

Top Cast

Aleksandr Demyanenko
Radetskiy

Ninel Zhukovskaya
Klavdiya Fyodorovna

Valentina Kutsenko
Katya

Tamara Loginova
Korobova

Mikhail Gluzskiy
Polkovnik

Leonid Kmit
Kravets

Aleksandr Lukyanov
Andrey Makarovich

Aleksandr Afanasev
Komandir

Igor Bogolyubov

Viktoriya Chaeva
Glafira

Svetlana Danilchenko
Lyuba

Aleksandr Grechaniy
dyadya Fedya
Key Film Crew
Production Stats
You May Also Like

Clara (Karin Viard) is a stripper with a high-strung, jealous boyfriend with the curious name of Loockeed (Antoine Chappey). The couple are friends with the even-temperred, almost saintly Max (Gerald Laroche), an auto mechanic. The three of them set out from their home in the north to journey to the Alpine mountains near Switzerland and Italy, where they will help a fourth friend take care of his pleasure boat business at Lake Annecy while he is in military service. As the trio attempt to establish some sort of equilibrium in their new lives, Max must constantly deal with Loockeed's testy, jealous barbs. Despite this, the three of them remain friends.
Sidestroke

Reform school teacher tries to carry his class to the right path by teaching them diving.
Black Pearls

Mladen and Marija are an ordinary and happy married couple of the "middle class" of the society in which they live as tenants. Mladen works as a civil engineer in a state company, and Marija is an English teacher in primary school. The couple finds joy in their only son, Nemanja. They discover that Nemanja has a rare heart disease and healing is possible with an operation in a foreign medical center, which costs €26,000.
The Trap

A bored estate lawyer spots a beautiful woman in the window of a ballroom dance studio. He secretly starts taking dancing lessons to be near her, and then over time discovers how much he loves dancing. His wife, meanwhile, has hired a private detective to find out why he has started coming home late smelling of perfume.
Shall We Dance?

Events take place in an isolated mountaineous village where a rabid dog bites the son of Fatime. The woman has to decide where to take her son, to the doctor or to Aunt Remja, an old woman who practices magic.
Her Children

Divorce lawyer Peter Ullrich’s seemingly perfect life shatters when his wife Katja suddenly leaves with their children. To shield his reputation, he hides the split and asks his clerk Thomas - himself reeling from family turmoil - to care for the kids. Amid comedic and touching moments, Thomas bonds with Peter’s children while both men grapple with love, loss, and unexpected emotional upheaval.
Papa und Mama

An ambitious U.S. Senator reflects back on his life after the death of a woman whom he loved and kept in contact with only through correspondence.
Love Letters

The animated corpse of Moscow goes on after its inhabitants left. Filled with weeps and whispers of the mourning ghosts, torn apart with phone calls from distant countries and unfamiliar sounds, emotionally devastated and deserted, the city attempts to reconcile with its own voice.
Moscow Calling

A wizard is concealing a secret from his partner. Although their love seems to flourish, this hidden secret prevents their relationship from progressing. Will their relationship remain this way forever?
ILLUSION

Lina is in her best age, mid-30s. She is strong-willed, resilient and self-conscious. There has never been a man in her life, on the contrary, she even had to play the man's role on the small farm to sustain herself and the parents. But the quest for true love and longing for a man is still strong. She has never had the opportunity to realize this dream in the confined environment she lives in. Her obstinacy has also scared off the men. But one day Gilbert returned to the village after being in America for 20 years.
Jentespranget

Architect Mark Wallace and his wife, Joanna, travel to France to meet with an affluent client. While there, they reflect on their first decade of marriage -- memories of when they first met, of courtship, and of road trips through the French countryside. As flirtation and playful quarreling turn to boredom with the banality of married life, the Wallaces struggle to rekindle their passion, while mutual infidelity threatens to tear them apart.
Two for the Road

Impoverished priest Harihar Ray, dreaming of a better life for himself and his family, leaves his rural Bengal village in search of work. Alone, his wife, Sarbojaya, looks after her rebellious daughter, Durga, and her young son, Apu, as well as Harihar's elderly aunt Indir. The children enjoy the small pleasures of their difficult life, while their parents suffer the daily indignities heaped upon them.
Pather Panchali

In a small, poor village leaning over high rocky mountains, the villagers are simple and diligent people who struggle to cope with a harsh nature. They earn their living off the earth and a few animals they feed. Fathers always prefer one of their sons. Mothers command their daughters ruthlessly. Ömer, the son of the imam, wishes hopelessly for the death of his father. When he understands that wishful thinking does not have any concrete results, he begins to search for childish ways to kill his father. Yakup is in love with his teacher, and one day after seeing his father spying on the teacher he dreams too, like Ömer, of killing his father. Yıldız studies and tries to manage the household chores imposed by her mother. She learns with irritation about the secrets of the relationship between men and women.
Times and Winds

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
L'Âge d'or

Heli Valkonen is desperately in love with her husband. But Matti is just not in the mood. He is only interested in playing computer games, dressed in worn out fleece pants. For him, a shoulder massage is the highest form of intimacy. When subtle hints, nice words and fetching clothes won't help, Heli resorts in direct, and increasingly direct action - in vain.




