Jer/Z

FEVER explores the feeling of spring pushed to its limits. Messy and brimming with life, bodies collide as desire takes over. Using movement as its primary source of storytelling, FEVER presents something viscerally human. Blurring the line between control and release, what begins as a glimmer of renewal, quickly becomes something more urgent and consuming.

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A film crew is shooting a scene. Their gestures gradually slip into dancing, revealing the beauty lying in the choreography of film sets.

A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.

Honey Daniels dreams of making a name for herself as a hip-hop choreographer. When she's not busy hitting downtown clubs with her friends, she teaches dance classes at a nearby community center in Harlem, N.Y., as a way to keep kids off the streets. Honey thinks she's hit the jackpot when she meets a hotshot director casts her in one of his music videos. But, when he starts demanding sexual favors from her, Honey makes a decision that will change her life.

Delinquent Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with up-and-coming dancer Nora.

A pair of short ballets, written for the screen, filmed and performed by artists of the Georgian SSR. In color, with narration.

An inverted Looking 4 U, a dance undetected by modern computer vision.

Childish Whim is a commentary on the feelings of angst and rebellion teenagers are inclined to feel. This short dance film is depicts a young teen who is entirely aware that all of the feelings he is acting upon are momentary impulses, however, he still gives into them.

A woman and her husband Jackson welcome their baby boy the same day the King of Pop Michael Jackson died. A dance enthusiast, she names her son Michael, making his full name Michael Jackson. Michael goes on to become a great dancer, winning a reality show title. Owing to this, he becomes very famous in his college as well. However, one day, he mysteriously goes missing from college, leading to a string of unexpected events.

La Salsa Vive is a vibrant cinematic exploration of Afro-Cuban music's history, tracing its roots from New York's lively streets to Cali, Colombia, now the global salsa capital.

Vodoun Gods On The Slave Coast explores the ceremonial splendor of sacred dance and ritual in Benin, the birthplace and cradle of Vodoun. Formerly known as Dahomey, Benin was also called the Slave Coast due to its importance in the trans-Atlantic slave trade. Today, the worship and supplication of Vodoun gods remains integral to everyday life in Benin.

In this remarkable video, "The New Dance Group Gala Concert: Retrospective 1930s-1970s" viewers will enjoy viewing dances of some of the most influential Modern Dance pioneers including: Mary Anthony, Ronne Aul, Talley Beatty, Valerie Bettis, Irving Burton, Jane Dudley, Jean Erdman, Eve Gentry, Joseph Gifford, Hadassah, Sophie Maslow, Donald McKayle, Daniel Nagrin, Pearl Primus, Anna Sokolow, Joyce Trisler, Charles Weidman.

To mark his forty-year career, choreographer Angelin Preljocaj has revived ‘Le Parc’, one of his most iconic works, at the Paris Opera. Set to music by Mozart, this romantic ballet depicts the games of love and chance, starring Alice Renavand and Mathieu Ganio.

A former professional dancer volunteers to teach dance in the New York public school system and, while his background first clashes with his students' tastes, together they create a completely new style of dance. Based on the story of ballroom dancer, Pierre Dulane.

The Merry Widow, a beguiling, romantic ballet starring Patricia McBride and Peter Martins.

A reluctant influencer’s first viral dance video overflows with comments from people claiming to lose their bodies after watching it.

On a summer day in the 1950s, a native girl watches the countryside go by from the backseat of a car. A woman at her kitchen table sings a lullaby in her Cree language. When the girl arrives at her destination, she undergoes a transformation that will turn the woman’s gentle voice into a howl of anger and pain.

Seven minutes in length, the film features two black male hikers — one ascending a mountain, another descending — who encounter each other as their paths cross. Their balletic movements are at once lithe and halting, athletic and awkward, challenging stereotypical notions of the forever rhythmic elegance of the black body in space.

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.