Matar

Impoverished priest Harihar Ray, dreaming of a better life for himself and his family, leaves his rural Bengal village in search of work. Alone, his wife, Sarbojaya, looks after her rebellious daughter, Durga, and her young son, Apu, as well as Harihar's elderly aunt Indir. The children enjoy the small pleasures of their difficult life, while their parents suffer the daily indignities heaped upon them.

Ralf Paeschke is a film student who has to make a documentary film about a group of women working in a lamp factory. There is brazen Susie, mischievous Kerstin, lonely Anita, single Ella, withdrawn Gertrud and the imposing forewoman. When Kerstin is suspected of stealing, tension among the women mounts. Ralf demands that things be clarified, and his film plays an unexpected role in the matter.

In 1984, eleven miners entrenched themselves underground to protest for better working conditions in the mining village of Almaden in southern Spain. The strike, deep within the toxic mercury mine, lasted for eleven long days, during which the whole village showed its solidarity with the men protesting underground. The mine was the heart of Almaden, around which everything revolved – until it longer existed. The mercury mine was closed for good at the beginning of the 21st century. As a consequence, the area has experienced mass unemployment and slow decline.

Marseille. The director of a company offers a promotion to Francois (Michel Creton) if he accepts to help him fire all the staff from his office. If he refuses, he will himself be fired. Francois opts for the latter. He registers as unemployed and discovers what he has lacked so far in his life: a certain freedom. His habits are changing as well as his attitude towards the others changes ... Luce (Claude Jade), his wife, and Marquerite (Courtois Queen), her stepmother, are surprised: why he is not himself anymore?

A heroin junkie works as a prostitute to support his habit and fund an abortion needed by the girlfriend of his lesbian wife. His seedy encounters with delusional and damaged clients, and dates with drag queens and hustlers are heavy on sex, drugs and decadence.

The Berlin construction workers Micha, Silvio and Norbert are out of work. The way out spells - Norway. Because German craftsmen are in demand. The three, with 17 other desperate people, are bawling Norwegian and preparing themselves for "it's always just salmon" and fearing the darkness. Too bad that their wives have other plans.

It's mom's birthday and her three daughters want to throw a big party. But everything turns out differently. It's not just because the divorced dad arrives a few days early and brings his much-too-young new girlfriend with him, or because the birthday girl has to stage the end of the world with her village theater group.

The story of Ahmed Albarjo, a man living in Malta struggling to secure Refugee Status. Made in collaboration with Spark 15 and RAAH.

In a community where residents pay for access to sunlight, a father goes to extreme lengths to support his daughter’s entry in a school competition to grow sunflowers.

A look at the refugee crisis, with testimony from the refugees themselves.

Rocky is a talented boxer, but is forced to quit boxing for being an asylum seeker. Rocky starts a new life when his coach tries to build him a career and life while staying afloat in Hong Kong. Helping with moving and volunteer work, he gets to know other tenants like Raja and Bitto and hears about their life stories. He realises that they have nothing left but he still has boxing - and that calling has never stopped.

Follows the lives of an unemployed drunk and his son as they struggle to adapt to each other.

When a western Pennsylvania auto plant is acquired by a Japanese company, brokering auto worker Hunt Stevenson faces the tricky challenge of mediating the assimilation of two clashing corporate cultures. At one end is the Japanese plant manager and the sycophant who is angling for his position. At the other, a number of disgruntled long-time union members struggle with the new exigencies of Japanese quality control.

An urgent and powerful documentary, shot in a detention centre where asylum seekers trying to reach Australian shores are indefinitely detained. Secretly shot on a mobile phone by Iranian journalist Behrouz Boochani while detained on Manus, in Papua New Guinea, the film is a collaboration with Dutch-Iranian filmmaker Arash Kamali Sarvestani. Boochani recounts, via the testimonies of fellow inmates, the abuse and violence inflicted and the precarious state of limbo they find themselves in. Chauka, the name of the dreaded solitary confinement unit within the detention centre, was originally the name of a beautiful bird and symbol of the Manus Island. By interweaving dialogue with two Manusian men and shots of daily life on the island, the film gives a much-needed voice to Manus inhabitants, understandably distressed by the current situation. With marked restraint, the film exposes lives broken by shocking immigration policies.

A very personal and dynamic meditation on the current global refugee crisis through the eyes and voices of campaigners, specially children, where past and present establish a dialogue. A reflection on the importance of human rights.

The ever-poker-faced Ilona loses her job as a restaurant hostess, as her tram driver husband, Lauri, also finds himself out of work. Together they must hit the streets of Helsinki, facing up to hardship and humiliation in their quest for survival, guided through the gloom by a ray of hope.

Jim Davis is an ex-Army Ranger who finds himself slipping back into his old life of petty crime after a job offer from the LAPD evaporates. His best friend is pressured by his girlfriend Sylvia to find a job, but Jim is more interested in hanging out and making cash from small heists, while trying to get a law enforcement job so he can marry his Mexican girlfriend.

The Show Must Go On is a personal journey behind the scenes that confronts the epidemic of mental health issues in the Australian entertainment industry.

In contemporary London, miserly British-Indian businessman Eshan Sood is compelled by three ghosts to reflect on his life and to consider the needs of those around him.

John Smith, a middle-aged married man, is made redundant by his employer; at a loss and despairing, his friend Harry Jones suggests applying to the Embankment Fellowship Centre, a charity that provides hostelling, retraining and help finding work for men in his position.