The Hasty Man Drinks His Tea with a Fork

In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.

Successful model, Phyllis Clyne, convinces a down-and-out nobleman, Billy, to pass her off in society as titled gentry. They fall in love and when it turns out that her late father actually was a lord, they decide they now can marry.

In a small, conservative Scottish village, an oilman is paralyzed in an accident. His wife, who prayed for his return, feels guilty; even more, when he urges her to have sex with another.

Chidambaram is based on a short story by noted Malayalam writer C. V. Shriraman. The film is a deeply symbolic exploration of the man-woman attraction leading to betrayal and eventually to the purgatory of guilt.

What happens to a relationship if a partner suddenly becomes severely disabled after an accident? For Gosia it is clear that she will stand by her boyfriend Tomek no matter what in order to let him live as normal and fulfilled a live as possible. But time and again she becomes painfully aware of her own limits, as well as of those of a society that talks a lot about inclusion but often does not seem to be ready for it. GOSIA@TOMEK is based on more than 3000 emails that Gosia has been writing to Tomek daily since his accident.

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After the suicide of a childhood friend, Connor and Liam are reunited by the difficult task of choosing their friends burial clothes.

A wealthy society doctor decides to research the medical aspects of criminal behaviour by becoming one himself. He joins a gang of thieves and proceeds to wrest leadership of the gang away from its extremely resentful leader.

This is a Dutch documentary about the last weeks of life in a Portuguese clinic for Emma Caris, a 18 year old girl who had been suffering anorexia nervosa since she was 16 years old.

Since the enactment of the Anti-Boryokudan Act and Yakuza exclusion ordinances, the number of Yakuza members reduced to less than 60,000. In the past 3 years, about 20,000 members have left from Yakuza organizations. However, just numbers can’t tell you the reality. What are they thinking, how are they living now? The camera zooms in on the Yakuza world. Are there basic human rights for them?

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This short experimental diary film reveals my struggles with mental illness in my adolescence and queer adulthood while simultaneously reflecting upon my joyous childhood experiences. I investigate when and how my depression began and explain that my relationships with the people I love have supported me through my harder times. The film incorporates footage shot over May and June 2023 and archival home videos. Overall, I aim to resolve my "growing pains" through the medium of diary film and by reconnecting with my younger self.

Bethany and Sam are friends with a brewing romance that is long overdue. With the making of a student film together over Halloween, this romance becomes realised. However, with this new proximity to Sam, Bethany begins to peel away the layers of a potentially very troubled person.

Pushed to the breaking point by Simon, her psychologically abusive boyfriend, Alice becomes an unwitting participant in an intervention staged by her two closest friends while on vacation. As she rediscovers the essence of herself and gains some much-needed perspective, she slowly starts to fray the cords of codependency that bind her. However, Simon's vengeance is as inevitable as it is shattering, and once unleashed, it tests her strength, her courage, and the bonds of deep-rooted friendships.

Six months after losing his mother, Jared's life collapses into depression, addiction, and emotional numbness, pushing away the last person who cares for him. Alone in his apartment, he is visited by Depression - a seductive female entity who comforts him only to guide him toward his suicide. At his breaking point, a glowing divine hand interrupts his descent, pulling him into The Abyss where his despair takes physical form. On the edge of hopelessness, Jared encounters a breathtaking vision of God's glory, revealing the truth about healing and the presence he ignored. Returned to life with renewed peace, Jared begins his journey toward restoration.

In August 2012, mineworkers in one of South Africa’s biggest platinum mines began a wildcat strike for better wages. Six days later the police used live ammunition to brutally suppress the strike, killing 34 and injuring many more. Using the point of view of the Marikana miners, Miners Shot Down follows the strike from day one, showing the courageous but isolated fight waged by a group of low-paid workers against the combined forces of the mining company Lonmin, the ANC government and their allies in the National Union of Mineworkers.

A short film portrays the events of a depressed man's day, culminating, presumably, in his suicide, though the ending is ambiguous. Afterwards, a roundtable of mental hygiene professionals and social workers examine the film, while discussing the phenomenon of suicide more broadly.

Cranes and Voices follows, on one side, people who hear voices and share their daily lives, and on the other, a collective of tenants who investigate their neighbourhood through its noises, its vibrations and its construction sites. The film moves through apartments, streets, meetings and moments of sound creation, where voices, urban noises and recorded materials are transformed into collective sound compositions and spaces for exchange. Sound appears here as an ambivalent force, at once invasive and generative, shaping the way we inhabit the city, other people and ourselves. Cranes and Voices invites us to pay attention to these singular listening experiences, to hear what they reveal about the housing crisis, about how mental health is viewed and about the ways we organise our shared spaces.

Ben Quarry is dead. When he wakes up in a daze he realizes he is still trapped in this mortal realm, the only problem is, no one can hear him.

A journalist (Alekos Alexandrakis), working together with a young director (Peris Michailidis), tries to gather information about a family that was separated due to political turmoil. They locate some of its members, who tell their dramatic stories that began with the Civil War. The two men’s search is interrupted when a key person refuses to speak