. Segment from Fringe Hippo's anthology film "Elegy Apokalypto".

One of society’s last taboos is elderly desire, which remains strong for many: half of older adults remain sexual. Advances in medicine and lifestyle mean people in their 70s, 80s, or 90s can still explore and enjoy intimacy. Yet society often ignores this—aged bodies are deemed unattractive, and sexual desire beyond tenderness is stigmatized, sometimes leading to mistreatment in care homes where couples are separated. The documentary Vieillir et jouir sans entraves confronts this taboo. Featuring celebrities and real-life couples—including Francine and Marc (60 years together) and gay couple Jean-Marc and Alain (34 years together)—it explores aging bodies, love, sexuality, and the challenges of libido and illness. The film highlights initiatives supporting sexual expression for older adults, including LGBT-friendly housing and sex-positive care, urging society to rethink its view of aging intimacy.

Follow a cold water swimming group based in Sussex as they discuss the benefits of cold water swimming.

Félix, a young, melancholic and secretive shepherd, leads a surprisingly timeless life. He lives alone and works along his father to raise the family herd. From autumn to spring, he looks after his animals, feeds them and keeps them in the dense forests of holm oaks of French Pre-Alps. In the summer, he travels on foot for more than two hundred kilometres, leaving his father to lead the herd to the mountains pastures, in the High Alps Ubaye valley. There, he lives far from everything for many long months, in a mineral and inaccessible world where an invisible being prowls: the wolf. Against the tide of his time, Félix has chosen a profession that isolates him and keeps him out of the world.

Dona Maria, a woman in her seventies, is alone at home with her thoughts. Abandoned by everyone—and by the life she once nurtured with such labor and passion—she now lives off her memories, her only companions, of a time when everyone was happy and she, besides being a renowned painter, was a whole, fulfilled woman.

On the age of 51, a father leaves his family to live as a carpenter. Away from the family and house burdens, he spends his last 15 years living alone. From the point of view of his child, the idealistic father then changes his mind to let go of everything and lives his dream of traveling.

“…this documentary capturing important aspects of Thoreau’s life and writings is highly recommended.” Video Librarian, May 2018 Made over the course of 13 years, Henry David Thoreau: Surveyor of the Soul tells the story of Thoreau in his time and the story of the impact Thoreau’s writings and lifestyle have in our time. Surveyor of the Soul has interviews and commentary by: Laura Dassow Walls (author, Henry David Thoreau: A Life), Bill McKibben, Howard Zinn, Richard Primack, Megan Marshall, Rep. John Lewis, Robert Bly, Wai Chee Dimock, Spencer Crew, Darren Ranco (Penobscot), Rochelle Johnson, and more. “If you are not yet a Thoreau enthusiast, this beautiful, engrossing documentary just might turn you into one. If you already are, it will remind you of the many reasons why.” Lucille Stott, Appalachia, Winter/Spring 2019

An observational documentary following Steven Brooke and how the solitude of painting impacts his life and artwork.

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I traveled to South Africa to find a white family living on a desolate farm. I wanted to film how they faced the new days of equality after the fall of Apartheid. But I soon lost my way both on the endless roads and in my way. Instead, the film became a story about two very different women who both experienced a tragic loss in the midst of a white community not too fond of the future.

François, Renée, Gisèle, Sylvain. These seniors do not have much in common, but their lives have been shaped by episodes of abandonment, rejection, or fear. Some still live in invisibility, afraid of how others will look at them. Loneliness weighs heavily. For others, living with HIV has worn down their bodies, and old age arrives more quickly. Then there is a hope: that of a house in Lyon where they will finally be able to be themselves. A place where it will be possible to grow old without ever having to hide again. There is that family we choose for ourselves. The feeling that a new chapter is opening—the last one—filled with promise, and with the boldness of all those first times we finally allow ourselves, so late in life. But when it comes to becoming visible, the fears accumulated over a lifetime are never far away. And they come to pull our courageous dreamers back from their dream: should they take the leap?