Il museo degli orrori di Dario Argento

A portrait of five St. Petersburgians and their connection to The Hermitage.

The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.

For over 30 years a man termed as a mad man, comes to light as his passionate work of collecting artifacts gathers momentum and gains the title of a museum. The film trails through the struggles of Victor Hugo Gomes, a Collector from India-Goa, and how he perceives to leave behind his collection.

A trio of female reporters find themselves staying overnight in a house occupied by a hostile being lurking in the basement

In the past few days Rome has been the scene of a singular event: when it rains, the manholes exhale a dense steam whose origin and composition is unknown. No one can imagine that whoever breathes in the mysterious substance will have to deal with what he/she represses, their darkest instincts, their anger. Not even the Morel family.

Longitudinal documentary film was shot for past 16 years and the main protagonist is Roman musician and activist Vojta Lavička. Vojta is a master in violin play, who focuses not only on music but also deals with problems of his origin Roman nationality. Vojta is very active in media - he worked in the national radio and television, he worked in the NGO that organize street work for Roman ghettos around the Czech republic, Vojta worked also as a social worker. All together we can watch him struggling with the main topic of his life - his national minority and problems that are caused by living next to Czech majority. Aside this topic films discovers Vojta's private life and his fight for being a good musician and a good man.

An intimate portrait of an inter-generational family as they bid farewell to the common ground that binds them together.

A tribute not so much to the river that runs through the Eternal City, but to that part of Rome that very often remains invisible to the eyes of tourists-the suburbs, with their streets and rituals.

George Escher, eldest son of M.C. Escher, shares personal stories of growing up in Rome and witnessing his father at work.

People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?

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Diana, a high-class prostitute trying to escape from a serial killer, suffers a car accident that leaves her blind and kills the family of Chin, a ten-year-old boy.

Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.

Fifteen naturally mummified bodies were found during the excavations of 2011 in the old church of El Piquete, —a building that suffered almost total devastation as a consequence for being a refuge for civilians during the Spanish Civil War—, this discovery allowed the creation of the Museum of the Mummies of Quinto where this collection with unique characteristics in Spain is exhibited thanks to the research of historians, scientists, bio anthropologists and archaeologists.

An American writer living in Rome witnesses an attempted murder that is connected to an ongoing killing spree in the city and conducts his own investigation, despite him and his girlfriend being targeted by the killer.

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

Focused on the experiences of Manuel "Manolo" Díaz Caballero, who was a local police officer in Malaga for more than 30 years, his memories of those years are the subject of this documentary.

Curator Robert Storr takes us through the 2002 MoMA Gerhard Richter retrospective.

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A structuralist work composed of static, long-duration shots of Roman ruins and architectural details, all filmed on Super 8. The film operates without a traditional narrative or dialogue, relying on fixed compositions to document the interplay of light and shadow across ancient stone. By framing monuments through windows and doorways, Jean-Claude Rousseau explores the relationship between historical space and the act of observation.